Showing results for "The Dead" in United States

Red Dead Redemption and Red Dead Redemption II, set in 1911 and 1899, are the most-played American history video games since The Oregon Trail. Beloved by millions, they’ve been widely acclaimed for their realism and attention to detail. But how do they fare as re-creations of history? In this engaging audiobook, award-winning American history professor Tore Olsson takes up that question and more.

NEW YORK CITY IN THE 1970S WAS A CULTURE OF OPEN CORRUPTION. EVERYONE WHO WAS ANYONE WAS IN ON THE GRIFT. Ford to City: Drop Dead. It’s the most famous tabloid headline of all time (with apologies to “Headless Body in Topless Bar”). It also supplied the narrative that came to be accepted as truth regarding the New York City fiscal crisis of 1975—an uncaring, hapless, accidental President Ford abandoning America’s greatest city in its hour of maximum need.

While the Western was dying a slow death across the cultural landscape, it was blazing back to life as a video game in the early twenty-first century. Rockstar Games' Red Dead franchise, beginning with Red Dead Revolver in 2004, has grown into one of the most critically acclaimed video game franchises of the twenty-first century. Red Dead Redemption: History, Myth, and Violence in the Video Game West offers a critical, interdisciplinary look at this cultural phenomenon at the intersection of game studies and American history.

Brought to you by Penguin. **WINNER OF PULITZER PRIZE FOR BIOGRAPHY** **WINNER OF THE NATIONAL BOOK AWARD (Nonfiction)** Finalist, LA Times Book Prize A landmark biography of one of the twentieth century's most compelling figures, rewriting much of the known narrative. Les Payne, the renowned...

Dead Wrong is a study of the scientific and forensic facts of four assassinations of the 1960s (President John F. Kennedy, Senator Robert F. Kennedy, Dr. Martin Luther King, Jr. and Black Panther leader Fred Hampton), as well as an examination of new and incriminating evidence indicative of murder, not suicide, in the deaths of Marilyn Monroe, White House Counsel Vincent Foster, U.N. Weapons Inspector Dr. David C. Kelly and bioweapons expert Frank Olson.

In the 1840s, the Fox Sisters—and the legions of mediums they inspired—ignited the Spiritualist movement that swept through Victorian parlors and presidential campaigns alike. Contacting the dead wasn't merely a parlor trick: It was a political statement, a declaration of self that still echoes. Séances attracted suffragists and scientists, skeptics and charlatans, giving women a voice in a society that often refused to hear them. But as Spiritualism surged, it also blurred the lines between faith, fraud, feminism, and financial opportunity.

“A tour de force of investigative history.” —Steve Coll The Dead Hand is the suspense-filled story of the people who sought to brake the speeding locomotive of the arms race, then rushed to secure the nuclear and biological weapons left behind by the collapse of the Soviet Union—a...

A memoir—and a manifesto—like no other, by a true maverick in American politics. This program features a foreword by legendary football coach Nick Saban and is read by the author, former United States senator Joe Manchin. Dead Center: It is where Senator Joe Manchin III has stood his entire...

 Mama Might Be Better Off Dead immerses listeners in the lives of four generations of a poor, African-American family in the neighborhood, who are beset with the devastating illnesses that are all too common in America's inner-cities. Headed by Jackie Banes, who oversees the care of a diabetic grandmother, a husband on kidney dialysis, an ailing father, and three children, the Banes family contends with countless medical crises. 

The page-turning and revelatory true story of America’s disastrous 1835 attack on the Seminoles in pre-statehood Florida, and the two men—a Black American and a renowned Indigenous warrior—who fought back for their homes and freedom, from the author of the “eye-opening marvel of a...

The obituary page of The New York Times is a celebration of extraordinary lives. This groundbreaking package includes 300 obits of the most important and fascinating obituaries the Times has ever published. The obituary page is the section many readers first turn to not only see who died, but to...

On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances. Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson elevated its importance.

The summer before his senior year in college, Greg Melville worked at the cemetery in his hometown, and thanks to hour upon hour of pushing a mower over the grassy acres, he came to realize what a rich story the place told of his town and its history. Thus was born Melville’s lifelong curiosity with how, where, and why we bury and commemorate our dead. Melville’s Over My Dead Body is a lively (pun intended) and wide-ranging history of cemeteries, places that have mirrored the passing eras in history but have also shaped it.

1 Dead in Attic is a collection of stories by Times-Picayune columnist Chris Rose, recounting the first harrowing year and a half of life in New Orleans after Hurricane Katrina. Celebrated as a local treasure and heaped with national praise, Rose provides a rollercoaster ride of observation, commentary, emotion, tragedy, and even humor - in a way that only he could find in a devastated wasteland. They are stories of the dead and the living, stories of survivors and believers, stories of hope and despair.

In 1974, the US East Coast was whipped up into a frenzy of fear. Locking their windows and doors, everyone was terrified of becoming the next victim of the strikingly handsome but deadly “Casanova Killer”. And he was on the move.

All heroes have fatal flaws and a moment of defining hubris, but few rise from the ashes to achieve greater heights. In 1884 Deputy US Marshal Bass Reeves was arrested for murder and placed among his own prisoners in Hell on the Border, the infamous federal jail in Fort Smith, Arkansas. It was the single greatest setback of his illustrious career, but it wouldn't be his last mistake or trial by fire. In The Forsaken and the Dead we meet Reeves again. In the 1890s, past his prime, Reeves proceeds through the valleys and shadows of Indian and Oklahoma Territories. 

In 1902, on a prairie in southwest Louisiana, six members of a farming family are found murdered. Albert Edwin Batson, a white, itinerant farm worker, rapidly descends from likely suspect to likely lynching victim as people in the surrounding countryside lusted for vengeance. In a territory where the locals were coping with the opening of the prairies by the railroad and the disruptive advances of the rice and oil industries into what was predominantly cattle country, Batson, an outsider, made an ideal scapegoat.

After three years as a killing-field slave, seventeen-year-old Bun Yom escaped from the Khmer Rouge and became a freedom fighter. Using his wisdom, courage, and infinite compassion, Bun rescued thousands of Cambodian people and soon became the Cambodian Freedom Fighters’ greatest soldier. Tomorrow I’m Dead is the only known first-person account of the freedom fighter’s heroic liberation of slaves from the Khmer Rouge killing fields.

Who reminds you of Donald Trump more? John F. Kennedy or Richard Nixon? Keep that thought to yourself for a second as I remind you that JFK and Nixon ran against each other in 1960. A member of a popular two-term administration ran against a phenom running without permission. The race saw a revolutionary use of new media. The side that lost tells anyone who will listen that nefarious outside help tipped the election.

What begins as yet another assignment for a reporter, a young millennial who relies happily on email and texting as the primary means of communication, develops into a heartfelt mission to tell the story of the people and places in the letters. Dead Letters is an intimate portrait of small-town America and the people who, at times, risked everything in pursuit of economic prosperity, religious freedom, and social equity.