In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past. 

When Mahony returns to Mulderrig, a speck of a place on Ireland's west coast, he brings only his handsome face, a photograph of his long-lost mother and a determination to do battle with the village's lies. Mahony also somehow wakes the dead from their graves, with their foggy memories and hidden stories floating greyly amongst the unseeing living. No one, though - living or dead - will be able to guess what happened to the teenage mother who abandoned him as a baby.

London. 1850. The Great Exhibition is being erected in Hyde Park, and among the crowd watching the spectacle, two people meet. For Iris, an aspiring artist, it is the encounter of a moment - forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love. But Silas has thought of only one thing since their meeting....

Maud Drennan - underpaid carer and unintentional psychic - is the latest in a long line of dogsbodies for the ancient, belligerent Cathal Flood. Yet despite her best efforts, Maud is drawn into the mysteries concealed in his filthy, once-grand home. She realises that Cathal, and the junk-filled rooms, are opening up to her. With only her landlady and a troop of sarcastic ghostly saints to help, Maud must uncover what lies beneath Cathal's decades-old hostility and the strange activities of the house itself.

A dark midwinter’s night in an ancient inn on the Thames. The regulars are entertaining themselves by telling stories when the door bursts open on an injured stranger. In his arms is the drowned corpse of a little child. Hours later the dead girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can it be explained by science? An exquisitely crafted multilayered mystery brimming with folklore, suspense and romance as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield’s best seller The Thirteenth Tale.

They say I must be put to death for what happened to Madame, and they want me to confess. But how can I confess what I don't believe I've done? 1826, and all of London is in a frenzy. Crowds gather at the gates of the Old Bailey to watch as Frannie Langton, maid to Mr and Mrs Benham, goes on trial for their murder. The testimonies against her are damning - slave, whore, seductress. And they may be the truth. But they are not the whole truth. For the first time Frannie must tell her story. 

It is the winter of 1893, and in London the snow is falling. It is falling as Gideon Bliss seeks shelter in a Soho church, where he finds Angie Tatton lying before the altar. His onetime love is at death's door, murmuring about brightness and black air and about those she calls the Spiriters. In the morning she is gone. The snow is falling as a seamstress climbs onto a ledge above Mayfair, a mysterious message stitched into her own skin.

Iceland, 1686. The brutal, lava-scarred landscape can swallow a man without so much as a volcanic gasp. Jón Eiríksson has just married his second wife in a year. But Rósa's new home in the windswept village of Stykkishólmur is terrifyingly isolated - the villagers are suspicious of strangers and fearful of something which they will not name. What is Rósa's new husband's secret, and why does the spectre of his first wife Anna haunt them so?

The Thirteenth Tale is a compelling and emotional mystery, in the timeless vein of Daphne du Maurier's Rebecca, about family secrets and the magic of books and storytelling.

Marianne grew up in the shadow of the old asylum, a place that still haunts her dreams. She was 17 when she fled the town, her family, her boyfriend Jesse and the body they buried. Now, forced to return, she can feel the past closing around her. And Jesse, who never forgave her for leaving, is finally threatening to expose the truth. Marianne will do anything to protect the life she's built; the husband and daughter who must never know. Even if it means turning to her worst enemy....

December, 1940. As German bombs fall on Southampton, the city’s residents flee to the surrounding villages. In Upton village, amid the chaos, newly married Ellen Parr finds a girl sleeping, unclaimed at the back of an empty bus. Little Pamela, it seems, is entirely alone. Ellen has always believed she does not want children, but when she takes Pamela into her home the child cracks open the past Ellen thought she had escaped and the future she and her husband, Selwyn, had dreamed for themselves. As the war rages on, love grows where it was least expected, surprising them all.

What would you sacrifice for a new life? Ambitious businesswoman Mae Yu runs Golden Oaks - a luxury retreat transforming the fertility industry - where women get the very best of everything, so long as they play by the rules. Jane is a young immigrant in search of a better future. Stuck living in a cramped dorm with her baby daughter and her shrewd aunt Ate, she sees an unmissable chance to change her life. But at what cost? 

June 1914 and a young woman - Clara Waterfield - is summoned to a large stone house in Gloucestershire. Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered or empty. The owner is mostly absent; the housekeeper and maids seem afraid. 

London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul's is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer and reluctant government informer. In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul's, in a tomb that should have been empty. The man's body has been mutilated, and his thumbs have been tied behind his back.

They say a tiger that devours too many humans can take the form of a man and walk amongst us.... In 1930s colonial Malaya, a dissolute British doctor receives a surprise gift of an 11-year-old Chinese houseboy. Sent as a bequest from an old friend, young Ren has a mission: to find his dead master's severed finger and reunite it with his body. Ren has 49 days, or else his master's soul will roam the earth forever.