Portobello

Mary Jago had donated her own bone marrow to save the life of someone she didn’t know. And this generous act led directly to the bitter break-up of her affair with Alistair. For him, it was as though her beauty had been plundered. But the man whose life she had saved would change Mary’s life in a way she could never have imagined.

A spectacularly compelling story of blackmail, murders both accidental and opportunistic, and one life’s fateful unravelling from Ruth Rendell, writing at her most acute and mesmerising. When his father dies, Carl Martin inherits a house in an increasingly rich and trendy London neighbourhood. Carl needs cash, however, so he rents the upstairs room and kitchen to the first person he interviews, Dermot McKinnon. That was colossal mistake number one.

Mix Cellini (which he pronounces with an S rather than a C) is superstitious about the number 13 and has always felt dogged by ill-luck. In the house where he lives, there are 13 steps down to the landing below his rooms. His landlady lives her life almost exclusively through her library, blind to the neglect and decay around her. However, Mix is obsessed with the life of the notorious John Christie, who lived in the same Notting Hill neighbourhood at 10 Rillington Place.

Safe houses and secret message drops, double crosses and defections - it sounds like the stuff of sophisticated espionage, but these agents are only schoolboys engaged in harmless play. Not that John Creevey knows this. To him, the messages he decodes with painstaking care are the communications of dangerous and evil men, and as he comes face to face with the fact of his beloved wife Jennifer's defection, he begins to see a way to get back at the man she left him for.

No one would have described Manningtree Grove as fashionable. Few would have found it especially interesting. But it was not an unpleasant place to live: the old railway line lay in a valley, and the gardens looked onto it. It was the kind of place where nothing ever happened. Yet it was here that Peter Yearman first sold his soul to the devil....

When he unexpectedly comes into a small fortune, he decides to use his newfound wealth to help out those in need. Finn also leads a quiet life, and comes into a little money of his own. Normally, their paths would never have crossed. But Martin’s ideas about who should benefit from his charitable impulses yield some unexpected results, and soon the good intentions of the one become fatally entangled with the mercenary nature of the other.

Philip Wardman had more than just the ordinary squeamishness where death was concerned. Yet he could hardly avoid the suspicious disappearance of his sister's friend Rebecca Neave, especially when everyone was ascribing the cause to murder. Philip's feminine ideal is the statue of the Roman goddess Flora in his mother's garden. His marble Flora doesn't fade, doesn't alter, and doesn’t die.

In the waning months of the Second World War, a group of children discover an earthen tunnel in their neighbourhood outside London. Throughout the summer of 1944 – until one father forbids it – the subterranean space becomes their 'secret garden', where the friends play games and tell stories. Six decades later, beneath a house on the same land, construction workers uncover a tin box containing two skeletal hands, one male and one female.

The first girl had a bite mark on her neck, but they traced the DNA to her boyfriend. But the tabloids got hold of the story and called the killer 'The Rottweiler' and the name stuck. The latest murder takes place very near Inez Ferry's antique shop in Marylebone. When the Rottweiler’s trinkets start showing up in the shop, suddenly, everyone Inez knows is a suspect, and the killer feels all too close.

Two damaged children: Teddy Brex, whom no-one loved, and so found it easier to relate to objects or things which never let him down; and Francine Hill, who was discovered sitting by the body of her mother, her skirt red with blood. She couldn’t tell the police or her father anything to help track down the killer.... Children grow up in different ways. Teddy became a handsome young man, Francine was beautiful - a sight for sore eyes. But it was death that brought them together.

Like most families, they had their secrets...and they hid them under a genteelly respectable veneer. No onlooker would guess that prim Vera Hillyard and her beautiful, adored younger sister, Eden, were locked in a dark and bitter combat over one of those secrets. England in the '50s was not kind to women who erred, so they had to use every means necessary to keep the truth hidden behind closed doors - even murder.

All his life, for almost as far back as he could remember, Victor had had a phobia. In prison, inevitably, he reflected on the grotesque way it had begun, about the panics and violent anger. He asked himself, too, why the child of happily married, middle-class parents should have needed to make motiveless and unreasoning attacks on women. Holed up in that house with the girl, he had not meant to pull the trigger. It was panic.

The obituaries for Gerald Candless were respectful. He had been, after all, an admired and popular writer, and his sudden death at his home in Devon was a loss to literature as well as to his family and friends. The trouble was, as his daughter Sarah soon discovered, that it seemed that her father had taken on a different identity that he wasn't Gerald Candless at all. But if he wasn't Gerald Candless, who was he?

Eve and Liza, Mother and Daughter, live a quiet life in their remote home; a rustic gatehouse of a country mansion. At first glance their lives appear quite ordinary, except that Liza has almost no knowledge of the outside world, has never played with a child her own age and has witnessed her mother commit murder, on multiple occasions.

Everyone has an idea of what their perfect life is. For Agatha, it's Meghan Shaughnessy's. These two women from vastly different backgrounds have one thing in common - a dangerous secret that could destroy everything they hold dear. Both will risk everything to hide the truth, but their worlds are about to collide in a shocking act that cannot be undone.