Showing titles in Absurdist

Oskar Matzerath ist anders. Mit drei Jahren beschließt er, nicht weiter zu wachsen. Der groteske Außenseiter betrachtet die Welt mit schonungslos-sarkastischem Blick "von unten". Sein ständiger Begleiter ist eine Blechtrommel. Mit ihr ertrommelt er sich Distanz, fordert, schreckt auf. Wird sie ihm genommen, setzt er sich mit einem Schrei zur Wehr, der Glas zerspringen lässt. So absonderlich der zornige Zwerg ist, so frei ist er. Oskar ist ein unerbittlich scharfsinniger Beobachter des Danziger Kleinbürgertums im "Dritten Reich".

Tutto può accadere nel bar sotto il mare. Un bar in cui tutti vorremmo capitare, una notte, per ascoltare i racconti del barista, dell'uomo col cappello, dell'uomo con la gardenia, della sirena, del marinaio, dell'uomo invisibile, della vamp e degli altri misteriosi avventori. Sompazzo, il paese più bugiardo del mondo - Gaspard Ouralphe, il più grande cuoco di Francia - Il verme mangiaparole e l'incredibile storia del capitano Charlemont - La disfida di Salsiccia - Il dittatore pentito - Kraputnyk, il marziano innamorato - Priscilla Mapple e il delitto della II C.

Richard Brautigan's world is one of gentle magic and marvelous laughter, of the incredibly beautiful and the beautifully incredible. Trout Fishing in America is a pseudonym for the miraculous. A journey that begins at the foot of the Benjamin Franklin statue in San Francisco's Washington Square, that wanders through the wonders of America's rural waterways, and that ends, inevitably, with mayonnaise. Funny, wild, and sweet, Trout Fishing in America is an incomparable guidebook to the delights of exploration.

Wilder Crick, the worst presidential candidate in history, is dead. Now his reluctant apprentice Tom and ruthless campaign manager Shelly must carry out his final order—a bizarre, posthumous search for the true, hidden nature of reality.

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

Tras saber que el Turco baja por la costa con una peligrosa armada, Don Alonso Quijano, el caballero don Quijote de la Mancha, saldrá, una vez más, y con la oposición de su sobrina y de su ama, a una nueva batalla que empezará en la Mancha y terminará en.

What I wanted more than anything was to be standing beside Schmidt, in concert with Schmidt, at the foot of Saint Sebastian’s Abyss along with Schmidt, hands cupped to the sides of our faces, debating art, transcendence, and the glory of the apocalypse.” Former best friends who built their careers writing about a single work of art meet after a decades-long falling-out. One of them, called to the other’s deathbed for unknown reasons by a “relatively short” nine-page email, spends his flight to Berlin reflecting on Dutch Renaissance painter Count Hugo Beckenbauer.

Émile, négociateur du GIGN, doit intervenir lors d’une prise d’otages dans une école maternelle. Une situation presque banale pour lui, à ceci près : le forcené prétend s’appeler Elon Musk. Après le succès de S’adapter, prix Goncourt des Lycéens et prix Femina 2021, Clara Dupont-Monod nous offre un texte haletant, conçu comme une joute médiévale. Une farce triste, qui rappelle aussi la sacralité du verbe.

At turns nonchalantly hip and charmingly deranged, Suzuki's singular slant on speculative fiction would be echoed in countless later works, from Margaret Atwood and Harumi Murakami, to Black Mirror and Ex Machina. In these darkly playful and punky stories, the fantastical elements are always earthed by the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on.

The Stone Door is an omen, an incantation, and an adventure story rolled into one. Built in layers like a puzzle box, it is the tale of two people, of love and the Zodiac and the Kabbalah, of Transylvania and Mesopotamia converging at the Caucasus, of a mad Hungarian King named Böles Kilary and of a woman's discovery of an initiatory code that leads to a Cyclopean obstacle, to love, self and awareness, to the great stone door of Kescke and beyond.

