Showing results by narrator "Tomas Peter" in All Categories

The Green Cockatoo is a short play set in a busy tavern on the night of the storming of the Bastille. Rich Parisian nobles come to watch some actors play at being rogues, thieves, and other criminals, but they quickly find reality and fantasy blending together in the most alarming of ways.

King Claudius, when a young man, wrote a five-act tragedy which was damned, and all reference to it forbidden under penalty of death. The King has a son - Hamlet - whose tendency to soliloquize has so alarmed his mother, Queen Gertrude, that she has sent for Rosencrantz and Guildenstern to devise some Court revels for his entertainment. Rosencrantz is a former lover of Ophelia, to whom Hamlet is betrothed, and they lay their heads together to devise a plan by which Hamlet may be put out of the way. Some Court theatricals are in preparation.

This book contains two plays by Henrik Ibsen. Norma is a satirical opera designed as a dramatic parody of Vincenzo Bellini's opera Norma, in which the characters are portrayed as central figures in the political life of contemporary Norway. St. John's Night is a fairy-tale comedy that takes place during a midsummer feast on a farm in Telemark. It is inspired by many sources, most notably A Midsummer Night's Dream by William Shakespeare, and features many of the same themes.

Set in Vienna at the turn of the 19th century, the romantic entanglements of four young individuals, Fritz, Theodor, Christine, and Mizi, offer a sharp social commentary and insight on the influence of personal and social morals on relationships.

Alice Gerstenberg (1885-1972) was an American playwright, actress, and activist. She is best known for her many feminist plays, which often feature female lead characters and all-female casts (a rare occurrence at the time). This is a collection of ten one-act plays, which cover a wide range of topics -highlights include a lighthearted farce involving gossiping women, a satire about dinner parties, and a comedy about the pretensions of conventional theater, but some plays also touch on more serious themes such as death, war, and the effects of an unhappy marriage.

This classic farce was first performed in 1892. Since the record-breaking initial run in London, it has been revived many times around the world in a variety of languages, and has also been adapted for a number of presentations on film. The play incorporates many of the features which have become standard in romantic comedies: a cross dressing central character, identity confusion, young lovers kept apart by parental influence and older lovers unexpectedly reunited.

Peter Lustig ist Schlossherr geworden. Er hat sein altes Grundstück eingetauscht gegen das Barockschlösschen Pölser, angeblich eine "Perle der barocken Baukunst". Der Bauunternehmer Bunkenburg hat Peter zu dem Tausch überredet, denn er hat große Pläne mit dem Elchwinkel. Doch Peter merkt schnell: Mit seinem Schlösschen stimmt was nicht. Zum Glück kann er den Tauschvertrag noch rückgängig machen – wenn er bis zum nächsten Tag um 12 Uhr wieder in Bärstadt ist. Und so macht sich Peter erneut auf eine Reise ins Abenteuer – diesmal sogar zu Pferd.

Von wegen Müll! Ein wertvoller Gartenzwerg des Nachbarn ist verschwunden, und Schuld ist Peter Lustig, der ihn aus Versehen weggeworfen hat. Nun muss Peter sehen, dass er das verlorene Kerlchen zurück holt. Mit Spürsinn und Ausdauer verfolgt er den Weg des Verpackungsmülls und schleicht sich in eine Sortieranlage. Dort erfährt er, wie mit großem Aufwand aus den Bärstädter Müllbergen wieder wertvolle Rohstoffe werden.

Floyd Dell has been called "one of the most flamboyant, versatile, and influential American Men of Letters of the first third of the 20th century". Though he was primarily a newspaper and magazine editor, most prominently of the radical left-wing magazine The Masses, he also published many best-selling feminist works. As a staunch advocate of feminism, socialism, psychoanalysis, and progressive education, his writing greatly shocked the American bourgeoisie at the time, to the point where it became so controversial, he was put on trial twice for his subversive literature.

These six plays are Japanese classics from the 14th century and are presented in the order of a traditional Nō programme. Nō, the Japanese word for "skill", is a form of Japanese musical drama that originated in the eighth century, and is the oldest major theatre art that still survives today. Alongside Nō plays were kyōgen plays, which were short works typically inserted as a comedic interlude of sorts between the more classical Nō performances.