The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life but is now a haunted place. Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try to keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.  

Will Self is the author of many novels and books of non-fiction, including Great Apes, The Book of Dave, How the Dead Live, which was shortlisted for the Whitbread Novel of the Year 2002, The Butt, winner of the Bollinger Everyman Wodehouse Prize for Comic Fiction 2008, Umbrella, which was shortlisted for the Booker Prize 2012, and Shark. His most recent novel, Phone, was shortlisted for the Goldsmiths Prize. He lives in south London.

Shaw had a breakdown, but he's getting himself back together. He has a single room, a job on a decaying London barge and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age 13. It's not ideal, but it's a life. Or it would be if Shaw hadn't got himself involved in a conspiracy theory that, on dark nights by the river, seems less and less theoretical....

The Fen is a liminal land. Real people live their lives here. They wrestle with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a, well, what?

His most intimate and epic work to date, Inside Story is the portrait of Martin Amis' extraordinary life, as a man and a writer. This novel had its birth in a death - that of the author's closest friend, Christopher Hitchens. We also encounter the vibrant characters who have helped define Martin Amis, from his father Kingsley, to his hero Saul Bellow, from Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated his 20s, the alluringly amoral Phoebe Phelps. 

In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam. When he comes out, he will never be the same. Tyll will escape the ordinary villages. In the mines he will defy death. On the battlefield he will run faster than cannonballs. In the courts he will trick the heads of state. 

Jay Bernard’s powerful debut is a queer exploration of the black British archive, tracing a line between two significant events in recent British history: the New Cross Massacre of 1981 in which 13 young black people were killed in a house fire - and the Grenfell Tower fire in 2017. The collection stems from research undertaken about the New Cross Fire during a 2016 residency at the George Padmore Institute.

Everyone has a Tully Dawson: the friend who defines your life. In the summer of 1986, in a small Scottish town, James and Tully ignite a brilliant friendship based on music, films and the rebel spirit. With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.

On 12th December 2019, the left died. That at least was the view of much of Britain's media and political establishment, who saw the electoral defeat of Jeremy Corbyn's Labour Party as the damning repudiation of everything it stood for. Yet, just over four years previously, the election of Corbyn as Labour leader seemed like a sea-change in politics: reanimating not just a party in apparently terminal decline but a country adrift, with a transformative vision based on a more just, more equal society and economy.

In his late 30s, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death. In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands.

Utopia Avenue are the strangest British band you've never heard of. Emerging from London's psychedelic scene in 1967 and fronted by folksinger Elf Holloway, guitar demigod Jasper de Zoet and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief and blazing journey from the clubs of Soho and draughty ballrooms to Top of the Pops and the cusp of chart success, to glory in Amsterdam, prison in Rome and a fateful American fortnight in the autumn of 1968.

Tracker is known far and wide for his skills as a hunter - and he always works alone. But when he is engaged to find a child who disappeared three years ago, he must break his own rules, joining a group of eight very different mercenaries working together to find the boy. Following the lost boy's scent from one ancient city to another, into dense forests and across deep rivers, Tracker starts to wonder: who is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And, most important of all, who is telling the truth and who is lying?

Latticing one cherry pie after another, an Ohio housewife tries to bridge the gaps between reality and the torrent of meaningless info that is the United States of America. She worries about her children, her dead parents, African elephants, the bedroom rituals of happy couples, Weapons of Mass Destruction and how to hatch an abandoned wood pigeon egg. A scorching indictment of America's barbarity, past and present, and a lament for the way we are sleepwalking into environmental disaster - a heresy, a wonder - and a revolution in the novel.

Friday Black tackles urgent instances of racism and cultural unrest and explores the many ways we fight for humanity in an unforgiving world. In the first unforgettable story of this collection, 'The Finkelstein Five', Adjei-Brenyah gives us an unstinting reckoning of the brutal prejudice of the US justice system. In 'Zimmer Land' we see a far-too-easy-to-believe imagining of racism as sport. And 'Friday Black' and 'How to Sell a Jacket as Told by Ice King' show the horrors of consumerism and the toll it takes on us all. 

It is a snowy London day in The Great Winter of 1683. We follow our bold narrator as she explores ‘the town on the Thames’, a thousand tents and dancing fires lit on the frozen water with jubilant residents and lively festive revelry. All is a fete upon the ice as she sees jugglers, dancing bears, palm readers and even a merry wedding. Her journey leads her to meet many new companions with whom to spend a starry night upon the river, where they sleep with no inkling of who will be looking down on them in the morning light....