Sonuçlar gösteriliyor "Alison Larkin" sesinden Tüm Kategoriler kategorisinde

Life changes once again for British spy Miss Mary Bennet when Napoleon Bonaparte escapes from the Isle of Elba. Mary quickly departs England for Brussels, the city where the Allied forces prepare for war against the French. But shortly after her arrival, one of the Duke of Wellington’s best officers is murdered, an event that threatens to break the delicate alliance between the Allies. Mary will need to unmask the murderer before more people are killed, but can she do so and remain hidden in the background?

Before H.P. Lovecraft, Shirley Jackson, Stephen King and Anne Rice, Henry James wrote hair-raising stories that made horror a popular, sometimes controversial, widely-read literary form, and set the bar for all who followed. Stephen King considers James’ The Turn of The Screw one of the best horror novels ever penned.

This AudioFile Earphones Award-winning recording of Alison Larkin's best-selling autobiographical novel about an adopted English woman who finds her birth parents and herself in the US is followed by an exclusive interview with the author. In addition to being a best-selling novelist and comedienne, Alison Larkin is also the award-winning narrator of over 200 audiobooks.

After a busy day, what could be more soothing than getting into bed and listening to some of the world's most beloved classic bedtime stories exquisitely read by award-winning narrator Alison Larkin and iconic British actress Virginia McKenna, OBE? Exclusively for Audible, this delightful audiobook ends with The Tale of Peter Rabbit, read by Alison Larkin.

Jane Austen Literacy Foundation judges selected 10 stories, which were read by a panel including Justin Young (Lead Writer, Sanditon Seasons 2 & 3), Susannah Harker (Jane Bennet, BBC Television Pride & Prejudice 1995), Natalie Jenner (International bestselling author of The Jane Austen Society and The Bloomsbury Girls), and Helena Kelly (Writer, academic and author of Jane Austen – The Secret Radical) to choose the final three short stories.

These are not stories of helpless females shut up in high towers waiting around for a handsome man to rescue them while they sleep for years or brush their golden hair a lot. These heroines have far more to distinguish them than the fact that they (sometimes) end up married to a prince.

When her beloved father was assassinated, Lady Aramina swore revenge. The man responsible is well beyond her grasp, but his dangerously seductive heir, Leo Barrons, is fair game. When Mina obtains evidence proving that Leo is illegitimate, she has the means to destroy both the killer and his son, a man who troubles her heart and tempts her body. A woman of mystery, Mina has long driven Leo crazy with glimpses of a fiery passion that lurks beneath her icy veneer.

The book about Le Fanu’s tortured, powerful female vampire, Carmilla, has been terrifying generations with its themes of lesbian attraction and forbidden, dangerous desires. Carmilla inspired Bram Stoker to create his own vampire classic 26 years later. Now, these two blood-chilling tales are brought together in this brilliant recording followed by a fascinating interview in which Hayward and Larkin talk about their process and reactions to the stories, straight from the London recording studio. 

The Princess and the Goblin was published in 1872. One of the very first fantasy novels this magical classic had a profound influence on the work of C.S. Lewis and J.R.R. Tolkien and is loved by fans of fantasy fiction to this day. Eight-year-old Princess Irene lives in a remote mountainous region with no one but her nursemaid for company. Then she meets a mysterious old woman and Curdie, a young miner.

England, 1820. To gain a certain marquess’ notice, Lady Albina Beauchamp aims to win the derby. What she hadn’t planned for is the price that handsome Edmund White asks in payment to train her to race: each lesson for a kiss. A first-place finish isn’t the only thing worth racing for. Lady Albina Beauchamp is in love with the marquess of Satterfield. Unfortunately, his only interest is in horses, and he doesn’t know she exists.

Caroline Jane Knight is the last of the Austen Knight family to grow up at Chawton House, the 16th-century English manor house on the ancestral estate where Jane Austen lived and wrote. Caroline ate at the same dining table, read in the same library, explored the same country lanes and shared the same dreams of independence as Jane Austen did.

Stella loves her life in London, being far from the foul-mouthed, flame-haired grandmother who raised her. Then, she gets the dreaded call in the middle of the night, and finds herself living with Gina in the crazy coastal town of Mapton on Sea.

Lynn Barber, by her own admission, has always suffered from a compelling sense of nosiness. An exceptionally inquisitive child she constantly questioned everyone she knew about imitate details of their lives. This talent for nosiness, coupled with her unusual lack of the very English fear of social embarrassment, is the perfect blend for a celebrity interviewer.

In a Victorian London ruled by the blood-drinking elite, Perry Lowell is a logical and accomplished Nighthawk: a rogue blue blood who tracks murderers and thieves for the Guild. So when she and her charming but reckless partner, Garrett, are charged with finding a missing theater starlet, it should be a simple solve. But with an entire theater of suspects, including a flirtatious understudy, and whispers of a Clockwork Menace haunting the place, tension is brewing between the pair of them.

Pretty, flirtatious, and ambitious. Nan Bassett hopes that an appointment at the court of King Henry VIII will bring her a grand marriage. But soon after she becomes a maid of honor to Queen Jane, the queen dies in childbirth. As the court plunges into mourning, Nan sets her sights on the greatest match in the land...for the king has noticed her. After all, it wouldn't be the first time King Henry has chosen to wed a maid of honor.

Considered one of the great English novels, George Eliot's Middlemarch, A Study of Provincial Life follows myriad characters and their lives in the eponymous town, Middlemarch, in the 1800s. Utilizing a realistic style, Eliot considers issues such as religion, education, and the status of...

Jane Popyncourt was brought to the court as a child to be ward of the king and a companion to his daughters - the princesses Margaret and Mary. With no money of her own, Jane could not hope for a powerful marriage, or perhaps even marriage at all. But as she grows into a lovely young woman, she still receives flattering attention from the young men flocking to serve the handsome new king, Henry VIII, who has recently married Catherine of Aragon. Then a dashing French prisoner of war, cousin to the king of France, is brought to London, and Jane finds she can't help giving her heart to a man she can never marry.

Sitting by himself on a bench during recess, fashion-loving Francis is joined by Jessica. He’s surprised when he learns that she’s a ghost and that Francis is the first person who has been able to see her since she died. When they become friends, then meet two more outsiders who can also see Jessica, the questions arise: Why are they the only ones who can see Jessica? And how did she die?

Mystery novelist Hazel Martin's maid suspects foul play when her childhood friend Doris jumps from the third-story turret of Farnsworth Abbey. Unable to resist an investigation, especially one that's staged to look like suicide, Hazel calls in help from her chauffeur, her cook, and even the mysterious butler her husband hired before his death. Hazel soon learns that Doris's death was no accident. Someone had a secret, and they wanted to keep it that way.

Nora seems to have it all – a loving husband, children and a comfortable life. But when a secret from her past threatens her carefully constructed world, she is forced to confront the stark realities of her marriage and the issues of her gender in society. The recording is followed by a fascinating conversation in which the actors talk how powerful and relevant the play still is today and how this unique project came to be. Exclusively for Audible the interview is followed by reviews of A Doll’s House, written between 1879 and 1900.