Frances is a 21-year-old college student in Dublin; she performs at spoken word events with her best friend and ex-lover, Bobbi. When they are profiled by journalist Melissa, they enter an orbit of beautiful houses and raucous dinner parties. Initially unimpressed, Frances begins an affair with Nick, Melissa's husband, which gives way to an unexpected intimacy.

Thirty years ago something terrible happened to Luna's mother. Something she's prepared to reveal only after her death. In settling her mother's affairs, Luna finds more questions than answers until something impossible and magical happens.... Luna meets her mother as a young woman back in the summer of 1977. If she can truly travel back in time, she can change things. But in order to save her mother's life, will she have to sacrifice her own?

Celie has grown up poor in rural Georgia, despised by society and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters to God. The letters, spanning 20 years, record a journey of self-discovery and empowerment guided by the light of a few strong women.

As teenagers, Ifemelu and Obinze fall in love in a Nigeria under military dictatorship. The self-assured Ifemelu departs for America, where Obinze hopes to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London. Fifteen years later, after so long apart and so many changes, will they find the courage to meet again, face to face?

A dazzling urban satire of modern human relations? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something? The third installment in Bridget Jones' journey, Mad About the Boy, will be out in October 2013.

When Michelle Thomas suffered her first major depressive episode six years ago, she read and watched and listened to everything about mental health she could get her hands on in an effort to fix herself. God, it was tedious. And, quite frankly, depressing. Which is the last thing she needed. What she did need was a therapist who would listen and offer a wellness strategy catered to her specific needs. What she got was advice to watch a few YouTube videos and a cheerful reminder that 'it could be worse'. 

Jules and Holly have been best friends since university. They tell each other everything, trading revelations and confessions and sharing both the big moments and the small details of their lives: Holly is the only person who knows about Jules’ affair; Jules was there for Holly when her husband died. And their two children - just three years apart - have grown up together. So when Jules’ daughter, Saffie, makes a rape allegation against Holly’s son, Saul, neither woman is prepared for the devastating impact this will have on their friendship or their families.

Moments after Lisbeth is born, she’s taken from her mother and handed over to an enslaved wet nurse, Mattie, a young mother separated from her own infant son in order to care for her tiny charge. Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father.

From Chimamanda Ngozi Adichie, the Orange Prize-winning author of Half of a Yellow Sun, come 12 dazzling stories in which she turns her penetrating eye on the ties that bind men and women, parents and children, Nigeria and the West. Searing and profound, suffused with beauty, sorrow and longing, this collection is a resounding confirmation of Chimamanda Ngozi Adichie's prodigious storytelling powers.

Merham is a well-ordered 50s seaside town - the kind of town where everyone knows their place (and those who don't are promptly put in it). Lottie Swift is an evacuee who has grown up with the respectable Holden family and loves Merham. The Holden's daughter Celia, however, chafes against the constraints on the town and longs to escape....

In 1866, tragedy strikes the exclusive Windfield School when a young student drowns in a mysterious accident. His death and its aftermath initiate a spiraling circle of treachery that will span three decades and entwine many lives. From the exclusive men’s clubs and brothels that cater to every dark desire of London’s upper class to the dazzling ballrooms and mahogany-paneled suites of the manipulators of the world’s wealth, one family is splintered by a shared legacy.

It's the mid-1990s, and 15-year-old Guernsey schoolgirls Renée and Flo are not really meant to be friends. Thoughtful, introspective and studious Flo couldn't be more different to ambitious, extroverted and sexually curious Renée. But Renée and Flo are united by loneliness and their dysfunctional families, and an intense bond is formed. Although there are obstacles to their friendship (namely Flo's jealous ex-best friend and Renée's growing infatuation with Flo's brother), 15 is an age where anything can happen.

When a baby escapes a murderer intent on killing the entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family.

My name is Simon. I’m 10 years old. I’m a serial killer. Robert Stern (Rupert Penry-Jones), a successful defense attorney, doesn’t know what lies in store for him when he agrees to meet a new client in a derelict estate on the outskirts of Berlin. Stern is more than surprised, when his old love interest and professional nurse Carina (Emilia Fox) presents him a ten year old boy as his new client. Simon (Jack Boulter), a terminally ill child, who is convinced he has murdered many men in a previous life.

These vivid, tightly focused observations about the life of Dublin's poorer classes originally made publishers uneasy: the stories contain unconventional themes and coarse language, and they mention actual people and places. Today, however, the stories are admired. They are considered to be masterful representations of Dublin done with economy and grace - representations, as Joyce himself once explained, of a chapter in the moral history of Ireland that give the Irish a good look at themselves.