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Growing up in a large Nigerian family in South London, Stephen K. Amos learnt early on to find the humour in every situation. Raised by his parents and extended family of 'aunts' and 'uncles', I Used to Say My Mother was Shirley Bassey tells the story of Stephen's chaotic upbringing in the carnival atmosphere of the late '70s and early '80s. Stephen describes his awkward beginnings as the only black kid in his class, where he told everyone his mum was Shirley Bassey to break the ice.

Stephen K Amos and the comedy circuit's best stand-ups attempt to unravel the knotty problems of life Award-winning jokesmith and self-confessed idiot Stephen K Amos teams up with some of the world's sharpest comic minds to compile a dummies' guide to being a modern human. From raising children...

From South Africa to Aviemore, this recording spans a year in the life of a busy and talented stand-up comedian. Whether it's the Edinburgh Fringe Festival or the Melbourne Comedy Festival, Stephen K Amos will lavish his charm and cutting wit on everyone lucky enough to witness this brilliant comic.

Comedian Stephen K Amos is one of eight children, whose parents came to London from Nigeria in the 60s. In these three series, co-written with multi-award-winning British playwright Jonathan Harvey, he takes us back in time to the 1980s, as he reminisces about his dysfunctional childhood and formative experiences, and shares the dramas and traumas of his teenage years.

Recorded live at the Edinburgh Festival, legendary comedian Stephen K Amos invites some of his favourite stand ups to sit down for a chat about life, comedy and all the funny stuff in between. This is the closest you can get to being an insider at the world's biggest comedy festival, via the banter of some of the funniest people on the planet.

Warning: strong language and adult content.

Warning: strong language and adult content.

One of Britain's best comics, recorded down under at the Enmore Theatre Sydney. Stephen K. Amos has become an assured comedy performer with great material and a superb relationship with his audience.

Stephen K Amos’ Limited Podcast Series Me? I Blame The Parents, starring Stephen K Amos and his special guests including Ayesha Hazarika, Paul Foot, Jo Caulfield, Howard Read, Christine Rose and Terry Alderton. We all have a thing or two to say about our parents. In this series, each episode features one of our hand-picked guests from the world of comedy talking about their mums and dads. Those folks born between 1928 and 1964, otherwise known as the Silent Generation and the Baby Boomers. From honest childhood stories and genuinely hilarious anecdotes we look to acknowledge our parents ...

From festivals in Melbourne, Montreal and Edinburgh, Stephen K Amos has won audiences over with his unique style and superb material. This recording was made at London's Hammersmith Apollo.

Stephen has been performing at the Edinburgh Festival for over 15 years on top of touring, appearing on multiple panel shows and presenting various documentaries. Not to mention performing at the Royal Variety in 2007. Having more than earnt his comedy stripes, his Talk Show features guests from all stages of their comedy careers, chatting about the industry, performing and many personal, funny anecdotes. When Stephen joined us in studio, he spoke about diversity in comedy, how he came to feel okay with things going wrong on stage and what keeps comedians returning to Edinburgh year after year.

Simon Mayo hosts a comedic battle between three teams to find out which is the funniest generation. Will the Up and Comers, the Current Crop or the Old Guard be crowned as the Golden Age of Comedy?

Featuring a mix of award-winning comedians and newcomers to the scene, there's something for everyone, from stand-up to sketches, satire, songs and poems - with a few surprises thrown in. And if you don't like any of the acts, well...another will be along in about 55 seconds. Presiding over this comedy maelstrom is John Humphrys (the fierce one from the Today programme), who sits at the side of the stage with a stopwatch, ready to cut the microphone when the time is up.