Summer of Night

Go Ahead...Take A Stroll Down Horror Lane

I read the reviews before buying this audiobook, and was surprised by the vast differences in reviewer opinion. For some, the book was too long, and others never wanted it to end.

This novel is long, but if you grew up in the 50,s 60;s, or 70;s, you will probably feel a sense of nostalgia. If you grew up before those decades, I would imagine the book would seem wordy and too lengthy.

Summer of Night falls somwhere between "It" and "Stand By Me" in the dewey decimal system of your mind, which are both by Stehen King. I loved this novel, and think the writing vividly depicts a coming- of- age story involving several teen boys. They cus, they drink, they go on adventures. They have good parents, they have awful parents, and they rely on each other.

There is the issue of childhood death in this story along with the parental grief that follows. That kind of raw emotion has always been difficult for me to take as a reader, but Simmons manages to make it part of the overall horror story instead of an emotional mess.

The writing is good, I got lost in the book, and I really liked the characters and the charater development. Dan John Miller was an excellent choie for narration.

73 of 76 people found this review helpful

Excellent well-developed thriller / youth story

Dan Simmons is one of my favorite writers. I've previously read Song of Kali, the Hyperion Cantos, Carrion Comfort, and Prayers to Broken Stones. I sometimes feel apprehension when reading a previously unread novel by an author I've come to love, because of the potential disappointment when the spell is broken. It's been broken (and redeemed) many times by Stephen King.
No worries then, on Summer of Night! This is a story reminiscent of two other novels I know, both by Stephen King: It and The Body (which appeared in Different Seasons and was the basis for the movie Stand By Me). I would not say that this is a derivative work, however. Simmons has his own ideas and agendas. The story is thrilling and the characters are rich and diverse, and though it sounds hackneyed, the portrait of small town life is on the money. If you've ever been afraid of your elementary school basement or hung out with a clever group of school kids, this book will resonate with you. Despite the age of the kids in the story, this is not a juvenile work and deserves a mature audience rating for violence (though not really more so than The Illiad), language (though again, probably not more so than Slaughter House Five), etc.
There may be some in-jokes or nods in Summer of Night. Duane may be a particular version of the detective in Carrion Comfort. I believe that the character Harland is a playful nod to Harlan Ellison, given their similar attitudes and, well, vernacular.
By way of explanation, I do not practice "inflation" in my ratings. I give the story four stars only because five stars is reserved for excellent works of deep significant: Ulysses, The Grapes of Wrath, Dune, The Name of the Rose, Shogun, and works of this level. Catcher in the Rye would be a four-star by my reckoning.
The audiobook was among the best performed that I've listened to. It was certainly well above the recording of Steve Jobs by Walter Isaacson (which often sounded like an Al Franken SNL skit).

46 of 48 people found this review helpful

A Strong RIval of Stephen King's Best Work

Even though I was 2 years old in 1960 (the year in which Summer of Night is set), I found Simmons evocation of the summer vacations we baby-boomers enjoyed markedly similar to those we experienced in Texas during the 1960's. I think that, as children, we were able to enjoy the simplicity of those years in a way that people of other generations could not. We hung between the past and the future: we still played the games our parents did as children but the Space Age and the Beatles promised us futures filled with amazing, undreamed of lives to come.

Dan John Miller gives this book it's due. His ability to slip into a variety of characters of different gender, background and age is marvelous. He never gives the sense that this is his first time to see the book, the way some performers do. And when the text describes a character as coughing or laughing while speaking, etc., he does it in a most natural way, which can be difficult for some to do without being awkward.

Oh, Summer of Night is definitely a horror book. It is scary, scary, scary. But much of what makes it so effective are Simmons' characterizations, his almost poetic descriptions and the ability to twist several elements of horror stories into something completely new. It really can appeal to quite a large number of diverse readers.

