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Legendary Frybread Drive-In

Intertribal Stories

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Legendary Frybread Drive-In

Yazan: Cynthia Leitich Smith, Kate Hart, Eric Gansworth, Marcella Bell, Darcie Little Badger, Karina Iceberg, Kaua Mahoe Adams, Cheryl Isaacs, Andrea L. Rogers, Christine Hartman Derr, Brian Young, K. A. Cobell, Jen Ferguson, A. J. Eversole, Byron Graves
Seslendiren: Katie Anvil Rich, DeLanna Studi, Shaun Taylor-Corbett, Darrell Dennis, Elva Guerra
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Özet

Michael L. Printz Award Winner
American Indian Youth Literature Award Winner

Odyssey Award Honoree

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world’s best frybread.

The road to Sandy June's Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June's serves up more than food: it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again.

That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.

Featuring stories and poems by: Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young.

In partnership with We Need Diverse Books.

Anthologies & Short Stories Depression & Mental Health Difficult Situations Emotions & Feelings Literature & Fiction
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Representation matters!!
This anthology is so so so good in that aspect. Little me would have loved something like this for Latin American indigenious people.
I've learnt a lot about cultures and languages, traditions and folklore... and food! from this anthology.
I just didn't notice it was for a YA audience until the end, which would explain the sort of easy and predictable endings in the stories, the reason this is not 5 stars for me.
If the target audience is a very young one, I can understand that, but I think older teenagers and YA would appreciate a bit more of development.
But we all deserve happy endings, soppy representation and coziness.
Really glad I listened to it (it helped with the words in indigenous languages), and to have found it through the Goodreads challenges.

Representation matters

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