Dominic Cooper reads Dickens' classic tale Oliver Twist. Dickens' timeless novel transports readers to a Victorian England filled with frightened orphans, grim workhouses and gangs of thieving children. Orphaned Oliver lives in a cold grim workhouse until the day he dares to ask for more food. Escaping to London, Oliver finds new friends and thinks he has a home at last. But his troubles are only just beginning.

Orson Welles' dramatic anthology series Mercury Theatre on the Air, infamous for its Halloween broadcast of War of the Worlds, found a sponsor and became Campbell Playhouse in December 1938. The program continued to feature the charismatic and fiery Welles as both a host and an actor. The great Lionel Barrymore portrayed Ebenezer Scrooge in Campbell Playhouse's annual performance of A Christmas Carol by Charles Dickens.

Listen as David recounts the experiences of his rise to successful novelist - his wretched boyhood , the drudgery of his various jobs, his marriage to the boss’ pretty daughter, his flight to the continent, and finally, a reunion with his true love. Tull’s marvelously resonant voice ushers us smoothly through young David’s trials. His ability to move deftly between different accents gives new life to some of the best-known characters in all of literature.

The subject of countless adaptations, Oliver Twist is an essential read or listen, and this version is both exciting and accessible for children ages 8 to 13. Roy McMillan uses Dickens’ original words in the main text, simplifying and clarifying them at certain points. Oliver’s journey to London is narrated with ceaseless energy by Jonathan Keeble; his reading is infused with a delicious knack for storytelling.

"It is a far, far better thing that I do, than I have ever done...." With these words and a superb act of bravery and sacrifice, one of the most badly behaved heroes of all time ends Charles Dickens' great tale of the French Revolution. This is a firework display of a book, a crackling picture of the ravages and excesses of starving, furious men and the astonishing acts of heroism that usually accompany them.

In this, perhaps Dickens' most profound and personal novel, we are invited to share in the sentimental education of Pip, the poor boy from the village forge who risks losing himself in snobbery and selfishness when he mysteriously inherits a fortune. The story moves from the bleak Kentish marshes of Pip's childhood to a thrilling climax that mingles tragedy and triumph.

When young orphan, Oliver Twist, is sold into an apprenticeship with an undertaker, he leaves behind years of miserable servitude and mistreatment at an English workhouse. Hoping to move on to better things, he decides to escape his new, equally dreary surroundings and head to London. It is there that the novel unravels as Oliver meets a host of larger-than-life characters, including The Artful Dodger, a high-ranking member of a juvenile pickpocketing gang, and their elderly leader, Fagin.

The Pickwick Papers, Dickens's first novel, is a delightful romp through the pre-Reform Bill England of 1827. Samuel Pickwick and the rest of the Pickwickians are some of the most memorable of all Dickens's creations, and it is a joy to hear of their adventures in search of "interesting scenes and characters", and the repeated efforts of the quick-witted Sam Weller to rescue them all from disaster.

Sherlock Holmes is a fictional detective of the late 19th and early 20th centuries, who first appeared in publication in 1887. He is the creation of Scottish born author and physician Sir Arthur Conan Doyle. A brilliant London-based detective, Holmes is famous for his intellectual prowess, and is renowned for his skillful use of deductive reasoning (somewhat mistakenly - see inductive reasoning) and astute observation to solve difficult cases.

A natural storyteller and raconteur in his own right - just listen to Paddle Your Own Canoe and Gumption - actor, comedian, carpenter, and all-around manly man Nick Offerman (Parks and Recreation) brings his distinctive baritone and a fine-tuned comic versatility to Twain's writing. In a knockout performance, he doesn't so much as read Twain's words as he does rejoice in them, delighting in the hijinks of Tom - whom he lovingly refers to as a "great scam artist" and "true American hero".