Hauntology
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Seslendiren:
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Alan Turton
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Yazan:
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Merlin Coverley
This book seeks to answer these questions by examining the history of our fascination with the uncanny from the golden age of the Victorian ghost story to the present day. From Dickens to Derrida, MR James to Mark Fisher; from the rise of Spiritualism to the folk horror revival, Hauntology traces our continuing engagement with these esoteric ideas. Moving between the literary and the theoretical, the visual and the political, Hauntology explores our nostalgia for the cultural artefacts of a past from which we seem unable to break free.
Praise for the author: “This little book [Psychogeography] does exactly what an introduction should; it examines, explains, and whets the appetite” TELEGRAPH
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BUT as others say why opt for random accents, this is non-fiction it doesn't need to sound like a Hercule Poirot plot. Also as others say, why use accents that have no similarity to the person quoted, it is easy to ascertain what Colin Wilson sounds like so why make him sound like a Yorkshire miner??? also the 'Allo Allo' accents are difficult to understand which defeats the purpose surely.
Accents!!!!
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Poor reading
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Good ideas in a jumbled presentation
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still worth ploughing through
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However, the person reading the book rather let it down at times. He would put on foreign accents when the book quoted writers who aren’t English (and for the record, some of the accents were atrocious), which was laughable at best and irritating always, and there were a number of words he mispronounced scattered throughout the reading). It wasn’t so bad that it made it unlistenable, but it was annoying.
Despite the reader’s iffy performance, I’d still recommend this to those interested in a scholarly discussion of Hauntology. Coverley’s arguments are generally good (I’d take issue with some, particularly his argument that Hauntology is somehow uniquely British, even though some of his arguments contradict this), but otherwise he makes some interesting points.
Interesting Discussion, Iffy Reader
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