York, 1577: Hawise Aske smiles at a stranger in the market and sets in train a story of obsession and sibling jealousy, of love and hate and warped desire. Drowned as a witch, Hawise pays a high price for that smile. Four and a half centuries later, Grace Trewe is trying to outrun her memories of the Boxing Day tsunami. Her stay in York is meant to be brief, but she discovers that time can twist and turn in ways she never imagined. Drawn inexorably into Hawise’s life, Grace finds that this time she cannot move on.

When Kate Vavasour wakes in hospital, she can remember nothing about the family gathered around her bed or of her life before the accident. The doctors diagnose post-traumatic amnesia and say the memories should start returning. Which they do...but these memories are not her own. They belong to Isabel Vavasour, who lived and died at Askerby Hall over 400 years earlier....

In Elizabethan York, young Nell Appleby is trapped in a chest, and a horror of the dark dogs her for the rest of her life. Wed to the sadistic Ralph Maskewe, Nell must find joy where she can, until her childhood sweetheart offers her escape to the New World. Four and a half centuries later, Tess moves to York, eager to start a new life away from her overbearing husband. But time in York has a way of shifting strangely, and memories of a past that is not her own begin to surface ...

1560: Amy Robsart is trapped in a loveless marriage to Robert Dudley, a member of the court of Queen Elizabeth I. Surrounded by enemies and with nowhere left to turn, Amy hatches a desperate scheme to escape – one with devastating consequences that will echo through the centuries. Present Day: When Lizzie Kingdom is forced to withdraw from the public eye in a blaze of scandal, it seems her life is over. But she’s about to encounter a young man, Johnny Robsart, whose fate will interlace with hers in the most unexpected of ways.

Ben Ansell is researching his family tree when he disappears. As his sister Holly begins a desperate search, she finds herself inexplicably drawn to an ornate antique mirror and to the diary of Lavinia, a 19th-century courtesan who was living at Ashdown House when it burned to the ground over 200 years ago. Intrigued, and determined to find out more about the tragedy at Ashdown, Holly’s only hope is that uncovering the truth about the past will lead her to Ben.

Xanthe has always had an affinity with some of the antiques she finds. When she touches them, she can sense something of the past they come from and the stories they hold. When she has an intense connection to a beautiful silver chatelaine, she has to know more. It is while she’s examining the chatelaine that she’s transported back to the 17th century, where it has its origins. She discovers there is an injustice in its history. The spirit that inhabits her new home confronts her and charges her with saving her daughter’s life, threatening to take Flora’s if she fails. 

Mercia, 788 AD. In the grand Saxon halls of Mercia, King Offa rules with cold ambition. His youngest daughter, Eadburh, is destined for an arranged marriage, but with reckless spirit, her heart is taken by a Welsh prince, a man she can never be matched with and who is quickly and cruelly taken from her. Offa’s Dyke, 2021. In a cottage hidden amongst the misty Welsh hills of Offa’s Dyke, Bea Dalloway is called to help Simon Armstrong, who is searching for peace. Instead he finds himself disturbed by unsettling noises and visions.

In London, journalist Jo Clifford plans to debunk the belief in past lives in a hard-hitting magazine piece. But her scepticism is shaken when a hypnotist forces her to relive the experiences of Matilda, Lady of Hay, a noblewoman during the reign of King John. She learns of Matilda's unhappy marriage, her love for the handsome Richard de Clare and the brutal death threats handed out by King John, before it becomes clear that Jo’s past and present are inevitably entwined.

Professional genealogist Melissa Grantham receives an invitation to visit her family's ancestral home, Ashleigh Manor. From the moment she arrives, life-like dreams and visions haunt her. Jake Precy, owner of a nearby cottage, has disturbing dreams too, but it's not until he meets Melissa that they begin to make sense.

In 1692, Bridget Bishop was hanged as a witch. Two hundred years later, her legacy lives on in the scions of two very different lines: one dedicated to using their powers to heal and help women in need; the other, determined to grasp power for themselves. This clash will play out in the fate of Annis, a young woman in Gilded Age New York who finds herself a pawn in the family struggle for supremacy. She'll need to claim her own power to save herself - and resist succumbing to the darkness that threatens to overcome them all.  

When Mia inherits her beloved grandmother's summer cottage, Birch Thorpe, in Sweden, she faces a dilemma. Her fiance Charles urges her to sell and buy a swanky London home, but Mia cannot let it go easily. The request to carry out an archaeological dig for more Viking artefacts like the gold ring Mia's grandmother also left her, offers her a reprieve from a decision - and from Charles.   

In present-day Cambridge, Abi, a recently ordained priest of the Church of England, is appointed to a notoriously difficult parish. The priest in charge is the charismatic but fundamentalist Kier. He objects to her mysticism, her practice of healing in particular. When she sees a vision of a congregation in an old church, Kier accuses her of witchcraft, but Abi soon sees more visions; an entire Roman family history dark with betrayal and a promise of bloody revenge.

Hay-on-Wye, 1400. War is brewing in the Welsh borders. Catrin is on the brink of womanhood and falling in love for the first time. Her father is a soothsayer playing a dangerous game, playing on the mixed loyalties and furious rivalries between Welsh princes and English lords. For 200 years the Welsh people have lain under the English yoke, dreaming of independence. And finally it looks as though the charismatic Owain Glyndwr may be the man legend talks of.

Some landscapes hold more magic than others. Artist Laura Matthews finds her new home in the Welsh mountains to be a place so charged with tales and legends, so teeming with the force of the supernatural, that she is able to reach through the gossamer-fine veil that separates her own world from that of myth and fable. She and her husband, Dan, have given up their city life and moved to Blaencwm, an ancient longhouse high in the hills.

'The dead are seldom silent. All that is required for them to be heard is that someone be willing to listen. I have been listening to the dead all my life.' Lady Lilith Montgomery is the daughter of the sixth Duke of Radnor. She is one of the most beautiful young women in London and engaged to the city's most eligible bachelor. She is also a witch. When her father dies, her hapless brother Freddie takes on his title. But it is Lilith who inherits their father's role as Head Witch of the Lazarus Coven.