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The Teacher's Lie

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Teklif 29 Ocak 2026 tarihinde saat 23:59 GMT itibarıyla sona erer.
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The Teacher's Lie

Yazan: Brid Cummings
Seslendiren: Mia Wasikowska
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Özet

There are some secrets you just can’t bury.

A gripping Audible Original for fans of Jane Harper’s The Dry and Sarah Pearse’s The Sanatorium, The Teacher’s Lie is a psychological thriller set on the harsh and rugged South Australian coast, performed by Mia Wasikowska (Alice in Wonderland, The Kids Are All Right).

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying.

Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs. The failing institution is so understaffed that it is the one place her history might remain hidden. But while the eccentric Headmistress seems welcoming, deputy-head Miss Baxter seems determined to expose her secrets.

With new lies spinning out of control, how long can Anna keep her secret hidden? And is she being haunted by her guilt or by something far more sinister?

©2024 Brid Cummings (P)2024 Audible Ltd. Psychological Thriller & Suspense
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Yazar Hakkında

Brid Cummings, Güney Avustralya’da yaşayan ve hikayeleri kurgunun karanlık tarafına yönelen bir yazardır. Doğa sevgisi ve vahşi yerler, gizemli olan her şeye duyduğu merak gibi, hikayelerine sıklıkla ilham kaynağı olur. Brid’in kısa hikayeleri çeşitli dergi ve antolojilerde yayımlanmıştır. İlk kez düzenlenen Glencairn Crime Short Story Competition’ın kazananı ve The Ghost Story Screw Turn Competition’ın da bir kazananıdır. Kurgu yazmadığı zamanlarda Brid, bağımsız ruhlu kelpie’siyle birlikte Güney Avustralya’nın güzel parkurlarında yürüyüş yaparken bulunabilir.

About the Performer

Mia Wasikowska recently starred in Jessica Hausner’s thriller Club Zero, which premiered in competition at the 2023 Cannes Film Festival.
Her recent credits include Mia Hansen-Love’s Bergman Island, which had its World Premiere at the 2021 Cannes Film Festival, Robert Connolly’s Blueback based on the Tim Winton novel of the same name, Roger Michell’s Blackbird alongside Kate Winslet, Sam Neill and Susan Sarandon, the Netflix feature The Devil All the Time alongside Chris Evans, Robert Pattinson and Tom Holland, and Mirrah Foulkes’ debut feature Judy and Punch, which had its World Premiere at the 2019 Sundance Film Festival, and earned her a Film Critics Circle of Australia Award for Best Actress.
Mia gained international recognition as the title character in Tim Burton’s 2010 retelling of the Lewis Carrol novel Alice in Wonderland, alongside Johnny Depp, Anne Hathaway and Helena Bonham Carter. Her performance earned her the AFI Award for Best International Actress. In 2015, she reprised the role in James Bobin’s sequel, Alice Through the Looking Glass.
Her other credits include Nicolas Pesce’s Piercing, which premiered at the 2018 Sundance Film Festival, David Zellner’s Damsel, Cedric Jimenez’ The Man with the Iron Heart, Guillermo Del Toro’s period thriller Crimson Peak, Sophie Barthes’ Madame Bovary, David Cronenberg’s Maps to the Stars, Richard Ayoade’s The Double, John Curran’s Tracks, Jim Jarmusch’s Only Lovers Left Alive, Chan-wook Park’s Stoker, John Hillcoat’s Lawless, Rodrigo Garcia’s Albert Nobbs, Cary Fukunaga’s Jane Eyre, Gus Van Sant’s Restless, Lisa Cholodenko’s The Kids Are All Right, Scott Teems’ That Evening Sun, Peter Carstairs’ September, Greg McLean’s Rogue and Paul Goldman’s Suburban Mayhem. Mia also featured in the first season of the acclaimed HBO series In Treatment.
Mia made her directorial debut with Long, Clear View, a segment of The Turning anthology film, based on Tim Winton’s novel, which was nominated for an AACTA Award in 2013. She followed this with Afterbirth, a segment of Madly, an international anthology of short films featuring innovative love stories, which premiered at the 2016 Tribeca Film Festival.
In 2019, Mia made her main stage theatre debut as Ralph in the Sydney Theatre Company’s production of Lord of the Flies, directed by Kip Williams.
Mia has also received the Hollywood Breakthrough Actress of the Year Award and the Australians in Film Breakthrough Award.
Photographed by Almin Zrno.

Tüm yıldızlar
En alakalı
By chapter 9 I could go on no longer- the mystery, the misery, the environment, depression completely overcame me. I read all the time- a huge variety of books and thought immediately that the book is well written and evocative- but no spark of relief to keep me going through the gloom and fearful threat.

Relentlessly painful

Bir sorun oluştu. Lütfen birkaç dakika sonra tekrar deneyin.
This wasn’t what I expecting from the write up. It’s a strange supernatural sort of thing which really isn’t my bag - made infinitely worse by the droning narration. I had to keep re-listening to parts of it as my mind kept wandering off … I’ve never had that happen whilst listening to a book before! The story wasn’t really there … nothing actually happened … and I can’t, for the life in me, fathom out what the story was actually supposed to be. Pretty ridiculous.

Far fetched and just … weird

Bir sorun oluştu. Lütfen birkaç dakika sonra tekrar deneyin.
It was a OK book I guess. The story was weird and you really have to concentrate to get it.

The teachers lie

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I really enjoyed the whole book. There were some excellent characters and a nice twisty storyline. Because I’m an old softy, I’d like a little bit more in the postscript.

Excellent characters with a deep secret

Bir sorun oluştu. Lütfen birkaç dakika sonra tekrar deneyin.
Sorry, I love books, really hate being negative about any because there is usually something to enjoy, think about, or take away from any book. Unfortunately not this one. I have tried to find something, but chapter 26 has finished me off. The book is free, so by all means, give it a go, but if your not deeply depressed now, there's a good chance you soon will be if you do. This book is THE most miserable depressing book I have ever read/listened to, none of it flows or joins up or makes sense in any way up to chaper 26, cant say beyond that. The narrator is ok, but probably the book lets her down 😂, why anyone would want to read this to the end, if indeed it has one is beyond me. Sadly I admit defeat, off to find something better to do with my time.

Why?

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