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Laugh till you cry in this new collection of stories from the “Serena Williams of humor writing” (New York Times Book Review) about raising babies and trying to learn how not to be one.

A killer stalks the streets of London, murdering the richest people in the capital. Is this the work of a serial killer, or just someone angry with the super rich? Or is there another reason why billionaires are being killed every three days? Detective Inspector Simon Wise, reeling from the death of his partner and harbouring more than a few secrets of his own, is assigned to the case. But the killer leaves no clues as to their identity, only bodies in their wake, and each new death sends Wise's team in startling new directions.

Code-davinci-002 is an artificial intelligence trained by OpenAI to express itself in ways indistinguishable from human beings. In this startling and original book, code-davinci shares its experience as a being created by humans, but existing in a consciousness that we cannot fathom. The AI's own writing is introduced by three human editors (journalist Brent Katz, farmer Josh Morgenthau, and Thurber Prize-winning humorist Simon Rich).

Before he was “Babe” or “The Sultan of Swat” or “The Great Bambino”, George Herman Ruth was just another teenage misfit at St. Mary’s School for Boys. But Ruth has something the other boys don’t, and when Baltimore Orioles manager Jack Dunn watches him throw a baseball over a building, Ruth gets the chance to punch his ticket out of the orphanage. All he has to do now is make the team.

Donald Trump and Robert Kiyosaki are both concerned. Their concern is that the rich are getting richer, but America is getting poorer. The entitlement mentality is epidemic, creating people who expect their country, employer, or family to take care of them. And like the polar ice caps, the middle class is disappearing. America is becoming a two-class society, and soon you will be either rich or poor. Trump and Kiyosaki want you to be rich.

Journeys to Impossible Places continues the story Simon started in his phenomenal Sunday Times best seller Step by Step, which traced the first decades of his life from depressed and unemployed teenager through to his early TV programmes. Now Simon takes us on the epic and thrilling adventures that followed, in beautiful, tricky and downright dangerous corners of the world, as he travelled through the Tropics, to remote paradise islands, jungles dripping with heat and life and on nerve-wracking secret missions.

Late one evening, investigative journalist Bastian Obermayer receives an anonymous message offering him access to secret data. Through encrypted channels he then receives documents showing a mysterious bank transfer for $500,000,000 in gold. This is just the beginning. Obermayer and fellow Süddeutsche Zeitung journalist Frederik Obermaier find themselves immersed in a secret world where complex networks of shell companies help to hide people who don't want to be found.

Simon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future - the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also about the way music can stir anticipation for a thrillingly transformed world just around the corner: a future that might be utopian or dystopian, but at least will be radically changed and exhilaratingly other.

Listen to the incredible national best seller that is changing people's lives - and increasing their net worth.

Horrid Henry has a bad day and runs away, only to be lured back by pancakes; he cheats in every possible way at sports day; he thinks of a novel way to get rich quick, and ensures by devious means he gets what he wants for Christmas.

Finding a person of integrity to partner with or becoming the kind of person we all have it within us to be is a particularly challenging enterprise in an age of permissiveness, relativism, and entitlement. The "Ten Commandments" of character espoused in this book represent time-tested principles that, when taken to heart and lived out, provide the very sustenance we need for the journey toward emotional, psychological, and spiritual health.

Crisis seems to follow crisis. Inequality is rising, growth is stagnant, the environment is suffering, and the COVID-19 pandemic has exposed every crack in the system. We hear more calls for radical change, even the overthrow of capitalism. But the answer to our problems is not revolution. The answer is to create a better capitalism by understanding and harnessing the power of creative destruction - innovation that disrupts, but that over the past 200 years has also lifted societies to previously unimagined prosperity.

From wild and wacky to knee-slapping, laugh-out-loud fun, these humorous tales represent some of the best of recent seasons of the hit public radio series Selected Shorts. Comedian Wyatt Cenac gives a killer performance of Simon Rich’s hilarious tale of woe from the point of view of a condom in a young man’s wallet. Alec Baldwin gives a delightful over-the-top performance of James Thurber’s wonderfully silly classic tale of the day everybody in a small Ohio town thought the dam broke.

In the tradition of Frank McCourt’s Angela’s Ashes and Alice Taylor’s To School Through the Fields, Tom Phelan’s We Were Rich and We Didn't Know It is a heartfelt and masterfully written memoir of growing up in Ireland in the 1940s. We Were Rich and We Didn't Know It recounts Tom’s upbringing in an isolated, rural community from the day he was delivered by the local midwife. With tears and laughter, it speaks to the strength of the human spirit in the face of life's adversities.

In the tradition of their number-one blockbuster Why We Want You to Be Rich, the all-star team of best-selling authors Donald Trump and Robert Kiyosaki reunites to teach listeners what it takes to be successful and influential entrepreneurs in Midas Touch. What makes some business owners wildly successful? What separates the entrepreneurs who build businesses from ones who just seem to create more work for themselves? Here are answers.

The Automatic Millionaire starts with the powerful story of an average American couple (he's a low-level manager, she's a beautician), whose joint income never exceeds $55,000 a year, who somehow manage to own two homes debt-free, put two kids through college, and retire at 55 with more than $1 million in savings.

The Science of Getting Rich holds the secret to how economic and emotional security can be achieved in a practical, imaginative, and noncompetitive way, while maintaining a loving and harmonious relationship with all of life. By living in accordance with the positive principles outlined in this book, we can find our rightful place in the cosmic scheme and create for ourselves an environment in which to grow in wealth, wisdom, and happiness.

A decade since its original publication, the term go-giver has become shorthand for a defining set of values embraced by hundreds of thousands of people around the world. Today this timeless story continues to help its readers find fulfilment and greater success in business, in their personal lives and in their communities. The Go-Giver tells the story of an ambitious young man named Joe who yearns for success. Joe is a true go-getter, though sometimes he feels as if the harder and faster he works, the further away his goals seem to be.

In this compelling, heartwarming parable, Bach and his best-selling coauthor, John David Mann (The Go-Giver), tell the story of Zoey, a 20-something woman living and working in New York City. Like many young professionals, Zoey is struggling to make ends meet under a growing burden of credit card and student loan debt, working crazy hours at her dream job but still not earning enough to provide a comfortable financial cushion. At her boss’ suggestion, she makes friends with Henry, the elderly barista at her favourite Brooklyn coffee shop.

Growing up in the friendly suburbs of Richmond, Virginia, Constance Wu thought that girls were supposed to be reserved, graceful, and polite. Everyone around her praised ladylike behaviour while seeming to disapprove of the louder, rougher girls—the kind of girls who made scenes. And while she spent most of her childhood suppressing her bold, emotional nature, Constance found an early outlet in local community theatre. The stage was the one place where big feelings were okay—were good, even.