In a silent valley stands an isolated stone farmhouse. Its owner is Aramon Lunel, an alcoholic so haunted by his violent past that he’s let his hunting dogs starve and his land go to ruin. Meanwhile, his sister, alone in her modern bungalow within sight of the Mas Lunel, dreams of exacting retribution for the unspoken betrayals that have blighted her life. Into this closed world comes Anthony Verey, a wealthy but disillusioned antiques dealer from London.

For the whole of Rose's respectable married life, she had kept faith with two men. To Ned she was a perfect wife, mother of his son, and elegant hostess of Slepe. To Mylo, Rose was an impetuous and unconventional mistress, answering his erratic and impassionate calls throughout 50 years of tactful duplicity. After Ned's funeral Rose looks back on a life of dual constancy, passion, humour, and the ambiguities of love - and chooses her future.

First published in 1988 and described by Ali Smith as 'one of Muriel Spark's most liberating, and meditative novels' - A Far Cry from Kensington shows Muriel Spark at the mature height of her powers.The narrator is one Mrs. Hawkins. She writes from Italy, a far cry from Kensington indeed, taking us back to her threadbare years in postwar London. As a young, rather fat war-widow she spent her days working for a crazy, almost bankrupt publisher; and her nights offering advice from her boarding-house in South Kensington.

"Remember you must die" says the telephone caller.This the voice, and message communicated in a series of anonymous calls made to many elderly people. Including; Dame Lettie, a blue-blooded reformer, Godfrey - her rather irritating brother, and his once fabulous novelist wife Charmian. But who is the caller? And why are they reminding them of this final truth? It's unsettling and mysterious. The activity increases and soon a witch-hunt is in full force, with nobody beyond suspicion.

"You girls are my vocation... I am dedicated to you in my prime." So says Miss Jean Brodie, a teacher unlike any other. She is proud and cultured. A romantic, with progressive, sometimes shocking ideas and aspirations for the girls in her charge. When she decides to transform a select group of pupils into the 'crème de la crème' at the Marcia Blaine School they become the Brodie set. In exchange for their undivided loyalty the girls earn a special place of honour and privilege within the school. Yet they are also introduced to a startling new world of adult games....

Lise is thin, neither good-looking nor bad-looking. One day she walks out of her office, acquires a gaudy new outfit, adopts a girlier tone of voice and heads to the airport to fly south. On the plane she takes a seat between two men. One is delighted with her company, the other is deeply perturbed. So begins an unnerving journey into the darker recesses of human nature.

"How wonderful to be an artist and a woman in the twentieth century," Fleur Talbot rejoices. Loitering about London in 1949, with intent to gather material for her writing, Fleur finds a job "on the grubby edge of the literary world", as secretary to the odd Autobiographical Association. Are they a group of mad egomaniacs, hilariously writing their memoirs in advance, or poor fools ensnared by a blackmailer? Rich material, in any case.

Henry Pulling, a retired bank manager, meets his septuagenarian Aunt Augusta for the first time in over 50 years at his mother’s funeral. Soon after, she persuades Henry to abandon South wood, his dahlias and the Major next door to travel through Brighton, Paris, Istanbul, Paraguay...

Audie Award Winner, Audiobook of the Year, 2013. Audie Award Nominee, Best Solo Narration, 2013. Graham Greene’s evocative analysis of the love of self, the love of another, and the love of God is an English classic that has been translated for the stage, the screen, and even the opera house. Academy Award-winning actor Colin Firth (The King's Speech, A Single Man) turns in an authentic and stirring performance for this distinguished audio release.

 Flaubert’s Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad, with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam, and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed.

Annie Dunne and her cousin Sarah live and work on a small farm in a remote and beautiful part of Wicklow in late 1950s Ireland. All about them, a way of life is about to disappear. Like two old rooks, they hold to their life, cherishing everything. When Annie's nephew and his wife are set to go to London, their two small children are brought down to spend the summer with them. A summer of adventure, pain, delight and ultimately epiphany unfolds for both the children and their elderly caretakers.

Miranda Seymour’s biography reveals a proud and fiercely independent artist, one who experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil—and yet was never a victim. I Used to Live Here Once enables one of our most excitingly intuitive biographers to uncover the hidden truth about a fascinatingly elusive woman. Persuasive, surprising and compassionate, this unforgettable biography brings Jean Rhys to life as never before.

The story of a young and affluent middle-class girl, Lucy Honeychurch is wooed by George Emerson and Cecil Vyse whilst vacationing in Italy. Though attracted to George, Lucy becomes engaged to Cecil despite twice turning down his proposals. On hearing of the news, George confesses his love, leaving Lucy torn between marrying the more socially acceptable Cecil, or George, the man she knows would bring her true happiness.

Anne and Edmund Cornhill have a happy marriage and a charming house. They are content, complete, absorbed in their private idyll. Arabella, who comes to stay one lazy summer, is rich, rootless and amoral - and, as they find out, beautiful and loving.With her elegant prose the author traces the web of love and desire that entangles these three; but it is Arabella who finally loses out.

Frances Hodgson Burnett published The Making of a Marchioness in 1901. She had written Little Lord Fauntleroy 15 years before and would write The Secret Garden in 10 years' time; it is these two books for which she is best known. Yet Marchioness was one of Nancy Mitford's favourite books, was considered 'the best novel Mrs Hodgson Burnett wrote' by Marghanita Laski, and is taught on a university course in America together with novels such as Pride and Prejudice, Jane Eyre, and Daisy Miller.