Romola
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Seslendiren:
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Lucy Scott
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Yazan:
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George Eliot
Set in the turbulent years following the death of Lorenzo de' Medici, George Eliot's fourth novel, Romola, moves the stage from the English countryside of the 19th century to an Italy four centuries before her time. It tells the tale of a young Florentine woman, Romola de' Bardi, and her coming of age through her troubled marriage to the suave and self-absorbed Greek Tito. Slowly Tito's true character begins to unfurl, and his lies and treachery push Romola toward a more spiritual path, where she transcends into a majestic, Madonna-like role, while Tito descends further into corruption and villainy....
Impeccably researched, the novel features a cast of historical characters, including Girolamo Savonarola, Piero di Cosimo, and Niccolò Machiavelli, and draws parallels between the Republic of Rome of Eliot's day and the Republic of Florence ruled by Savonarola, most famous for its Bonfire of the Vanities, depicted here in vivid detail.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
Public Domain (P)2020 Naxos AudioBooksThis novel really works well on Audible. Listening to the very competent narrator, transported me to fifteenth century Florence. Eliot’s research is meticulous, I really felt I learned something about the politics of that period in Italy (which in turn helped me understand our Henry VIII relationship with Rome). But best of all was Eliot’s extraordinary understanding of human nature. Her ‘baddies’’s are never all bad and her ‘goodies’ are not saints. All her characters are nuanced and have depth. The plot is exciting and based on real events.
If George Eliot really had been a man, I’m sure we’d be celebrating her as much as Dickens!
I highly recommend listening to this novel (but don’t try to read it!)
Brilliant to listen to - hard to read!
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A great novel, well read
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the narrator did beautiful job
the performance is one the best I ever had
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Lucy Scott's narration is really good, bar the histrionic high pitched voice used for Tessa, although it would be hard to know how to voice such a shallow, and half realised character as this. In general though, Lucy's narration is just as good as that of her award winning performance as 'Clarissa'. Now that is a book to be highly recommended. It's just sad that Samuel Richardson saw female characters as more nuanced that did George Eliot, who in my view, is as bad as Dickens for dividing women into plaster saints, idiots or harpies. Overall, I think this is an important book - and Hardy fans will enjoy recognising shades of 'Tess' in this heavyweight tome.
An important book ....
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Many twists and turns in the story. Interesting complex characters of Romola and Tito, also Baldassari
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