Showing results by author "Andrew O'Hagan"

Andrew O'Hagan issues three bulletins from the porous border between cyberspace and the 'real world.' 'Ghosting' introduces us to Wikileaks founder Julian Assange, whose autobiography the author ghostwrites with unforeseen consequences. In 'The Invention of Ronnie Pinn' the author uses the identity of a deceased man to construct an entirely new one in cyberspace. And 'The Satoshi Affair' details the strange case of Craig Wright, the web developer who may or may not be the inventor of Bitcoin.

In a small Scottish parish, an English priest is stalked by the fear of scandal, class hatred, and lost ideals. Over the spring and summer of 2003, Father David becomes friends with two young people, Mark and Lisa; by the year's end, his life is the focus of public hysteria. As he looks back to his childhood, and to Oxford in the fever of student revolt, Father David begins to reconsider the central events of his life, and to see what may have happened to the political hopes of his generation.

Standing one evening at the window of her house by the sea, Anne Quirk sees a rabbit disappearing in the snow. Nobody remembers her now, but this elderly woman was in her youth a pioneer of British documentary photography. Only when her beloved grandson, Luke, returns home to Scotland does Anne's secret story begin to emerge, along with his, and they set out for an old guest house in Blackpool where she once kept a room.

In November 1960, Frank Sinatra gave Marilyn Monroe a dog. His name was Mafia Honey, or Maf for short. He had an instinct for celebrity. For politics. For psychoanalysis. For literature. For interior decoration. For Liver Treat with a side order of National Biscuits. With style, brilliance, and panache, Andrew O’Hagan has drawn an altogether original portrait of the woman behind the icon - and the dog behind the woman.

In this issue: "Court Politics" by Jeffrey Toobin; "Runs in the Family" by Siddhartha Mukherjee; "Imaginary Spaces" by Andrew O'Hagan; and "Mystery Trips" by Anthony Lane.