Showing results for "Afterlife" in Literary History & Criticism

This is a book about a poet, about a poem, about a city, and about a world at a point of change. More than a work of literary criticism or literary biography, it is a record of why and how we create and respond to great poetry. This is a book about a poet – W. H. Auden, a wunderkind, a...

Nora Berend uncovers how el Cid has been transformed across the centuries, confronting the gulf between truth and legend and examining how a military adventurer became a hero to people on opposite ends of the political spectrum. The story of the Cid forces us to confront what makes us human. What is it about this man that appeals to us? And why do we transform the most unsuitable people into heroes?

Built on the grounds of a former cotton plantation, the Tuskegee Institute, founded by Booker T. Washington, offered agricultural and industrial education as a strategy for Black self-determination. There—and in many other communities in the U.S. South, the Caribbean, and Central America—Black people repurposed and regenerated what had been a place of enslavement into a site for imagining alternative futures.

In 1958, Vladimir Nabokov’s Lolita was published in the United States to immediate controversy and bestsellerdom. More than sixty years later, this phenomenal novel generates as much buzz as it did when originally published. Central to countless issues at the forefront of our national...

Mark Twain’s Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, selfaware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain’s alleged racism and of his opposition to racism.

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions.

'Emily Ogden does not flinch from the obscure and sometimes horrifying recesses of Poe’s psychosis. Her enthralling psychological portrait of the tormented artist is drawn with panache, and great compassion' - Sue Prideaux 'A wonderfully engaging account of Poe’s troubled life and work...

Join creator Jon Lock for a deep dive into the history of Afterlife Inc. - a comic (and now a podcast) you can believe in.