Beautiful story, beautifully told

This is one of my favourite plays and it was beautifully executed here. the performance did not detract from the story.

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Very worthy, and rather dull

This begins well- there is music, backround noises... it sounded good; Roger Allam was a satisfactory Antonio and the Bassiano had almost enough charm... But then it never boiled- never even heated up

The first warning that this was not going to be a fun spin through a Shakespeare comedy was when Shylock first spoke- for Shylock in this version is a very, very, very serious charecter. Not a single one of his jokes is played for a laugh- from first to last he is stern, sober and completely unlovable- he has no shades or moods- he is always grim and revengeful- his charecter never grows and he never grows in the least sympathetic- or in the least interesting. By producing such a PC Shylock they rip the living heart out of the play.

The next crashing failure was the clown, Launcelot- I don't think they were even trying to be funny. It seemed as if NAXOS had decided that this was a nasty, anti-semitic play and though they would record it faithfully, yet noone was to laugh in the process.

Emma Fielding as Portia broke the rule and did manage to sound amused, even manage a little laugh-but I don't think that she and her Bassiano even managed to convince themselves that they were in love, let alone the listener...

And so it dragged on, there was never any chemisty, never any real feeling, the court scene had no tension... No charecterisation- Lorenzo, Gratiano, Salerno etc. all remained interchangeable young men to the end.

In short it is just a faithful reading, the actors never really seemed 'off the book.'

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7 people found this helpful