Simmons immerses the reader into the setting of that summer in 1960 Illinois with his almost hypnotic use of prose. I felt that I could almost feel the summer heat, crawling up hot rocks barefoot, splashing into the local swimming hole and riding my bicycle over dusty, unpaved roads. He provides us with the atmosphere of iced lemonade, nights on front porch swings under yellow outdoor lights and the the ever-present song of summer insects such as cicadas and crickets. And, most importantly, the tightly bound friendships that children believe will last forever.

I want to take one paragraph to touch on the characters in the book. It is so easy to view them as real people that you might discover yourself loving some and hating some, and wishing you could have been there to help them. I am reading a book right now, Children of the Night, in which one of the boys plays a major role. It was delightful to see him as a grown up. I hope we get to see more.

10 of 10 people found this review helpful

One of my favorite books

That said the presentation is well done and I enjoyed it, however, the narration was well done until it came to ANY dialogue between the main characters (all children) at which point the narrator chose the obnoxious tactic of making his voice soft, squeaky, or soft and squeaky to differentiate between them. The most obnoxious of these was for the only young female character, Cordelia Cook. Her voice is described as a monotone in the book and not only is it not a monotone but the squeaky nature of the reading of her dialogue is almost unbearable at times.

This is one of my favorite books and I read my copy until the cover fell apart so I'm willing to concede that I may be biased to some degree however the irritating vocal choices bothered me so much that I found I had to force myself to finish the book.

Listen to the preview before buying.

29 of 31 people found this review helpful

Dan Simmons has a lot of strings in his bow.

I enjoyed this book immensely. Yes there was 'horror' but not the kind when you're scared to turn the next page, or decide to skip it altogether. I guess you could say it was mild to middling horror. There was heaps of suspense though, and the story progressed so well it was hard to put down. Dialogue between the characters was written well and the character development was excellent. I would welcome more of this genre from Mr Simmons.

12 of 13 people found this review helpful

Brilliant

This is a great book, kind of a scary stand by me. A little Super 8. Perfectly narrated. I wish it did not have to end.

12 of 13 people found this review helpful

went from great to struggling

Simmons does a great job for the first few hours. His characters are believable and he does an excellent job setting up the suspense with an in depth setting that is quite believable in it's attention to detail and small nuances of everyday life. The struggle for me began when he starts to explain who and what the antagonists are. It's kind of a huge let down to know that the ancient evil is just a .....no spoilers but still. even the pretence of tying it to renaissance era and ancient Egyptian occult doesn't do much to revitalize the creepiness that the early fog of not knowing what was going on instilled. it doesn't make the book unreadable per se just....disappointing, and by that time I invested so much time I just finished it.

5 of 5 people found this review helpful

It took me away

Would you consider the audio edition of Summer of Night to be better than the print version?

Yes

What other book might you compare Summer of Night to and why?

Its in the realm of It. You have a group of children fighting against a force that adults refuse to see or acknowledge. In this group you also have diverse social differences.

What about Dan John Miller’s performance did you like?

He was able to make a clear representation of each character

Was this a book you wanted to listen to all in one sitting?

No. I finished in a little over a week

Any additional comments?

The imagery, sense of nostalgia, and suspense made for an awesome experience.

5 of 5 people found this review helpful

Loved it!

If you liked "The Goonies" and "Stand by me" with a twist of Dean Koontz you will enjoy this story. It's nice to have someone read it to you too, it gives you a differant perspective on emotions and characters.

13 of 15 people found this review helpful

Very well-written for a 12-year-old boy

This book is a pale shadow of a Steven King-style, nostalgia-heavy, gang of boys story. The difference is that King has character development nailed down. This author does not, and relies on drawing out the plotline and larding it with gross-out imagery.

Also, look elsewhere if you are looking for ANY sympathetic female characters. All incidental women and girls are objects of derision, scorn, or lust. This was obvious and off-putting in the first chapter, but I chalked it up to character-driven observations. It didn't get better, and I think it's likely not deliberate, but inherent to the author.

I don't usually write reviews, and I usually finish marginal books. I only got two-thirds of the way through this one before I'd had enough. Do with your credit what you will.

2 of 2 people found this review helpful