There But For The

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour hit of Pop Art - via a bit of skullduggery - Autumn is a witty excavation of the present by the past. Autumn is a take on popular culture and a meditation in a world growing ever more bordered: what constitutes richness and worth?

How to Be Both is a novel all about art's versatility. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

The stunning new novel from Costa-Novel-Award-winning novelist Maggie O'Farrell: a portrait of an Irish family in crisis in the legendary heatwave of 1976.

Originally four lectures given by Ali Smith at Oxford University, Artful is a tidal wave of ideas in four thematically organised bursts of thought: On Time, On Form, On Edge and On Offer and On Reflection. Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted - literally - by a former lover, the writer of a series of lectures about art and literature. Full of both the poignancy and humour of fiction and all the sideways insights and jaunty angles you would expect from Ali Smith’s criticism

For Maria, nothing is certain. Her life is a chain of accidents. Friendship passes her by, and she's unimpressed by the devoted Ronny and his endless proposals of marriage. Maria lives in a world of her own - yet not of her own making. Stumbling through university, work, marriage and motherhood, she finds it hard to see what all the fuss is about. Will she ever be able to control the direction of her life? Or will it end as it began, by accident? What does chance have in store for the accidental woman?

'Would you rather love the more, and suffer the more; or love the less, and suffer the less? That is, I think, finally, the only real question.' First love has lifelong consequences, but Paul doesn't know anything about that at 19. At 19, he's proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.

Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years. This is an exquisite love story about how a person can change another person's life - a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us - blazingly - about cycles of domination, legitimacy and privilege. 

The one and only Zadie Smith, prize-winning, best-selling author of White Teeth, is back with a second unmissable collection of essays. No subject is too fringe or too mainstream for the unstoppable Zadie Smith. From social media to the environment, from Jay-Z to Karl Ove Knausgaard, she has boundless curiosity and the boundless wit to match. In Feel Free, pop culture, high culture, social change and political debate all get the Zadie Smith treatment, dissected with razor-sharp intellect.

Even a lone wolf wants to belong.... Fourteen-year-old Linda lives with her parents in an ex-commune beside a lake in the beautiful, austere backwoods of Northern Minnesota. The other girls at school call Linda 'Freak' or 'Commie'. Her parents mostly leave her to her own devices whilst the other inhabitants have grown up and moved on. So when the perfect family - mother, father and their little boy, Paul - move into the cabin across the lake, Linda insinuates her way into the family's orbit.

First published in 1988 and described by Ali Smith as 'one of Muriel Spark's most liberating, and meditative novels' - A Far Cry from Kensington shows Muriel Spark at the mature height of her powers.The narrator is one Mrs. Hawkins. She writes from Italy, a far cry from Kensington indeed, taking us back to her threadbare years in postwar London. As a young, rather fat war-widow she spent her days working for a crazy, almost bankrupt publisher; and her nights offering advice from her boarding-house in South Kensington.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Isma is free. After years spent raising her twin siblings in the wake of their mother's death, she is finally studying in America, resuming a dream long deferred. But she can't stop worrying about Aneeka, her beautiful, headstrong sister back in London - or their brother, Parvaiz, who's disappeared in pursuit of his own dream: to prove himself to the dark legacy of the jihadist father he never knew. Then Eamonn enters the sisters' lives. Handsome and privileged, he inhabits a London worlds away from theirs.

2016 Vineland. Meet Willa Knox, a woman who stands braced against the vicissitudes of her shattered life and family - and the crumbling house that contains her. 1871 Vineland. Thatcher Greenwood, the new science teacher, is a fervent advocate of the work of Charles Darwin, and he is keen to communicate his ideas to his students. But those in power in Thatcher's small town have no desire for a new world order. Thatcher and his teachings are not welcome. Both Willa and Thatcher resist the prevailing logic. Both are asked to pay a high price for their courage.

The Himalayas, 1935. Kangchenjunga. Third-highest peak on earth. Greatest killer of them all. Five Englishmen set off from Darjeeling, determined to conquer the sacred summit. But courage can only take them so far - and the mountain is not their only foe. As the wind dies, the dread grows. Mountain sickness. The horrors of extreme altitude. A past that will not stay buried. And sometimes, the truth does not set you free.

The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty, and power; about marriage and family; about travelers, hospitality, and the yearning for home. In this fresh, authoritative version - the first English translation of The Odyssey by a woman - this stirring tale of shipwrecks, monsters, and magic comes alive in an entirely new way. Written in iambic pentameter verse and a vivid, contemporary idiom, this engrossing translation matches the number of lines in the Greek original, thus striding at Homer’s sprightly pace.