Frances Hodgson Burnett published The Making of a Marchioness in 1901. She had written Little Lord Fauntleroy 15 years before and would write The Secret Garden in 10 years' time; it is these two books for which she is best known. Yet Marchioness was one of Nancy Mitford's favourite books, was considered 'the best novel Mrs Hodgson Burnett wrote' by Marghanita Laski, and is taught on a university course in America together with novels such as Pride and Prejudice, Jane Eyre, and Daisy Miller.

'Lady B. stays to tea. (Mem.: Bread-and-butter too thick. Speak to Ethel.) We talk some more about bulbs, the Dutch School of Painting, our Vicar's wife, sciatica, and All Quiet on the Western Front. (Query: is it possible to cultivate the art of conversation when living in the country all the year round?)' If the question suggests a qualified answer, there is no doubt that the art of diary writing is alive and well and very, very funny in Devonshire in the 1920s. At least in the hands of E. M. Delafield.

Lured by the Mediterranean spring, the violet mountains, sweet-scented flowers, and an idyllic small Italian seaport, four truly diverse Englishwomen rent an Italian castle for the month of April. They gradually shed their public skins to discover a harmony each of them has longed for but none has known until now. 

New Zealand, 1866: the gold rush is on. Left to fend for herself, Lady Guinevere Stanhope is determined to do whatever it takes to rescue her ancestral home. Forced out of his native Ireland, Quinn O’Donnell dreams of striking gold. When a flash flood hits, Quinn is compelled to rescue Guinevere. Will they realise in time that all that glitters is not gold? Though a most inconvenient attraction forms between them, both remain determined to pursue their dreams whatever the cost.

A new excitement comes to the village of Thrush Green when Harold Shoosmith, a distinguished bachelor who has chosen the village for his retirement, takes the corner house on the green. Harold is soon enmeshed in village politics and becomes involved in the private lives of his neighbours as well. His presence has a dramatic effect on Dimity Dean and Ella Bembridge and is the cause of a serious misunderstanding between the two friends.

A young English woman leaves her ageing parents to visit friends living in the Australian outback, where she quickly falls in love - both with the country and with Carl, a doctor and Czech refugee. Brought together through dramatic encounters and strange twists of fate, their relationship hangs in the balance when Jennifer is called back to England.

Beautiful, sophisticated and endlessly ambitious Lily Bart endeavours to climb the social ladder of New York's elite by securing a good match and living beyond her means. Now nearing 30 years of age and having rejected several proposals, forever in the hope of finding someone better, her future prospects are threatened. A damning commentary of 20th-century social order, Edith Wharton's tale established her as one of the greatest British novelists of the 1900s.

Mrs Pringle, the lugubrious school cleaner, has always been a favourite character in the Fairacre series. Here we trace Maud Pringle's life from childhood visits to the village from her Caxley home.

"I write this sitting at the kitchen sink" is the first line of a novel about love, sibling rivalry, and a bohemian existence in a crumbling castle in the middle of nowhere. Cassandra Mortmin's journal records her fadingly glamorous stepmother, her beautiful, wistful older sister, and the man to whom they owe both their isolation and poverty: Father. The author of one experimental novel, and a minor cause celebre, he has since suffered from writer's block and is determined to drag his family down with him.

Barbara Pym is one of the 20th-century's wittiest, and most underrated, novelists. Her perceptive comedies of manners, centred around the domestic lives and loves of unassuming middle-class Englishwomen, won her many devoted readers and saw her hailed as a modern-day Jane Austen. Yet she spent 15 years out of print in the 1960s and '70s, until Philip Larkin championed her work in the Times Literary Supplement. Her seventh novel was subsequently shortlisted for the Booker Prize, and writers from Jilly Cooper to Alexander McCall Smith continue to laud her talent today. 

The Girls of Slender Means is the third Muriel Spark audio release of 2012, following The Prime of Miss Jean Brodie and The Complete Short Stories. It is 1945; a time of cultural and political change, and also one of slender means. Spark's evocative and sharply drawn novel focuses on a group of women living together in a hostel in Kensington who face new challenges in uncertain times. The novel is at once dramatic and character-based, and shows Muriel Spark at the height of her literary powers.

One of Jane Austen’s most beloved works, Pride and Prejudice, is vividly brought to life by Academy Award nominee Rosamund Pike ( Gone Girl). In her bright and energetic performance of this British classic, she expertly captures Austen’s signature wit and tone. Her attention to detail, her literary background, and her performance in the 2005 feature film version of the novel provide the perfect foundation from which to convey the story of Elizabeth Bennet, her four sisters, and the inimitable Mr. Darcy.

Psmith and his friend Mike are sent by their fathers to work in the City. But work is the last thing on Psmith's mind; surely there are more interesting things to do with the day than spend it in a bank? Unfortunately the natives aren't conducive to his socialising within work hours, but all's fair in love and work as the monocled Old Etonian, with a little grudging help from Mike, begins to rope in allies in order to reform the bank manager and make him A Decent Member of Society.

The seat of the Trelawney family for over 800 years, Trelawney Castle was once the jewel of the Cornish coast. Each successive Earl spent with abandon, turning the house and grounds into a sprawling, extravagant palimpsest of wings, turrets and follies. But recent generations have been better at spending than making money. Now living in isolated penury, unable to communicate with each other or the rest of the world, the family are running out of options. 

Secrets told in the church ladies' room are supposed to stay in the ladies' room. But that doesn't mean that what Trudy overhears there during her great-aunt Gertrude's funeral won't change the rest of her life. Trudy has a daughter in the middle of a major rebellion, a two-timing husband who has been cheating for their entire married life, and a mother with Alzheimer's residing in the local nursing home.