Six years after four family members died of arsenic poisoning, the three remaining Blackwoods—elder, agoraphobic sister Constance; wheelchair-bound Uncle Julian; and 18-year-old Mary Katherine, or, Merricat—live together in pleasant isolation. Merricat has developed an idiosyncratic system of rules and protective magic to guard the estate against intrusions from hostile villagers. But one day a stranger arrives—cousin Charles, with his eye on the Blackwood fortune.

"The Lottery," one of the most terrifying stories of the twentieth century, created a sensation when it was first published in the New Yorker. "Powerful and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Jackson's lifetime, unites "The Lottery" with 24 equally unusual stories. Together they demonstrate her remarkable range - from the hilarious to the truly horrible - and power as a storyteller.

Sir Derek Jacobi reads a collection of tales from the master of ghost stories, M. R. James, whose stories have for many years inspired the BBC's A Ghost Story for Christmas TV adaptations. M. R. James was described as "a man who, in company with Sheridan le Fanu, is the best ghost-story writer England has ever produced".

Abigail Accused steps into life in a small New England colony and reveals the callous truth of what has become one of many landmark cases against injustice during the Salem Witch Trials. Abigail Dane Faulkner, daughter of the town’s respected minister, was convicted of witchcraft in 1692 and condemned to die. Her story is based on eyewitness accounts and 17th-century documents. How did the people of Massachusetts Bay Colony become victims of the fear and religious fanaticism that led to the arrests of nearly 200 citizens and the executions of countless innocents?

Born on the fringes of Bethel, Immanuelle does her best to obey the Church and follow Holy Protocol. For it was in Bethel that the first Prophet pursued and killed four powerful witches and so cleansed the land. And then a chance encounter lures her into the Darkwood that surrounds Bethel. It is a forbidden place, haunted by the spirits of the witches who bestow an extraordinary gift on Immanuelle. The diary of her dead mother....

This beautifully presented, highly collectible anthology features ghost stories that have enthralled, terrified and inspired, decade after decade. Some are relatively well known; others are long-lost treasures, awaiting rediscovery. The selection includes tales of terror by Bram Stoker, H. P. Lovecraft and Percival Landon; studies of creeping dread by Edgar Allan Poe and Henry James; short, sharp shockers by Ambrose Bierce, M.R. James and Lafcadio Hearn; and comedic masterpieces by Oscar Wilde and Saki. 

From the foggy streets of Victorian London to the eerie perfection of 1950s suburbia, the everyday is invaded by the evil otherworldly in this unforgettable collection of new ghost stories from the author of The Woman in Black. In the title story, on a murky evening in a warmly lit club off St James, a bishop listens closely as a paranormal detective recounts his most memorable case, one whose horrifying denouement took place in that very building.

Pudd'nhead Wilson, like many other Mark Twain books, was read aloud by the author to his wife and daughters, chapter by chapter, as it was being written.

After a bizarre and disturbing incident at the funeral of matriarch Marian Savage, the McCray and Savage families look forward to a restful and relaxing summer at Beldame, on Alabama's Gulf Coast, where three Victorian houses loom over the shimmering beach. Two of the houses are habitable, while the third is slowly and mysteriously being buried beneath an enormous dune of blindingly white sand. But though long uninhabited, the third house is not empty. Inside, something deadly lies in wait.

The intentional killing of a woman's dog unleashes a torrent of rage. In her desire for revenge, the woman curses the dog's killer: All that the murderer loves most, he will lose. This haunting tale brilliantly demonstrates Elizabeth Gaskell's understanding of the tensions between Catholics and Protestants and the harsh realities of class society.

This true story was the basis for the Broadway play, The Runner Stumbles, and the movie of the same name. In 1907, a Felician nun disappeared from her rural convent. When her bones were found buried in the dirt-floored basement of the remote, Gothic church she served, it caused a national sensation. Who killed her? The handsome priest? The jealous housekeeper? And, what other secret was uncovered along with her bones?

Brothers Ron and Dan Lafferty insist they were commanded to kill by God. In Under the Banner of Heaven, Jon Krakauer's investigation is a meticulously researched, bone-chilling narrative of polygamy, savage violence and unyielding faith: an incisive look inside isolated Mormon Fundamentalist communities in America, this gripping work of non-fiction illuminates an otherwise confounding realm of human behaviour.

Animal Farm is George Orwell's great socio-political allegory set in a farmyard where the animals decide to seize the farmer's land and create a co-operative that reaps the benefits of their combined labours. However, as with all great political plans, some animals see a bigger share of the rewards than others and the animals start to question their supposed utopia.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.