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Writing Tools (10th Anniversary Edition)

55 Essential Strategies for Every Writer

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Writing Tools (10th Anniversary Edition)

Yazan: Roy Peter Clark
Seslendiren: Neil Kaplan
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Özet
 A special 10th anniversary edition of Roy Peter Clark's bestselling guide to writing, featuring five bonus tools.

Ten years ago, Roy Peter Clark, America's most influential writing teacher, whittled down almost thirty years of experience in journalism, writing, and teaching into a series of fifty short essays on different aspects of writing. In the past decade, Writing Tools has become a classic guidebook for novices and experts alike and remains one of the best loved books on writing available.

Organized into four sections, "Nuts and Bolts," "Special Effects," "Blueprints for Stories," and "Useful Habits," Writing Tools is infused with more than 200 examples from journalism and literature. This new edition includes five brand new, never-before-shared tools.

Accessible, entertaining, inspiring, and above all, useful for every type of writer, from high school student to novelist, Writing Tools is essential reading. Words, Language & Grammar Writing & Publishing Kurgu English Grammar
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Eleştirmen yorumları

"Roy Peter Clark knows more about writing than anybody I know who is not currently dead." —Dave Barry, author of Dave Barry's History of the Millennium (So Far)
"Clark is a joyful, brilliant teacher who unlocks the mysteries of literary flow. This book is one to keep near the keyboard." —Anne Hull, national reporter for the Washington Post
"Roy is the Obi-Wan Kenobi of writing teachers....Like its author, Writing Tools is brilliant, openhearted, and indispensable; it's easily one of the best books ever published about our craft."—Thomas French, Pulitzer Prize-winning journalist and author of Zoo Story
"Clark is a national treasure that needs to be mined aggressively." —DeWayne Wickham, USA Today
"For all the aspiring writers out there--whether you're writing a novel or a technical report--a respected scholar at Florida's Poynter Institute for Journalists pulls back the curtain on the art."—Teresa K. Weaver, Atlanta Journal-Constitution
"Pull out a favorite novel or short story, and read it with the guidance of...Clark's ideas....Readers will find new worlds in familiar places. And writers will be inspired to pick up their pens."—Boston Globe
"No matter what you write--a blog, a love letter, the next great American novel--Writing Tools offers practical advice that is a pleasure to read."—St. Petersburg Times
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So much good stuff in this. inspiring and full of practical tips and ideas. Enjoyed listening to this very much. The narrator was fun and a complete ham, but it worked with what the author was trying to convey. He kept the attention of the listener and made it light and fun as well.

Incredibly helpful

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The audio is great, however accompanying PDF which was promised, is not complete. Most of it is missing from the document.

PDF Incomplete

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I’m definitely going to listen to this more than once. The narration is lively. I really enjoyed the different voices used.

From a writer’s perspective, this is a good book to work through. Great advice, lots of examples and ample exercises at the end of each chapter to keep you writing for months on end.

Brilliant book, brilliant performance

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This sense was fuelled by the hammy narration. A masterclass in showing off whilst writing a shopping list of quotes during an amateur dramatics society rehearsal. The snobbery? It is steeped in a spurious inferiority complex, Americans often mock a British accent but the writer and narrator abuse this privilege. The author frequently disrespects British writers whilst elevating American authors and this weakens it. He uses a mocking tone to describe English spelling, color instead of colour for example, and takes issue with “English” punctuation. It is a tell and amusing because the clue is in the name: it’s called the English language not the American language. The book curates some solid advice but it’s chaotic and tainted by the author’s bitter bias. The book is dated, and that’s not it’s fault, but it’s advice on punctuation and rhythm would benefit from the reader or listener’s own analysis of how AI took many of the rules and conventions in this type of book to create an AI Rhythm. That is a style that writers may want to avoid for obvious reasons. I’m guessing this book isn’t nearly as insufferable in print: worth it for that lesson alone. One word: unlistenable.

Like travelling back in time to Snobland, USA in the 19th century and not in a good way

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