A Drunk And Honest Breakdown Of Everything Everywhere All At Once
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What Movie Should We Do Next?
We watch Everything Everywhere All at Once with a mix of cynicism and hope, then score the acting, cinematography, score, plot, and rewatchability until we land on a very fair 3.5. We follow the movie’s “golden path” from traditionalism to nihilism to absurdism, then argue about whether kindness, empathy, and rebellion are the real antidotes to meaninglessness.
• our three-part method for reviewing a movie while drunk, high, or whatever
• first impressions shaped by multiverse fatigue and Oscar hype
• a quick plot breakdown of the immigrant family, the laundromat audit, and the multiverse threat
• Ryan’s ratings and why the runtime and “jingle keys” moments drag for him
• James’s ratings and why the performances and camera work stay engaging
• the philosophical ladder: conservatism, Kant, nihilism, optimistic nihilism, absurdism
• the everything bagel as a symbol for despair and the pull of nothingness
• Waymond’s kindness as an active way of fighting nihilism
• how empathy and autonomy at home connect to broader ethics and politics
• inserting ourselves into the film and speedrunning the plot with weed and minimal kung fu
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