Meet Yumi Fuller. A Japanese-American prodigal daughter, Yumi (aka Yummy) is returning home to the Idaho potato farm she ran away from 25 years earlier. Then a freewheeling hippie chick, Yumi is now a fairly responsible parent and a professor with a side gig selling lava lots in Hawaii. But can she possibly be prepared to face her dying father, her Alzheimer's-devastated mother, and Cass, the best friend she left behind?

Ruth discovers a Hello Kitty lunchbox washed up on the shore of her beach home. Within it lies a diary that expresses the hopes and dreams of a young girl. She suspects it might have arrived on a drift of debris from the 2011 tsunami. With every turn of the page, she is sucked deeper into an enchanting mystery. In a small cafe in Tokyo, 16-year-old Nao Yasutani is navigating the challenges thrown up by modern life. In the face of cyber-bullying, the mysteries of a 104-year-old Buddhist nun and great-grandmother, and the joy and heartbreak of family, Nao is trying to find her own place - and voice - through a diary.

On a hot summer’s day in a poor suburb of Tokyo we meet three women: 30-year-old Natsu, her older sister, Makiko, and Makiko’s teenage daughter, Midoriko. Makiko, an ageing hostess despairing the loss of her looks, has travelled to Tokyo in search of breast-enhancement surgery. She's accompanied by Midoriko, who has recently stopped speaking, finding herself unable to deal with her own changing body and her mother’s self-obsession. Her silence dominates Natsu’s rundown apartment, providing a catalyst for each woman to grapple with their own anxieties. 

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys". Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

Ireland, 1959. Young Christopher Hurley is a tinker, a Pavee gypsy, who roams with his father and extended family from town to town, carrying all their worldly possessions in their wagons. Christy carries with him a burden of guilt as well: his mother's death in childbirth. The wandering life is the only one Christy has ever known, but when his grandfather dies, everything changes. His father decides to settle briefly, in a town, where Christy and his cousin can receive proper schooling. But still, always, they are treated as outsiders. 

Balram Halwai is the White Tiger - the smartest boy in his village. Too poor to finish school, he has to work in a teashop until the day a rich man hires him as a chauffeur, and takes him to live in Delhi. The city is a revelation. Balram becomes aware of immense wealth all around him, and realizes the only way he can become part of it is by murdering his master. The White Tiger presents a raw and unromanticized India, both thrilling and shocking.

A 30-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home and an underworld haunted by Double Metaphors.

A band of savage 13-year-old boys reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'objectivity'. When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard this disallusionment as an act of betrayal on his part - and the retribution is deliberate and horrifying.

Elaine Risley, a painter, returns to Toronto to find herself overwhelmed by her past. Memories of childhood - unbearable betrayals and cruelties - surface relentlessly, forcing her to confront the spectre of Cordelia, once her best friend and tormentor, who has haunted her for 40 years. An exceptional novel from the winner of the 2000 Booker Prize.

Kafka Tamura runs away from home at 15, under the shadow of his father's dark prophesy. The ageing Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his pleasantly simplified life suddenly turned upside down. As their parallel odysseys unravel, cats converse with people, fish tumble from the sky, a ghost-like pimp deploys a Hegel-spouting girl of the night, a forest harbours soldiers apparently un-aged since World War II.

All Anna wants is to be able to sleep. But crushing insomnia, terrifying night terrors and memories of that terrible night are making it impossible. If only she didn’t feel so guilty.... To escape her past, Anna takes a job at a hotel on the remote Scottish island of Rum, but when seven guests join her, what started as a retreat from the world turns into a deadly nightmare. Each of the guests has a secret, but one of them is lying - about who they are and why they're on the island. There's a murderer staying in the Bay View hotel. And they've set their sights on Anna.

Paulette Wilson had always assumed she was British. She had spent most of her life in London working as a cook; she even worked in the House of Commons' canteen. How could someone who had lived in England since being a primary school pupil suddenly be classified as an illegal immigrant? It was only through Amelia Gentleman's tenacious investigative and campaigning journalism that it emerged that thousands were in Paulette's position. What united them was that they had all arrived in the UK from the Commonwealth as children in the 1950s and 1960s.

When Sarah Haywood rescues a young girl in trouble, she expects nothing in return. But her instinctive act of bravery puts her in the debt of a powerful and dangerous man, and he has other ideas. He lives by his own brutal code, and all debts must be repaid - in the only way he knows how. He offers Sarah a way to solve an impossible situation with her intolerable boss.

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.

Ava only left her daughter in the pushchair for five minutes. The buckle was fastened, and she was sure it was safe. But when she came downstairs, the door was open and Abi was gone - she walked down the road, past the Lovegoods' house, and was never seen again. A year later, the Lovegoods throw a housewarming party, showing off the results of their renovation. Ava doesn’t want to go. She can’t bear to look down that end of the road, to see the place where Abi vanished, and she doesn’t want to spend time with people who don’t share her grief.