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In the late 1970s, as Spain was adrift between the death of Franco and the rebirth of democracy, people were moving from the poor south to the cities of the north in search of a better life. But the work, when there was any, was poorly paid and the housing squalid. Out of this world of limited opportunities a generation of delinquents arose whose prospects were stifled and whose rebellion would be brief and violent.
A woman writer goes to Athens to teach a writing course. Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives. The more they talk the more certain themes begin to emerge: the experience of loss, the difficulty of intimacy, and the mystery of creativity itself.
Many Remainers reported waking up the day after the Brexit vote feeling as if they were living in a foreign country. In fact, they were merely experiencing the same feeling that many British people have felt every day for years. Goodhart shows us how people have come to be divided into two camps: the 'Anywheres', who have 'achieved' identities, derived from their careers and education, and the 'Somewheres', who get their identity from a sense of place and from the people around them, and who feel a sense of loss due to mass immigration and rapid social change.
In February 2014, Reni Eddo-Lodge posted an impassioned argument on her blog about her deep-seated frustration with the way discussions of race and racism in Britain were constantly being shut down by those who weren't affected by it. She gave the post the title 'Why I'm No Longer Talking to White People About Race'. Her sharp, fiercely intelligent words hit a nerve, and the post went viral, spawning a huge number of comments from people desperate to speak up about their own similar experiences.
On the 100th anniversary of the Russian Revolution, the epic story of an enormous apartment building where Communist true believers lived before their destruction. The House of Government is unlike any other book about the Russian Revolution and the Soviet experiment.
From Nobel Prize-winning economist and best-selling author Joseph Stiglitz, author of Globalization and Its Discontents, this is the essential audio guide to the future of Europe. Solidarity and prosperity fostered by economic integration: this principle has underpinned the European project from the start, and the establishment of a common currency was supposed to be its most audacious and tangible achievement. Since 2008, however, the European Union has ricocheted between stagnation and crisis.
In the late 1970s, as Spain was adrift between the death of Franco and the rebirth of democracy, people were moving from the poor south to the cities of the north in search of a better life. But the work, when there was any, was poorly paid and the housing squalid. Out of this world of limited opportunities a generation of delinquents arose whose prospects were stifled and whose rebellion would be brief and violent.
A woman writer goes to Athens to teach a writing course. Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives. The more they talk the more certain themes begin to emerge: the experience of loss, the difficulty of intimacy, and the mystery of creativity itself.
Many Remainers reported waking up the day after the Brexit vote feeling as if they were living in a foreign country. In fact, they were merely experiencing the same feeling that many British people have felt every day for years. Goodhart shows us how people have come to be divided into two camps: the 'Anywheres', who have 'achieved' identities, derived from their careers and education, and the 'Somewheres', who get their identity from a sense of place and from the people around them, and who feel a sense of loss due to mass immigration and rapid social change.
In February 2014, Reni Eddo-Lodge posted an impassioned argument on her blog about her deep-seated frustration with the way discussions of race and racism in Britain were constantly being shut down by those who weren't affected by it. She gave the post the title 'Why I'm No Longer Talking to White People About Race'. Her sharp, fiercely intelligent words hit a nerve, and the post went viral, spawning a huge number of comments from people desperate to speak up about their own similar experiences.
On the 100th anniversary of the Russian Revolution, the epic story of an enormous apartment building where Communist true believers lived before their destruction. The House of Government is unlike any other book about the Russian Revolution and the Soviet experiment.
From Nobel Prize-winning economist and best-selling author Joseph Stiglitz, author of Globalization and Its Discontents, this is the essential audio guide to the future of Europe. Solidarity and prosperity fostered by economic integration: this principle has underpinned the European project from the start, and the establishment of a common currency was supposed to be its most audacious and tangible achievement. Since 2008, however, the European Union has ricocheted between stagnation and crisis.
The Doomsday Machine is Ellsberg's hair-raising insider's account of the most dangerous arms buildup in the history of civilization, whose legacy - and renewal under the Obama administration - threatens the very survival of humanity. It is scarcely possible to estimate the true dangers of our present nuclear policies without penetrating the secret realities of the nuclear strategy of the late Eisenhower and early Kennedy years, when Ellsberg had high-level access to them.
