Biblical Genres

One of the most common arguments against Christianity is that the God of the Old Testament seemed so drastically different than the God of the New Testament. In the Old, many claim He seemed cruel and capricious, while in the New, He suddenly became a God of love and tolerance. Yet Jesus said, “If you’ve seen Me, you’ve seen the Father”, and the writer of Hebrews tells us that “Jesus Christ is the same yesterday, today, and forever”. If God hasn’t changed, how do we explain the apparent difference? The answer lies in a long-forgotten word: covenant.

From S.J. Day, the #1 New York Times bestselling author of Bared to You Years ago, Evangeline Hollis spent a blistering night with a darkly seductive man she can't forget. But that evening of addictive pleasure has become a disaster of biblical proportions: She's been branded with the Mark of...

How a better understanding of genre leads to a better understanding of the biblical text. The Bible, with its gloriously rich diversity of ancient genres, demands a flexible and historically aware approach to genre. Different conceptions of narrative, poetry, gospel, epistle, wisdom, and...

Based on the book of Acts this is the story of the Apostle Paul's third journey. Told through the eyes of Paul's companion Timothy this is the tale of the journey to Ephesus and Paul's time in the city. Unlike his earlier journeys the third journey is spent mostly in one city where Paul not only raises up a church but trains young men to take on the mission of raising up the next generation of churches after his death. This is also the story of the church in Corinth and Paul's letters to that riotous, chaotic gathering.

It's the year 641 since the beginning of everything, and when Eve passes away, she leaves Adam, the only man on earth who remembers everything since they walked in Eden. When Enoch, God's newly appointed prophet, decides to collect the stories of the faithful from previous generations, he finds Adam in desperate need to confess the dark secrets he's held onto for too long.

To most, the term “Christian horror” probably seems like an oxymoron. Nevertheless, there are very good arguments to be made that “horror” is an eminently biblical genre and that Christian artists should be at the forefront of reclaiming it. In this work, novelist and freelance writer Mike Duran explores the Judeo-Christian roots of contemporary horror, the religious themes that frame much of the horror art, and how evangelical culture has come to distance itself from such a potentially rich and powerful medium.