Wexford had every reason to remember the Painter case - it was the first murder he'd ever handled on his own. There had been no doubts about the case, until now. Someone wants the case reopened, and they want Wexford proved wrong.

Chief Inspector Wexford tries to solve a murder with no evidence, not even a body. Anita Margolis had vanished. There was no body, no crime - nothing more than an anonymous letter and the intriguing name of Smith. According to HQ, it wasn't to be a murder enquiry at all. In fact, Inspector Burden has no trouble seeing a pattern in the Margolis case. Anita was wealthy, flighty, and thoroughly immoral.

The body found under the hedge was that of a middle-aged woman, biggish and gaunt. The grey eyes were wide and staring, and in them Detective Chief Inspector Wexford thought he saw a sardonic gleam, a glare, even in death, of scorn. But that must have been his imagination, and imagination was almost all he had to go on. The woman was a stranger. Her handbag held little more than three keys on a ring and forty-two pounds in a new wallet.

Most people would have screamed. Mrs Hathall made no sound. She had seen death many times before, but she had never before seen a death by violence. Heavily, she plodded across the room and descended the stairs to where her son waited. "There’s been an accident", she said. "Your wife’s dead." Chief Inspector Wexford could discover no motive, no reason and no suspect – all he had were his intuitive suspicions. Probably he was reading meaning where there was none; probably Angela Hathall really had picked up a stranger, and that stranger had killed her.

On the day Lizzie came back from the dead, the police and her family and neighbours had already begun to search for her body. She had been missing for three days. A short while later, another young woman disappears, just as a convicted paedophile is released back into the community.

A lump of concrete dropped deliberately from a little stone bridge over a relatively unfrequented road kills the wrong person. The driver behind is spared. But only for a while... It is impossible for Chief Inspector Wexford not to wonder how terrible it would be to discover that one of his daughters had been murdered.

'Wexford had almost made up his mind that he would never again set eyes on Eric Targo's short, muscular figure. And yet there he was, back in Kingsmarkham, still with that cocky, strutting walk.Years earlier, when Wexford was a young police officer, a woman called Elsie Carroll had been found strangled in her bedroom. Although many still had their suspicions that her husband was guilty, no one was convicted.

China both delighted and frustrated Wexford; the beauty, the history, all of that brought immense pleasure. But the unending attention of Mr Sung of the Chinese Tourist Board was hugely irritating – and that an old woman with bound feet should haunt him was puzzling and slightly frightening, without explanation. Back home, he found an answer to the last and then a whole new mystery opened up....

From the writer of the Wexford novels and read by Isla Blair. Once, when Benet was about fourteen, they had been in a train together, alone in the carriage, and Mopsa had tried to stab her with a carving knife. Threatened her with it, rather. Benet had been wondering why her mother had brought such a large handbag with her, a red one that didn’t go with the clothes she was wearing. Mopsa had shouted and laughed and said wild things and then she had put the knife back in her bag.

In a gloomy cellar, the figure of a beautiful, pale woman makes no move when the man advances on her from the shadows, puts his hands around her neck and strangles her. Arthur Johnson is a mild-mannered, shy man who has never known how to talk to women. His resulting loneliness has twisted his yearning for love and respect into a carefully constructed predilection for violence and control.

When a local Romeo goes missing and two more young men are attacked, Chief Inspector Wexford begins to suspect murder.Rodney Williams was neither handsome nor wealthy, but he had an unerring eye for a pretty girl and when he disappeared and two other men were later attacked by a young woman, Chief Inspector Wexford couldn’t help wondering if there was a connection. If there wasn’t, where was Rodney Williams and why had he vanished?

Previously uncollected and unpublished: new short stories from a master of psychological suspense. New and uncollected tales of murder, mischief, magic and madness. Ruth Rendell was an acknowledged master of psychological suspense: these are 10 (and a quarter) of her most chillingly compelling short stories, collected here together for the first time.

Philip Wardman had more than just the ordinary squeamishness where death was concerned. Yet he could hardly avoid the suspicious disappearance of his sister's friend Rebecca Neave, especially when everyone was ascribing the cause to murder. Philip's feminine ideal is the statue of the Roman goddess Flora in his mother's garden. His marble Flora doesn't fade, doesn't alter, and doesn’t die.

Safe houses and secret message drops, double crosses and defections - it sounds like the stuff of sophisticated espionage, but these agents are only schoolboys engaged in harmless play. Not that John Creevey knows this. To him, the messages he decodes with painstaking care are the communications of dangerous and evil men, and as he comes face to face with the fact of his beloved wife Jennifer's defection, he begins to see a way to get back at the man she left him for.

No one would have described Manningtree Grove as fashionable. Few would have found it especially interesting. But it was not an unpleasant place to live: the old railway line lay in a valley, and the gardens looked onto it. It was the kind of place where nothing ever happened. Yet it was here that Peter Yearman first sold his soul to the devil....