Regular price: £11.99
A life-affirming nature diary - with something amazing to see and experience on every day of the year - from award-winning authors and Springwatch experts Brett Westwood and Stephen Moss. From blackbirds, beavers and beetles to tawny owls, natterjack toads and lemon slugs. Every day of the year, winter or summer, in every corner of the British Isles, there's plenty to see if you know where - and how - to look.
A new narrative history of the Viking Age, interwoven with exploration of the physical remains and landscapes that the Vikings fashioned and walked: their rune stones and ship burials, settlements and battlefields. To many, the word Viking brings to mind red scenes of marauders from beyond the sea rampaging around the British coastline in the last gloomy centuries before the Norman Conquest. And it is true that Britain in the Viking Age was a turbulent, violent place. This is not, however, the whole story.
Max Adams explores Britain's lost early medieval past by walking its paths and exploring its lasting imprint on valley, hill and field. From York to Whitby, from London to Sutton Hoo, from Edinburgh to Anglesey and from Hadrian's Wall to Loch Tay, each of his ten walk narratives forms a portrait of a Britain of fort and fyrd, crypt and crannog, church and causeway, holy well and memorial stone.
Traditional ploughland is disappearing. Seven cornfield flowers have become extinct in the last 20 years. Once abundant, the corn bunting and the lapwing are on the Red List. The corncrake is all but extinct in England. And the hare is running for its life. Written in exquisite prose, The Running Hare tells the story of the wild animals and plants that live in and under our ploughland, from the labouring microbes to the patrolling kestrel above the corn, from the linnet pecking at seeds to the seven-spot ladybird.
In January 2006, a month or two after my father died, I thought I saw him again - a momentary impression of an old man, a little stooped, setting off for a walk in his characteristic fawn corduroys and shabby quilted jacket. After teenage rifts it was walking that brought us closer as father and son, and this ghost of Dad has been walking at my elbow since his death, as I have ruminated on his great love of walking, his prodigious need to do it - and how and why I walk myself.
Despite the association of peregrines with the wild outer reaches of the British Isles, The Peregrine is set on the flat marshes of the Essex coast, where J. A. Baker spent a long winter looking at and writing about the visitors from the uplands - peregrines that spend the winter hunting the huge flocks of pigeons and waders that share the desolate landscape with them. Such luminaries as Ted Hughes and Andrew Motion have cited this as one of the most important books in 20th century nature writing.
A life-affirming nature diary - with something amazing to see and experience on every day of the year - from award-winning authors and Springwatch experts Brett Westwood and Stephen Moss. From blackbirds, beavers and beetles to tawny owls, natterjack toads and lemon slugs. Every day of the year, winter or summer, in every corner of the British Isles, there's plenty to see if you know where - and how - to look.
A new narrative history of the Viking Age, interwoven with exploration of the physical remains and landscapes that the Vikings fashioned and walked: their rune stones and ship burials, settlements and battlefields. To many, the word Viking brings to mind red scenes of marauders from beyond the sea rampaging around the British coastline in the last gloomy centuries before the Norman Conquest. And it is true that Britain in the Viking Age was a turbulent, violent place. This is not, however, the whole story.
Max Adams explores Britain's lost early medieval past by walking its paths and exploring its lasting imprint on valley, hill and field. From York to Whitby, from London to Sutton Hoo, from Edinburgh to Anglesey and from Hadrian's Wall to Loch Tay, each of his ten walk narratives forms a portrait of a Britain of fort and fyrd, crypt and crannog, church and causeway, holy well and memorial stone.
Traditional ploughland is disappearing. Seven cornfield flowers have become extinct in the last 20 years. Once abundant, the corn bunting and the lapwing are on the Red List. The corncrake is all but extinct in England. And the hare is running for its life. Written in exquisite prose, The Running Hare tells the story of the wild animals and plants that live in and under our ploughland, from the labouring microbes to the patrolling kestrel above the corn, from the linnet pecking at seeds to the seven-spot ladybird.
In January 2006, a month or two after my father died, I thought I saw him again - a momentary impression of an old man, a little stooped, setting off for a walk in his characteristic fawn corduroys and shabby quilted jacket. After teenage rifts it was walking that brought us closer as father and son, and this ghost of Dad has been walking at my elbow since his death, as I have ruminated on his great love of walking, his prodigious need to do it - and how and why I walk myself.
Despite the association of peregrines with the wild outer reaches of the British Isles, The Peregrine is set on the flat marshes of the Essex coast, where J. A. Baker spent a long winter looking at and writing about the visitors from the uplands - peregrines that spend the winter hunting the huge flocks of pigeons and waders that share the desolate landscape with them. Such luminaries as Ted Hughes and Andrew Motion have cited this as one of the most important books in 20th century nature writing.
In The Old Ways, Robert Macfarlane sets off from his Cambridge home to follow the ancient tracks, holloways, drove-roads, and sea paths that form part of a vast network of routes crisscrossing the British landscape and its waters, and connecting them to the continents beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, of pilgrimage and ritual, and of song lines and their singers. Above all this is a book about people and place.
Mother deer that grieve? Horses that feel shame? Squirrels that adopt their grandchildren? We humans tend to assume that we are the only living things able to experience feelings intensely and consciously. But have you ever wondered what's going on in an animal's head? From the leafy forest floor to the inside of a beehive, The Inner Life of Animals takes us from microscopic levels of observation to the big philosophical, ethical and scientific questions.
