Frances Hodgson Burnett published The Making of a Marchioness in 1901. She had written Little Lord Fauntleroy 15 years before and would write The Secret Garden in 10 years' time; it is these two books for which she is best known. Yet Marchioness was one of Nancy Mitford's favourite books, was considered 'the best novel Mrs Hodgson Burnett wrote' by Marghanita Laski, and is taught on a university course in America together with novels such as Pride and Prejudice, Jane Eyre, and Daisy Miller.

Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, she often gets herself embroiled in other people's lives - especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks.

For fifty years Mollie Panter-Downes' name was associated with The New Yorker, for which she wrote a regular 'Letter from London', book reviews and over thirty short stories; of the twenty-one in Good Evening, Mrs Craven, written between 1939 and 1944, only two had ever been reprinted - these very English stories have, until now, been unavailable to English readers.

First published in 1988 and described by Ali Smith as 'one of Muriel Spark's most liberating, and meditative novels' - A Far Cry from Kensington shows Muriel Spark at the mature height of her powers.The narrator is one Mrs. Hawkins. She writes from Italy, a far cry from Kensington indeed, taking us back to her threadbare years in postwar London. As a young, rather fat war-widow she spent her days working for a crazy, almost bankrupt publisher; and her nights offering advice from her boarding-house in South Kensington.

The Girls of Slender Means is the third Muriel Spark audio release of 2012, following The Prime of Miss Jean Brodie and The Complete Short Stories. It is 1945; a time of cultural and political change, and also one of slender means. Spark's evocative and sharply drawn novel focuses on a group of women living together in a hostel in Kensington who face new challenges in uncertain times. The novel is at once dramatic and character-based, and shows Muriel Spark at the height of her literary powers.

Oh, the boredom of waiting to grow up! Longing for love, obsessed with weddings and sex, Linda and her sisters and cousin Fanny fantasise about the perfect lover. But finding Mr Right proves difficult, and Linda must bear marriage with both Tony the stuffy Tory MP and gorgeously handsome but humourless communist Christian before finding real passion in war-torn Paris with Fabrice.

"How are your lectures going?" asked Kitty of Joseph, a kind of desperate intentness in her voice and face. This was her style of the moment with the male sex. "Very well, thank you," said Jospeh and added: "We heard about the practices of the Minoan Islanders upon reaching the age of puberty at the last one." He started snapping up his cutlet."Oh really, how terribly interesting!" said Kitty."Yes, very. Like to hear about them?" offered Joseph.

Captain John Staple’s exploits in the Peninsula had earned him the sobriquet Crazy Jack amongst his fellows in the Dragoon Guards. Now home from Waterloo, life in peacetime is rather dull for the adventure-loving Captain. But when he finds himself lost at an unmanned toll-house in the Pennines, his soldiering days suddenly pale away beside an adventure - and romance - of a lifetime.

Strong of will and slender of ankle, 20-year-old orphan Flora Poste is blessed with every virtue save that of being able to earn her own living. Casting around for suitable relatives with whom she can make her home, Flora alights on the mysterious Starkadders and, ignoring the horrified shrieks of her friends, heads down to darkest Sussex.

It's not easy being a Provincial Lady in Devonshire in the 1920s, juggling a grumpy husband, mischievous children and a host of domestic dilemmas - from rice mould to a petulant cook. But this Provincial Lady will not be defeated; not by wayward flower bulbs, not by unexpected houseguests, not even by the Blitz. She will continue to preside over the W.I., endure rain-drenched family picnics and succeed as a published author, all the while tending to her strawberries.

This new selection of Diana Athill’s stories, Midsummer Night in the Workhouse, provides a subtle counterpoint to her memoirs because the focus of the stories is autobiographical: although not in the first person, they are about facets of a life which Diana knew through and through, either because she was, as she has said, writing about herself (the story about her first kiss or the one about an Oxford undergraduate and her boyfriend)

"I write this sitting at the kitchen sink" is the first line of a novel about love, sibling rivalry, and a bohemian existence in a crumbling castle in the middle of nowhere. Cassandra Mortmin's journal records her fadingly glamorous stepmother, her beautiful, wistful older sister, and the man to whom they owe both their isolation and poverty: Father. The author of one experimental novel, and a minor cause celebre, he has since suffered from writer's block and is determined to drag his family down with him.

It is 1950. In a devastating moment of clarity, Margery Benson abandons her dead-end job and advertises for an assistant to accompany her on an expedition. She is going to travel to the other side of the world to search for a beetle that may or may not exist. Enid Pretty, in her unlikely pink travel suit, is not the companion Margery had in mind. And yet together they will be drawn into an adventure that will exceed every expectation. They will risk everything, break all the rules and, at the top of a red mountain, discover their best selves.

Mrs Packington felt alone, helpless, and utterly forlorn. But her life changed when she stumbled upon an advertisement in The Times which read: "ARE YOU HAPPY? IF NOT, CONSULT MR PARKER PYNE". Equally adept at putting together the pieces of a marriage or the fragments of a murder mystery, Mr Parker Pyne was possibly the world's most unconventional private eye, and certainly its most charming.

It sounds idyllic: a leisurely drive through the sun-drenched landscape of Provence. But Charity's dream holiday turns into a nightmare when she becomes embroiled in a sinister plot to kidnap a young boy. She soon finds herself in a deadly pursuit and must uncover whom to trust...and whom to fall for.