The inspiration for the second series of the BBC's phenomenally popular Call the Midwife, starring Miranda Hart. In this follow-up to Call the Midwife, Jennifer Worth, a midwife working in the docklands area of East London in the 1950s, tells more stories about the people she encountered. There's Jane, who cleaned and generally helped out at Nonnatus House - she was taken to the workhouse as a baby and was allegedly the illegitimate daughter of an aristocrat.

Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour.

The last collection of true-life nursing stories from the number one best-selling author of the Call the Midwife series, soon to be a major BBC TV series. Jennifer Worth's best-selling memoirs of her time as a midwife have inspired and moved readers of all ages. Now, in In the Midst of Life she documents her experiences as a nurse and ward sister, treating patients who were nearing the ends of their lives.

The hit BBC TV series Call the Midwife is based on the memoirs of Jennifer Worth, chronicling her life as a midwife in London in the 1950s. Farewell to the East End is the third book in the trilogy. Following on from the best-selling Call the Midwife and Shadows of the Workhouse, Jennifer brings her story to a conclusion. Postwar life could be a struggle - the devastating effects of TB, dangerous backstreet abortions, people driven to extremes by poverty....

Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour.

1950s Liverpool. In the tight-knit community of the Four Streets, two girls are growing up. One is motherless and hated by the cold woman determined to take her dead mother's place. The other is hiding a dreadful secret which she dare not tell to anyone. The people of Four Streets laugh, grieve and hope together. But what can they do when a betrayal at the heart of their world comes to light?

London, 1935. Ruby is always hungry, but she will go without if it means her young brothers can eat. 1930s Bermondsey might be called the larder of London, with its pie, pickle and jam factories, but for the poor working classes, starvation is often only a heartbeat away. When Ruby's neighbour suggests she ought to go to the Methodist Mission for free food, Ruby knows her father will be furious, but she has no other option.

They call them the custard tarts - the girls who work at Pearce Duff's custard powder factory in Bermondsey before the First World War. Conditions are hard but nothing can quench the spirit of humour and friendship. But the shadow of the coming war looms over them; it will pull London's East End together as never before - even while it tears the world apart.

Set in 1920s London, this is the inspiring story of Kate Goss' struggle against poverty, hunger and cruel family secrets. Her mother died in a fall, her father has vanished without trace, and now her aunt and cousins treat her viciously. In a freezing, vermin-infested garret, factory girl Kate has only her own brave spirit and dreams of finding her father to keep her going. She has barely enough money to feed herself, or to pay the rent. The factory where she works begins to lay off people and it isn't long before she has fallen into the hands of the violent local money-lender. 

It is 1953, and five girls are arriving to start their training at St Angelus Hospital. Dana has escaped from her family farm in Ireland. Victoria is running away from an aristocratic background. Beth is an army brat and throws her lot in with bitchy Celia Forsyth, and Pammy has come from the wrong side of the tracks. When an unknown girl is admitted after a botched backstreet abortion, a tragedy begins to unfold which will rock the world of St Angelus to its foundations.

After serving as a nurse in WW2, Molly Corbally joined the brand-new NHS and became one of the first official District Health Visitors, attending to mothers and babies from all walks of life in the picturesque village near Coventry she came to call home. Social work was uncharted territory at the time, and Britain was very much worse for wear - TB, polio, measles and whooping cough were just some of the hazards new babies faced. Social conditions could also add to the problems, when poverty and alcoholism were rife. 

Winner of the Best Picture Oscar 2011 Award. One man saved the British Royal Family in the first decades of the 20th century – amazingly he was an almost unknown, and certainly unqualified, speech therapist called Lionel Logue, whom one newspaper in the 1930s famously dubbed ‘The Quack who saved a King’. Logue wasn’t a British aristocrat or even an Englishman – he was a commoner and an Australian to boot.

One of our best-loved actresses, Celia Imrie would rather have been a dancer. As a child she planned to join the Royal Ballet and marry Rudolf Nureyev. Now she has become one of our finest and funniest performers, on stage, TV and screen - adored for her roles in 'Acorn Antiques' and 'dinnerladies', as well as films including 'Calendar Girls' and 'Nanny McPhee'. In her hugely entertaining autobiography, Celia Imrie recounts a life hurtling (not always intentionally) into adventures both on stage and off.

Summer 1939 and five cousins gather at the house with the camomile lawn for what, for many of them, will be the last summer of their youth.

Mikey's family were Gypsies. They live in a closed community and little is known about their way of life. As he didn't go to school, the caravan became his world. But although Mikey inherited a vibrant culture, his family had a dark hidden history. Eventually Mikey was forced to make a decision – to stay and keep secrets, or escape and find somewhere to belong.