The Confessions of Frannie Langton

London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist. 

Fleetwood Shuttleworth is 17 years old, married and pregnant for the fourth time. But as the mistress at Gawthorpe Hall, she still has no living child, and her husband, Richard, is anxious for an heir. When Fleetwood finds a letter she isn't supposed to read from the doctor who delivered her third stillbirth, she is dealt the crushing blow that she will not survive another pregnancy. Then she crosses paths by chance with Alice Gray, a young midwife. Alice promises to help her give birth to a healthy baby and to prove the physician wrong.

Mattie is a woman with a thrilling past and a chafingly uneventful present. During the Women’s Suffrage Campaign she was a militant. Jailed five times, she marched, sang, gave speeches, smashed windows and heckled Winston Churchill, and nothing - nothing - since then has had the same depth, the same excitement. Now in middle age, she is still looking for a fresh mould into which to pour her energies. 

Iceland, 1686. The brutal, lava-scarred landscape can swallow a man without so much as a volcanic gasp. Jón Eiríksson has just married his second wife in a year. But Rósa's new home in the windswept village of Stykkishólmur is terrifyingly isolated - the villagers are suspicious of strangers and fearful of something which they will not name. What is Rósa's new husband's secret, and why does the spectre of his first wife Anna haunt them so?

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past. 

Bea and Dan, recently married, rent out their tiny flat to escape London for a few precious months. Driving through France they visit Bea’s dropout brother Alex at the hotel he runs in Burgundy. Disturbingly, they find him all alone and the ramshackle hotel deserted, apart from the nest of snakes in the attic. When Alex and Bea’s parents make a surprise visit, Dan can’t understand why Bea is so appalled or why she’s never wanted him to know them; Liv and Griff Adamson are charming and rich. 

When Esther Thorel, the wife of a Huguenot silk weaver, rescues Sara Kemp from a brothel she thinks she is doing God's will. Sara is not convinced being a maid is better than being a whore, but the chance to escape her grasping madam is too good to refuse. Inside the Thorels' tall house in Spitalfields, where the strange cadence of the looms fills the attic, the two women forge an uneasy relationship. 

A dark midwinter’s night in an ancient inn on the Thames. The regulars are entertaining themselves by telling stories when the door bursts open on an injured stranger. In his arms is the drowned corpse of a little child. Hours later the dead girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can it be explained by science? An exquisitely crafted multilayered mystery brimming with folklore, suspense and romance as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield’s best seller The Thirteenth Tale.

London, 1667. In the court of Charles II, it's a dangerous time to be alive. A wrong move could lead to disgrace, exile or death. The discovery of a murder at Clarendon House, the palatial home of one of the highest courtiers in the land, could have catastrophic consequences. James Marwood, a traitor's son, is ordered to cover up the murder. But the dead man is Edward Alderley, the cousin of one of Marwood's acquaintances. Cat Lovett had every reason to want her cousin dead. Since his murder, she has vanished, and all the evidence points to her as the killer.

They say a tiger that devours too many humans can take the form of a man and walk amongst us.... In 1930s colonial Malaya, a dissolute British doctor receives a surprise gift of an 11-year-old Chinese houseboy. Sent as a bequest from an old friend, young Ren has a mission: to find his dead master's severed finger and reunite it with his body. Ren has 49 days, or else his master's soul will roam the earth forever.

When 17-year-old Camille is left orphaned, she has to provide for her frail sister and her volatile brother. In desperation, she survives by using the petty magic she learnt from her mother. But when her brother disappears Camille decides to pursue a richer, more dangerous mark: the glittering court of Louis XVI and Marie Antoinette. Using dark magic Camille transforms herself into the ‘Baroness de la Fontaine‘ and presents herself at the court of Versaille, where she soon finds herself swept up in a dizzying life of riches, finery and suitors.

An electrifying debut thriller for fans of Anatomy of a Scandal, Apple Tree Yard and Gone Girl. Alison has it all. A doting husband, an adorable daughter, and a career on the rise - she's just been given her first murder case to defend. But all is never as it seems.... Alison's client doesn't deny that she stabbed her husband - she wants to plead guilty. And yet something about her story is deeply amiss. Saving this woman may be the first step to Alison saving herself. 

Charles Hayden has been fascinated by a strange Victorian fairy tale, In the Night Wood, since he was a child. When his wife, Erin - a descendant of the author - inherits her ancestor’s house, the couple decide to make it their home. Still mourning the recent death of their daughter, they leave America behind, seeking a new beginning in the English countryside. But Hollow House, filled with secrets and surrounded by an ancient oak forest, is a place where the past seems very much alive....

Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffeehouses and lived on country estates; they breathed ink dust from printing presses and escaped people traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women. 

Queenie Jenkins can't cut a break. Well, apart from one from her long-term boyfriend, Tom. That's definitely just a break, though. Definitely not a breakup. Stuck between a boss who doesn't seem to see her and a family who don't seem to listen (if it's not Jesus or water rates, they're not interested) and trying to fit in two worlds that don't really understand her, it's no wonder she's struggling. She was named to be queen of everything. So why is she finding it so hard to rule her own life?