Sixteen-year-old Starr lives in two worlds: the poor neighbourhood where she was born and raised and her posh high school in the suburbs. The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed best friend, Khalil, by a police officer. Now what Starr says could destroy her community. It could also get her killed.

Afua Hirsch is British. Her parents are British. She was raised, educated and socialised in Britain. Her partner, her daughter, her sister and the vast majority of her friends are British. So why is her identity and sense of belonging a subject of debate? The reason is simply because of the colour of her skin. Blending history, memoir and individual experiences, Afua Hirsch reveals the identity crisis at the heart of Britain today. Far from affecting only minority people, Britain is a nation in denial about its past and its present.

In February 2014, Reni Eddo-Lodge posted an impassioned argument on her blog about her deep-seated frustration with the way discussions of race and racism in Britain were constantly being shut down by those who weren't affected by it. She gave the post the title 'Why I'm No Longer Talking to White People About Race'. Her sharp, fiercely intelligent words hit a nerve, and the post went viral, spawning a huge number of comments from people desperate to speak up about their own similar experiences.

I'm a girl who believes in science and facts. Not fate. Not destiny. Or dreams that will never come true. I'm definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him. Not when my family is 12 hours away from being deported to Jamaica. Falling in love with him won't be my story.

Universally acclaimed from the time it was first published in 1968, Slouching Towards Bethlehem has been admired for decades as a stylistic masterpiece. Academy Award-winning actress Diane Keaton (Annie Hall, The Family Stone) performs these classic essays, including the title piece, which will transport the listener back to a unique time and place: the Haight-Ashbury district of San Francisco during the neighborhood’s heyday as a countercultural center.

Zélie remembers when the soil of Orïsha hummed with magic. When different clans ruled - Burners igniting flames, Tiders beckoning waves, and Zélie’s Reaper mother summoning forth souls. But everything changed the night magic disappeared. Under the orders of a ruthless king, anyone with powers was targeted and killed, leaving Zélie without a mother and her people without hope. Only a few people remain with the power to use magic, and they must remain hidden.

In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites listeners into her world, chronicling the experiences that have shaped her - from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work to her time spent at the world's most famous address. With unerring honesty and lively wit, she describes her triumphs and her disappointments, both public and private, telling her full story as she has lived it - in her own words and on her own terms. 

Tara Westover and her family grew up preparing for the End of Days but, according to the government, she didn’t exist. She hadn’t been registered for a birth certificate. She had no school records because she’d never set foot in a classroom, and no medical records because her father didn’t believe in hospitals. As she grew older, her father became more radical and her brother more violent. At 16, Tara knew she had to leave home. In doing so she discovered both the transformative power of education, and the price she had to pay for it. 

Penguin presents the audiobook edition of Simon vs. the Homo Sapiens Agenda by Becky Albertalli, read by Michael Crouch. Straight people should have to come out too. And the more awkward it is, the better. Simon Spier is 16 and trying to work out who he is - and what he's looking for. But when one of his emails to the very distracting Blue falls into the wrong hands, things get all kinds of complicated. Because for Simon, falling for Blue is a big deal.... It's a holy freaking huge awesome deal.

Tiffany can't avoid being funny: it's just who she is. But The Last Black Unicorn is so much more than a side-splittingly hilarious collection of essays - it's a memoir of the struggles of one woman who came from nothing and nowhere. A woman who was able to achieve her dreams by reveling in her pain and awkwardness, showing the world who she really is, and inspiring others through the power of laughter.

Queenie Jenkins can't cut a break. Well, apart from one from her long-term boyfriend, Tom. That's definitely just a break, though. Definitely not a breakup. Stuck between a boss who doesn't seem to see her and a family who don't seem to listen (if it's not Jesus or water rates, they're not interested) and trying to fit in two worlds that don't really understand her, it's no wonder she's struggling. She was named to be queen of everything. So why is she finding it so hard to rule her own life? 

Once in a generation a woman comes along who changes everything. Tina Fey is not that woman, but she met that woman once and acted weird around her.

Before 30 Rock, Mean Girls, and 'Sarah Palin', Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV. She has seen both these dreams come true.

In 1886, a mysterious travelling circus becomes an international sensation. Open only at night, constructed entirely in black and white, Le Cirque des Rêves delights all who wander its circular paths and warm themselves at its bonfire. Although there are acrobats, fortune-tellers and contortionists, the Circus of Dreams is no conventional spectacle. Some tents contain clouds, some ice.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.

More than 15 years after the events of The Handmaid’s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets.