Showing results by narrator "Ghizela Rowe" in All Categories

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

A Midsummer Night's Dream is a delightful tale of true love having to struggle against duty and pride. It has three separate interlocking stories set in Athens, a woodland, and the realm of the fairies - all under a moonlit sky. This is one of Shakespeare's most popular plays, and this reading unfolds the plot quickly while retaining its charm.

For many of us Autumn, or as the Americans would say; Fall is the season of mixed emotions. Summer's long days are replaced by a chill in the air. The colours on the trees and fields ripen to warmer hues and the harvest is brought safely home. Yet with this bounty there is the knowledge that Nature is turning her attention to the harder, colder Winter month's ahead.

Samuel Taylor Coleridge was born on October 21st, 1772, in Ottery St Mary in Devon. As a child he was an early and devoted reader, and after being schooled at Christ's Hospital, a charity school, he attended, from 1791, Jesus College, Cambridge, and the following year won the Browne Gold Medal for an ode on the slave trade. This volume comes to you from Portable Poetry, a specialised imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.

In the war a great volume of poetry was written, produced and published in books, periodicals, newspapers or letters back to home. We often think of war as a necessity. We fight for a more just and better world. We often fail. But in our poets we gain a truth and a morality that shocks us, consoles us and holds our values to the light. In this volume we hear poems from the front, from home, from soldiers, from auxiliaries, from friend and from foe.

Susan Keating Glaspell was born on July 1st, 1876 in Davenport, Iowa. Glaspell, a precocious child, was an active student at Davenport High School. By 18 she was earning a salary at the local newspaper as a journalist, and by 20 she was the author of a weekly 'Society' column. With her husband Glaspell founded the Provincetown Playhouse for plays that reflected contemporary issues. Her first play, ‘Trifles’ (1916), was based on the murder trial she covered as a young reporter and later adapted as the short story ‘A Jury of Her Peers’. S

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

William Hope Hodgson was born in Essex, England, on November 15th, 1877. Over his short career he produced a large body of work which explored and covered many genres. From horror, to science fiction, to stories on the sea, where he had spent much of his early life. One of his most memorable creations was his Carnacki, Supernatural Detective creation. This fused together his passion for sleuthing and interest in the Occult. It was a memorable success.

Israel Zangwill was born in London on 21st January 1864, to a family of Jewish immigrants from the Russian Empire. His writing earned him the sobriquet ‘the Dickens of the Ghetto’ primarily based on his much-lauded novel Children of the Ghetto: A Study of a Peculiar People in 1892 and its glimpse of the poverty-stricken life in London's Jewish quarter.

John Galsworthy was born in Kingston Upon Thames in Surrey, on August 14th 1867. The family was wealthy and well established. John was schooled at Harrow and New College, Oxford, before training as a barrister. But law was not for him. Galsworthy first published in 1897 with a collection of short stories entitled The Four Winds. Initially he published as John Sinjohn, but after the death of his father in 1904 he published as John Galsworthy. Much of his early work was as plays for which he dealt with social issues and the class system.

Margaret Oliphant Wilson was born on 4th April 1828 in East Lothian in Scotland but spent her childhood in Midlothian, Glasgow and Liverpool. She wrote from a young age and in 1849 had her first novel about the Scottish Free Church movement, a cause her parents sympathized with, published. Her next, ‘Caleb Field’, a couple of years later, led to a lifelong association with Blackwood Magazine to which she contributed more than a 100 articles and reviews.

In 1667, Dryden published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London. This work established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate in 1668 and a couple of years later, historiographer royal (1670), as his talent encompassed many forms; from poetry to plays to translations. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697).

For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses often protest otherwise. The contribution of women in these earlier centuries is immense, and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written. And remember these words, these telling lines, have been written against the grain of society's male bias. With their remembered words these female poets have given us a history that we can all now share.

Born in 1797, her mother died when she was only 11 days old. Mary was then raised by her father, who remarried when she was four, with a liberal but informal upbringing. At 17 she began a relationship with the poet Percy Bysshe Shelley, which was the bedrock of her life, although society viewed the unmarrieds somewhat differently. It was in this relationship that she nurtured and edited Shelley’s verse and wrote, at 21, her signature work, Frankenstein, for which she is so well known. 

“If music be the food of love, play on" was one of Shakespeare’s finest lines. If music is food then poetry is the wine. In this volume of classic love poetry the flavoured capture of words and rhythms makes us think more carefully of words and their value to us. They also surprise us with their structure and meaning, layering in thoughts and emotions that we might otherwise shy away from. Poems are wonderful ways to express what we feel for a very special someone.

November - the 11th month of the year in the Gregorian calendar, when the land becomes bleaker, harsher but no less beautiful for that. For our poets, including Hood, Arnold, Melville, Alford, and Hardy, there is much to write and comment on.

July - the seventh month of the year in the Gregorian calendar, and summer is a rich harvest of colours and sights. Poets of the calibre of Shakespeare, Keats, Pope, Whitman, and Tennyson describe and marshall their thoughts for our delight.

The most enduring and popular theme of poems and poets is that of love. Love changes; its rhythms pause and pulse on the tiniest of things and the biggest of thrills. Within its shades all other feelings, all other emotions, gently reside, waiting for their moment. In these 50 poems, the many, many shades of love reveal themselves.

The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.