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The Night the Rich Men Burned
- Narrated by: Angus King
- Length: 11 hrs and 58 mins
- Categories: Literature & Fiction, Genre Fiction
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The Best Yet.
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Summary
There's nothing so terrifying as money....
Two friends, Alex Glass and Oliver Peterkinney, look for work and for escape from their lives spent growing up on Glasgow's most desperate fringes. Soon they will become involved in one of the city's darkest and most dangerous trades. But while one rises quickly up the ranks, the other will fall prey to the industry's addictive lifestyle and ever-spiralling debts.
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The incredible standalone novel from the award-winning author of The Glasgow Trilogy.
Longlisted for the CWA Steel Dagger for Best Thriller 2015.
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What listeners say about The Night the Rich Men Burned
Reviews - Please select the tabs below to change the source of reviews.
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- Harrow
- 07-01-17
More of the same ; works for me
This novel is set the same world as the Glasgow trilogy, and some characters from those books appear.
It is a stand alone tale. The writing is deceptively simple, and it's very much a plot driven crime novel. Nothing profound or particularly thought provoking but an extremely engaging, easy read nonetheless.
The narration is fine, some of the stresses grated me a little but overall the narrator suits the book well enough.
One tip : skip through the very long list of characters at the opening of the novel. You won't need them - this isn't Tolstoy - and all characters are introduced fully in the text. This list might be fine in print but really adds nothing to an audiobook.
2 people found this helpful
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- N. Reid
- 15-10-20
Wrong setting for an otherwise good story.
I'm enjoying this book. I like the other works by this author. He has a very gripping style of writing and it holds your interest.
It's just that.. well.. it's supposed to be set in Glasgow but it's really not.
It's not very Glaswegian in any way at all. This gets grating after a while.
It's not just that the narrator doesn't have a Glaswegian accent or even the odd bit of 'Glesga hard man' accent when required. Its also that the characters aren't very Glaswegian either.
The dialogue doesn't place them in either area of the city and neither does the narrative.
If you are not from Glasgow, haven't been around the type of character described (loosely) and not reading it or listening to it with Glasgow in the forefront of your mind then you probably won't notice.
But it just isn't grounded where it's meant to be set and that gets annoying every time two characters have an exchange.
e.g. having one say, "It ain't like that." when they would actually say, "It's no like that."
I'm probably nit picking, but it really does detract for me, from what is an otherwise well written story.
Maybe the author needs to hang about more dive bars in Glasgow or get in touch for dialogue editing advice 😂
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- Brian
- 25-08-17
Good read
Using similar characters from other books it starts to build up a great history of a serial story.
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- Alastair
- 02-04-17
Just very good
Any additional comments?
This was a great book, enjoyed the new characters. This is a book that I'll listen to again in the future
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- Edgar
- 29-03-17
Failure on many counts
(This review applies not only to the current book but also to the other four, very similar, books by Mr Mackay that have been published over a very short span of time.)
As far as the writing is concerned, there are many events that occur among a large cast of characters, but little in the way of cohesion or plot. Things just happen, and then the next thing happens, and so on. There is absolutely no suspense or tension, which I think ought to be crucial in a successful crime novel. The characters are very bland, superficially described, and difficult to differentiate. The story shows little sense of time -- it takes almost to the end of the book to find out how much time passed between the beginning and the end. More egregiously lacking is even a remote sense of place. If you read Ian Rankin, you always know you're in Edinburgh; Adrian McKinty takes you to Belfast, and you know you're in Louisiana when you read James Lee Burke's Robicheau's novels. The current book could have been set anywhere, but unfortunately goes nowhere.
The reading is equally bad. The narrator has no idea of pacing. He lacks the ability to make voices not sound like caricatures. Finally he mangles nearly every sentence by putting emphasis on the wrong word, thus altering and sometimes destroying its meaning. I constantly found myself mentally rereading a sentence to try and capture what I think the author meant to write.
I persevered through this and the other four Mackay novels in hopes of better, but in the end I was sadly disappointed.