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Anna and her mother are on the run after a tragedy shatters their world. A stranger has offered them protection in a private community hidden deep in the woods, and Anna and her mother have no choice but to abandon their life and belongings to take refuge until they can figure out their next move. But the woman who helped them may not be what she seems, and the safe-haven community has its own secrets ... and its own dangers. Anna is no ordinary girl, though. She can perceive things others cannot, impossible things.

After the catastrophe at Eden’s Edge, Anna finds herself living on the streets, hiding from the foster care system and her own identity. She survives her way into adulthood, and now lives in an apartment in the city, holding down a job as a bartender and flying under the radar. But Anna’s past has come to find her. Inexplicable murders occur within Anna’s vicinity, and she can’t help but notice the links to her childhood. Joined by some of her old friends, and a few new ones, Anna fights to prove her innocence while being forced to face the truth of what she really is.

Twelve tales of terror stemming from a single word. Trapped. What would you do if you were trapped, alone, and afraid, with no one to help, no way out? How far would you go to survive? What could you endure? The authors in this anthology pulled no punches, and the stories in this audio will leave a mark on you long after the tales are told. You may even find yourself trapped, held hostage, until every horrific word has been consumed.

Suggesting this historic anthology is just a regional horror collection is like calling Frankenstein's monster a simple misstep in medical technology. Road Kill is no longer just an annual anthology of horror stories. It's a serial collection of some of the most serious voices in Lone Star literature. It's a chronicle of Texas terror, and Vol. 9 is eerie, edgy and feral. It will haunt you long after its first reading. It's as fine a selection of horror fiction as you'll find today. It's alive!

Charlotte Beaulieu inserts a soothsaying mouse named Madame Slitoris up her pussy in order to see the past. After becoming estranged from her wealthy, prominent family, Charlotte grew up on the streets, alone and isolated from the Beaulieu name and wealth, including her brothers Benedict, Algernon, and Cassius.