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The Wolf's Hour (Dramatized Adaptation)
- Narrated by: Alyssa Wilmoth, Evan Casey, James Konicek, Joe Brack, Kimberly Gilbert, Mort Shelby, Nanette Savard, Richard Rohan, Terence Aselford, Thomas Keegan, Tim Carlin
- Length: 16 hrs and 54 mins
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The Wolf's Hour (Dramatized Adaptation)
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Summary
It is 1944. A message from Paris warns Allied Intelligence of something big in the works - something that might have serious implications for D-Day. The only way to get more information from the agent in Paris - now closely watched by the Gestapo - is to send in a personal courier.
Russian émigré Michael Gallatin is picked for the job. In retirement as a secret agent since a grisly episode in North Africa, Gallatin is parachuted into occupied France, on a mission that will take him to the festering heart of the Third Reich on the scent of doomsday.
As a master spy, Gallatin has proved he can take on formidable foes - and kill them. As a passionate lover, he attracts beautiful women. But there is one extra factor that makes Michael Gallatin a unique special agent - he is a werewolf, able to change form almost at will, able to assume the body of a wolf and its capacity to kill with savage, snarling fury.
In the madness of war, Gallatin hunts his prey - ready to outthink his opponents with his finely tuned brain. Or tear their throats out with his finely honed teeth....
What listeners say about The Wolf's Hour (Dramatized Adaptation)
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall5 out of 5 stars
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Performance4 out of 5 stars
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Story5 out of 5 stars
- M. Cowdy
- 05-12-23
Great story combining fantasy and true history
The story of this was brilliant, sad, exciting, intriguing and even amusing all combined into one. Plenty of plot twists that weren't easy to guess as to how they would turn out, even though I could assume how the war itself would go (you never know with a fantasy as to whether it will follow true history). The dramatisation was fantastic in parts, adding to the story and painting the internal pictures more vividly. However, too often the sound effects of the dramatisation took over, to the point where hearing the narration and characters speech was truly difficult. It did spoil it for me a little and I had to keep rewinding to try and catch what was being said. Shame really, as the writers descriptions and dialogue usually didn't need the overwhelming noise to get across the drama of those moments.
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