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  • Diamonds at the Lost and Found

  • A Memoir in Search of My Mother
  • By: Sarah Aspinall
  • Narrated by: Rachael Louise Miller
  • Length: 9 hrs and 11 mins
  • 4.0 out of 5 stars (9 ratings)
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Diamonds at the Lost and Found cover art

Diamonds at the Lost and Found

By: Sarah Aspinall
Narrated by: Rachael Louise Miller
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Summary

For listeners of Hideous Kinky, Dadland and Bad Blood, the astonishing, beguiling story of Sarah Aspinall’s harum scarum childhood and a love letter to a woman who defied convention to live a life less ordinary. 

My Mother attracted unusual people and events to her and she made things happen....

Sarah Aspinall grew up in the glittering wake of her irrepressible mother Audrey. Born into poverty in 1930s Liverpool, Audrey had always known that she was destined for better things and was determined to shape that destiny for herself. From the fading seaside glamour of Southport, to New York and Hollywood, to post-war London and the stately homes of the English aristocracy, Audrey stylishly kicked down every door that opened to her, on a ceaseless quest for excitement – and for love.

Once Sarah was born, she became Audrey’s companion on her adventures, travelling the world, scraping together an education for herself from the books found in hotels or given to her by strangers and living on Audrey’s charm as they veered from luxury to poverty – an accessory to her mother’s desperate search for ‘the one’.

As Sarah grew older, she realised that theirs was a life hung about with mysteries. Why, for instance, had they spent ages living in a godforsaken motel in the Kill Devil Hills, North Carolina? Who was the charming Sabet Sabescue and what was his hold over Audrey during several months in Cairo? And what on earth happened to the heirlooms that an ancient heiress Miss Gillette, gave Sarah when they visited her in Palm Springs? 

And why, when they returned to Southport was Audrey ostracised by the society she so longed to be part of?

Diamonds at the Lost and Found is the story of how Sarah eventually pulled free of her mother’s gravitational pull to carve out a destiny of her own. It’s a memoir about defying convention and a love letter to an England that has all but disappeared.

©2020 Sarah Aspinall (P)2020 HarperCollins Publishers Limited

Critic reviews

"Just when you thought your family was offbeat, here comes Fabulous Audrey. A portrait of dauntless spirit, this is what happens when your skeletons stay out of the closet and take you dancing." (DBC Pierre, author of Breakfast with the Borgias)

"A delicious memoir with echoes of An Education by Lynn Barber and Esther Freud’s Hideous Kinky...a warm and consistently entertaining portrait of a hapless but loving mother. You’ll find yourself wishing you could have met her in person." (Daily Express)

"Diamonds at the Lost and Found [flows] like uncorked champagne, with characters written so winningly that I feel I am in the room with them. Magnetic, enchanting and true: it’s utterly irresistible." (Joanna Lumley)

What listeners say about Diamonds at the Lost and Found

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'Apple pie high in the sky hopes'

Just like the ant in the Frank Sinatra song moving the rubber tree plant because he had high hopes, Sarah Aspinall's mother Audrey had 'apple pie high hopes'. Determined to escape her impoverished Southport roots, with her devastatingly charismatic charms, she smashed open every door and blagged and burst her way into the fringes of celebrity. After the birth of her daughter Sarah/Sally (conceived because she was sorry for a kindly very sick man who had fallen in love with her), and after the death of Sally's father, Audrey set off with her 'partner in crime' daughter to America to find excitement - and love.

Sarah's childhood was spent tagging along behind her mother as she revelled in the drink and fun filled celebrity high life, careering from continent to continent with various moneyed 'uncles' and other possibles, all of whom ended without Audrey finding the love she craved. Her moral compass was highly questionable, even if it does make for racy reading: young Sarah would approach affluent-looking men at a hotel bar at Audrey's insistence and ask 'Would you like to look after my mummy whilst I'm in bed?' Years later when Sarah was just 13, Audrey bought her knickers with a 'please please me' logo.

Ironically, when Audrey did find love with Peter Aspinall a wealthy widow whom she targeted and captured, she was with him for 20 years until his death. But Sarah not surprisingly had a dangerously wild rebellion with a pregnancy at 14 and an abortion not much later, and totally ignoring any vestige of school she spent the days wearing heavy make-up hanging out with hippies. (When she did go to school on odd occasions, her mother sent notes to disallow her to go swimming because she would get her hair wet). It was the solidly good long-suffering Peter Aspinall who tamed Sarah, sent her to college where she attained her O and A levels and gained a place at London University.

Now a respected film-maker, Sarah looks back on her rackety wild lawless childhood as a gift from a gloriously dynamic gutsy woman who dared to take unconventionality to its furthest limits. It's a kind, generous and non-judgmental assessment and there'll certainly not be a memoir like it.

The performance despite the prettily sung snatches of songs gets only a 4 because I found the voice irritatingly child-like.


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  • Overall
    4 out of 5 stars
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A unique story about a unique woman

Audrey was a woman ahead of her times. Not prepared to live the life that society dictated in the 1940s and 50s. She was financially self sufficient and made sure to make opportunities happen. Brave enough to travel the world as a single mum. A remarkable lady and well told by her daughter.

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    4 out of 5 stars
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Truth stranger than fiction

An engrossing story that leaves me wanting to know more about these. characters. We'll read too.

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    3 out of 5 stars
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Promises more than it delivered

This memoir was not quite as interesting as it promised to be. Sarah Aspinall’s mother was an extrovert on the make. That’s about it.

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