From the first puzzling sentence, Banker's Holiday—a euphemism for a federal bank closure—conjures the bleak and humorous world of Cincinnatus Stillman Fuller, a billionaire financier who suffers a breakdown in the middle of a Monday morning staff meeting.

Traveling across the landscapes of time and of space, heading always west, and carrying a dead but laconically opinionated crow in her chest, our undead narrator encounters and loses parts of her body and her self in one terrifying, hilarious, and heartbreaking situation after another.

Publicado na Hungria em 1985, Sátántangó é um romance monstruoso. A ação se concentra na chegada de um homem misterioso, que pode ser um profeta, um vigarista, ou o próprio demônio, a uma aldeia húngara onde a chuva não para de cair. Os habitantes do lugar, um elenco de desajustados e enlouquecidos (camponeses esfarrapados; um médico alcoólatra observando obsessivamente seus vizinhos; jovens perdidas num moinho destroçado; uma garota com deficiência tentando matar seu gato).

The Ridiculous is an imaginative sci-fi comedy about one ordinary human, several highly opinionated aliens, and a cosmic experiment that may or may not involve saving existence through laughter, curiosity, and extremely questionable decision-making. When reality starts bending in unexpected directions, our reluctant hero is swept into a universe filled with eccentric beings, absurd logic, and revelations that feel suspiciously meaningful. Along the way, nothing behaves as expected, wisdom appears in strange disguises, and the line between nonsense and insight becomes delightfully blurred.

Sidney Geeder, King of Mortgages, wants nothing more than to cash in his lucrative company stock and quit his job, but his dreams are threatened by the disappearance of Eggs Igino, the only possible man who can replace him.

Il più celebre romanzo di Pirandello, scritto nel 1904, narra la storia del bibliotecario Mattia Pascal, il quale, da ricco proprietario terriero, dopo una vita di sprechi e scioperataggine, si ritrova ridotto in miseria, a causa delle ruberie perpetrate dall'amministratore dei suoi terreni.Un vortice di disgraziate vicissitudini travolge la sua vita, quando infine, alla morte delle due figliolette, in preda alla disperazione, fugge da Miragno e, per puro caso si ritrova nel Casino di Montecarlo, dove vince una considerevole somma alla roulette.

The Kappa is a creature from Japanese folklore known for dragging unwary toddlers to their deaths in rivers: a scaly, child-sized creature, looking something like a frog, but with a sharp, pointed beak and an oval-shaped saucer on top of its head, which hardens with age. Akutagawa’s Kappa is narrated by Patient No. 23, a madman in a lunatic asylum: he recounts how, while out hiking in Kamikochi, he spots a Kappa.

After a domestic terrorist unleashes a dirty bomb in Manhattan in 1970, making the borough uninhabitable, FBI Agent Uli Sarkisian finds himself in a world that is suddenly unrecognizable, as the United States faces its greatest immigration crisis ever: finding housing for millions of its own citizens. The federal government hastily retrofits an abandoned government installation in the Nevada desert. Despite the government's best intentions, as the military pulls out of "Rescue City", the residents are increasingly left to their own devices, and tribal gang warfare fuses with democracy.

The Late Mattia Pascal (Italian: Il fu Mattia Pascal) is a 1904 novel by Luigi Pirandello. It is one of his best-known works and was his first major treatment of the theme of the mask. The protagonist, Mattia Pascal, finds that his promising youth has, through misfortune or misdeed, dissolved into a dreary dead-end job and a miserable marriage.

Bonnie Lincoln just wants to be left alone. To come home from work, shut out the voice that reminds her of some devastating losses, and unwind in front of the nostalgic, golden glow of her favorite TV show, Three's Company. When Bonnie wins the lottery, a more grandiose vision—to completely shuck off her own troublesome identity—takes shape. She plans a drastic move to an isolated mountain retreat where she can re-create the iconic apartment set of Three's Company and slip into the lives of its main characters.