Winner of the Pulitzer Prize for Fiction 2016. It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong.
Widely recognized as the master of the historical spy novel, New York Times best-selling author Alan Furst takes listeners back to the early days of World War II for a dramatic novel of intrigue and suspense.
In an astonishing feat of empathy and narrative invention, our most ambitious novelist imagines an alternate version of American history. In 1940 Charles A. Lindbergh, heroic aviator and rabid isolationist, is elected president. Shortly thereafter, he negotiates a cordial "understanding" with Adolf Hitler while the new government embarks on a program of folksy anti-Semitism.
Bringing together dozens of voices in her distinctive style, The Unwomanly Face of War is Svetlana Alexievich's collection of stories from Soviet women who lived through the Second World War: on the front lines, on the home front and in occupied territories. As Alexievich gives voice to women who are absent from official narratives - captains, sergeants, nurses, snipers and pilots - she shows us a new version of the war we're so familiar with, creating an extraordinary history from their private stories.
Paris, near the turn of 1933. Three young friends meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are Jean-Paul Sartre, Simone de Beauvoir and their friend Raymond Aron, who opens their eyes to a radical new way of thinking. Pointing to his drink, he says, 'You can make philosophy out of this cocktail!'
In February 1981, just as Spain was finally leaving Franco's dictatorship and during the first democratic vote in parliament for a new prime minister - Colonel Tejero and a band of right-wing soldiers burst into the Spanish parliament and began firing shots. Only three members of Congress defied the incursion and did not dive for cover: Adolfo Suarez, the then-outgoing prime minister, who had steered the country away from the Franco era; Guttierez Mellado, a conservative general who had loyally served democracy; and Santiago Carillo, the head of the Communist Party, which had just been legalized.
In The Anatomy of a Moment, Cercas examines a key moment in Spanish history, just as he did so successfully in his Spanish Civil War novel, Soldiers of Salamis. This is the only coup ever to have been caught on film as it was happening, which, as Cercas says, "guaranteed both its reality and its unreality". Every February a few seconds of the video are shown again and Spaniards congratulate themselves for standing up for democracy, but Cercas says that things were very quiet that afternoon and evening while all over Spain people stayed inside waiting for the coup to be defeated ...or to triumph.
Puritans may disagree with the liberties Javier Cercas, a novelist, takes with these real events and the way he gets into the minds of these real characters. It is not pure history. But I couldn’t care less. I was with the author the whole way engrossed in his tale.
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Warning: stick with this for at least an hour. It is slow at the beginning. But once Cercas gets rolling you are enthralled with his character studies and his explorations of heroism, statesmanship, politics, and democracy.
The framework for this analysis is the failed coup of February 23, 1981 in Spain. The country is just settling, uneasily, into democracy after forty years of Franco. The economy is failing, ETA (Basque terrorists) are bombing regularly, and those with power: the military, the church, the wealthy and priveleged under Franco, are unhappy with Adolfo Suarez, who they put in place to retain the core of Francoism while putting on the trappings of a democracy for public consumption. Surprise. Suarez took his assignment seriously and rapidly drove through a full democratic architecture; he even legalized the Communist party.
So several generals decide, ‘for the good of the country’, to overthrow Suarez. The military bursts into the Cortes (the legislative chambers) and starts shooting. As everyone else drops to the ground, Suarez and two of his unlikely collaborators in creating a democracy stay upright. Cercas asks why they stayed standing and what it meant. The book is a wonderful set of character studies of these men and the plotters, set against Spain’s recent history.
The writing is very skilled. Cercas uses rhetorical devices such as repetition of phrases (ironic or otherwise), symmetry, etc. to bring art to history. The rhetoric brings a rhythm and sense of music to the story, carrying the reader along.
Very highly recommended. Also, the narrator speaks both English and Spanish so all the names and places are pronounced correctly (I presume--sounds right to me).
2 of 2 people found this review helpful