Gilead
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Seslendiren:
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Tim Jerome
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Yazan:
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Marilynne Robinson
Pulitzer Prize, Fiction, 2005
National Book Critics Circle Award, Fiction, 2005
From the author of Housekeeping, Gilead is the long-hoped-for second novel by one of America's finest writers.Chosen by the New York Times Book Review as one of the top six novels of 2004.
In 1956, toward the end of Reverend John Ames' life, he begins a letter to his young son, a kind of last testament to his remarkable forebears.
©2005 Marilynne Robinson (P)2008 Hachette DigitalSeriye devam et
Eleştirmen yorumları
"Writing of this quality, with an authority as unforced as the perfect pitch in music, is rare and carries with it a sense almost of danger - that at any moment, it might all go wrong. In Gilead, however, nothing goes wrong." ( Jane Shilling, Sunday Telegraph)
"The gently American, finely judged narration succeeds in combining contemplation with vigour and in conveying a suggestion of mysticism." ( The Observer)
Any additional comments?
The narrator of this beautiful book is an elderly priest in 1956 reflecting on his life in the small mid west town of Gilead. He is a tremendously appealing character -wise and sympathetic and flawed. It's a very human, sweet and profound book about families and small towns and troubles and belief. The last ten minutes had me close to tears and when it finished I found I'd been holding my breath. A joy.A salve to the soul and a joy
Bir sorun oluştu. Lütfen birkaç dakika sonra tekrar deneyin.
Well worth all the accolades
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I'm a philistine
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I couldn't get along with the narration
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- I did really like the following passage which is how I think a lot of people think:
“I have always worried that when I say the insulted or the downtrodden are within the providence of God, it will be taken by some people to mean that it is not a grave thing, an evil thing, to insult or oppress. The whole teaching of the Bible is explicitly contrary to that idea. So, I quoted the words of the Lord: ‘If anyone offend these little ones, it would be better for him if a millstone were put around his neck and he were cast into the sea.’ That is strong language, but there it is.
Young Boughton just sat there grinning. That’s one thing that has always been strange about him. He treats words as if they were actions. He doesn’t listen to the meaning of words; the way other people do. He just decides whether they are hostile, and how hostile they are. He decides whether they threaten him or injure him, and he reacts at that level. If he reads chastisement into anything you say, it’s as if you had taken a shot at him. As if you had nicked his ear.”
might have expected more with such high praise
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