Juice
A page-turning epic about survival and resilience from the twice Booker-shortlisted author
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Seslendiren:
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David Field
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Yazan:
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Tim Winton
Longlisted The Climate Fiction Prize 2026
One of The Guardian's best sci-fi books of the year.
An edge-of-your-seat, post-apocalyptic thriller. Perfect for fans of The Last of Us, Station Eleven and The Road, from twice Booker-shortlisted author Tim Winton.
'Will stab your conscience and break your heart’ – Emma Donoghue
'A blistering cli-fi epic' – The Guardian
Survival is only the beginning.
Two fugitives, a man and a child, drive across a stony desert. As dawn breaks, they roll into an abandoned mine site. They’re exhausted, traumatized, desperate now, and this is a forsaken place, but as a refuge it’s the most promising they’ve seen. The child peers at the field of desolation. The man thinks to himself, this could work.
Problem is, they’re not alone . . .
So begins a searing journey through a life where the challenge is not only to survive; it’s keeping your humanity if you do.
Eleştirmen yorumları
Totally captivating
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A climate change western
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Let’s be nice and start with the glittering prose: two examples:
“The next morning I went about my work like someone impersonating himself. It was as if the frame holding me upright had been compromised””.
“The clouds looming in the northeastern sky were like a troop of towering black figures: ruthless, nomadic, seething, with faceless, anvil-shaped black heads”.
Good, isn’t it?
The book’s opening passage is basically Cormac McCarthy’s ‘the Road’ with wheels. But {spoiler} our hero and his charge get snagged by a desperado, who locks them in his lair. The entire plot then follows, in the form of a retrospective delivered by the hero, to his captor. And that’s the problem. It’s a novel. Nobody tells their life history in the exact form of a fully fledged novel, glittering prose and all. The structure also drains the novel of the nail-biting drama it ought to have, because of course, we always know our hero will survive in tact.
It’s a shame; I feel sure ‘Juice’ would have worked fine with a more straightforward structure. And then it might have been credible and suspenseful.
Frame Compromised
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Great story with an even better narration!
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Fantastic narration
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