Drawing upon a lifetime of scientific expertise and an abiding love of nature, Richard Fortey uses his small wood to tell a wider story of the ever-changing British landscape, human influence on the countryside over many centuries and the vital interactions between flora, fauna and fungi. The trees provide a majestic stage for woodland animals and plants to reveal their own stories.
Random House presents the audiobook edition of Tamed, written and read by Alice Roberts. The extraordinary story of the species that became our allies. For hundreds of thousands of years, our ancestors depended on wild plants and animals for survival. They were hunter-gatherers, consummate foraging experts, taking the world as they found it. Then a revolution occurred - our ancestors' interaction with other species changed.
Why have societies all across the world feared witchcraft? This book delves deeply into its context, beliefs, and origins in Europe's history. The witch came to prominence - and often a painful death - in early modern Europe, yet her origins are much more geographically diverse and historically deep. In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early modern state.
21st-Century Yokel explores the way we can be tied inescapably to landscape, whether we like it or not, often through our family and our past. It's not quite a nature book, not quite a humour book, not quite a family memoir, not quite folklore, not quite social history, not quite a collection of essays, but a bit of all six. It contains owls, badgers, ponies, beavers, otters, bats, bees, scarecrows, dogs, ghosts and yes, even a few cats. What emerges from this are themes that are broader, bigger and more definitive.
The Debatable Land was an independent territory which used to exist between Scotland and England. At the height of its notoriety, it was the bloodiest region in Great Britain, fought over by Henry VIII, Elizabeth I and James V. After the Union of the Crowns, most of its population was slaughtered or deported, and it became the last part of the country to be brought under the control of the state. Today, its history has been forgotten or ignored.
For centuries the Celts held sway in Europe. Even after their conquest by the Romans, their culture remained vigorous, ensuring that much of it endured to feed an endless fascination with Celtic history and myths, artwork and treasures. A foremost authority on the Celtic peoples and their culture, Peter Berresford Ellis presents an invigoration overview of their world. With his gift for making the scholarly accessible, he discusses the Celts' mysterious origins and early history and investigates their rich and complex society.
Random House presents the audiobook edition of The Secret Life of the Owl by John Lewis-Stempel, read by Roy McMillan. 'Dusk is filling the valley. It is the time of the gloaming, the owl-light. Out in the wood, the resident tawny has started calling, hoo-hoo-hoo-h-o-o-o.' There is something about owls. They feature in every major culture from the Stone Age onwards. They are creatures of the night, and thus of magic. They are the birds of ill-tidings, the avian messengers from the Other Side.
Penguin presents the unabridged, downloadable audiobook edition of Landmarks, a fascinating exploration of the relationship between language and landscapes by Robert Macfarlane, read by Roy McMillan. Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place.
The experience of being in nature alone is here set within the context of a series of walks that Neil Ansell takes into the most remote parts of Britain, the rough bounds in the Scottish Highlands. He illustrates the impact of being alone as part of nature rather than outside it. As a counterpoint, Neil Ansell also writes of the changes in the landscape and how his hearing loss affects his relationship with nature as the calls of the birds he knows so well become silent to him.
Richard Mabey is Britain’s foremost nature writer. He has written a regular column for BBC Wildlife Magazine for over 25 years and, in doing so, has created a passionate, lyrical and deeply personal record of the natural world
Take a journey into our ancient past. Explore a long-lost landscape and gradually discover the minds, beliefs and cultural practices of those souls who lived on these lands thousands of years before you.
Travelling the length and breadth of Britain, James Canton pursues his obsession with the physical traces of the ancient world: stone circles, flint arrowheads, sacred stones, gold, and a lost Roman road. He ponders the features of the natural world that occupied ancient minds: the night sky, shooting stars, the rising and setting sun. Wandering to the farthest reaches of the islands, he finds an undeciphered standing stone north of Aberdeen and follows the first footsteps on the edge of a long-lost Ice Age land in the North Sea.
As Canton walks the modern terrain, slowly understanding the ancient signs that lie within and beneath it, he weaves a gentle tale of discovery, showing how, beyond the superficial differences of lifestyle and culture, the ancient inhabitants of the British Isles were much closer to the present-day ones than we might imagine.
"Intensely alive to the landscape; its pasts, people and creatures." (Robert Macfarlane)
Praise for James Canton's Out of Essex:
"Some landscapes are silent, others as eager to communicate as the shades in Homer's underworld. But not everyone has the gift of hearing what they are saying. James Canton's involvement with Essex is long and deep, and in this book of walking, remembering, and reflecting, he picks up echoes from many writers who are connected to its villages, towns and surrounding countryside.... His pilgrimage to the past is full of surprises and always enjoyable, as he reinvigorates the familiar scene and recovers unfamiliar associations." (Marina Warner, chair of the Man Booker International Prize 2015)
"Canton...is a stalker of literary ghosts, following traces across the Essex countryside that might lead him to the writers who might have lived and worked among these landscapes." (Times Literary Supplement)
What did you like best about this story?
The range and breadth of how he writes about finds and facts, e.g. how it impacts him personally, the characters involved, the stories that go along with it all.
What about James Canton’s performance did you like?
He has a very delicate approach which matches what in some parts is quite a whimsical take on the author's experiences.
If you made a film of this book, what would be the tag line be?
Exploring and Experience
Any additional comments?
I really liked this book, but it seemed a bit up and down in terms of how it took my interest. Some bits were really impressive and most was very interesting, but a few bits sunk into wiffle waffle and lacked the 'grounding' -- pun intended! -- in terms of his take on his experiences which the majority of the book conveys.
1 of 1 people found this review helpful