Maud Drennan - underpaid carer and unintentional psychic - is the latest in a long line of dogsbodies for the ancient, belligerent Cathal Flood. Yet despite her best efforts, Maud is drawn into the mysteries concealed in his filthy, once-grand home. She realises that Cathal, and the junk-filled rooms, are opening up to her. With only her landlady and a troop of sarcastic ghostly saints to help, Maud must uncover what lies beneath Cathal's decades-old hostility and the strange activities of the house itself.

"My name is Amber Reynolds. There are three things you should know about me. I'm in a coma. My husband doesn't love me anymore. Sometimes I lie." Unnerving, twisted and utterly compelling, you won't be able to put this new thriller down. Set to be the most talked about book in 2017, it's perfect for fans of Behind Closed Doors, The Girl on the Train and The Widow.

Random House presents the audiobook edition of Bridge of Clay by Markus Zusak. From the internationally acclaimed, prize-winning, best-selling author of The Book Thief, here is a story told backwards and inside out. The five Dunbar brothers are living - fighting, dreaming, loving - in the perfect squalor of a house without grownups. Today, the father who abandoned them is about to walk back in. But why has he returned, and who have the boys become since he left?

Emily was only five years old when she was sent away from her ma and pa and her brother, Joe, to go and live with old Granny Edwards. A loving and hardworking child, she goes into service when she is 12 at the house of Roger Francis, whose connections with Emily's own family prove to be closer than she could ever have guessed. Roger's daughter, Deborah, takes a great fancy to Emily, and when Emily has moved to another household in Hull she finds that her new employer's son, Hugo, is to marry Deborah.

Even now, at the age of 82, Iris lives in the shadow cast by her younger sister Laura. Now poor and trying to cope with a failing body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death.

I know my daughter better than I know myself, and if there’s one thing I know for sure at this moment it's that Maisie is not okay. My ex-husband, Shaun, and I are still friends. We would do anything for our beautiful little girl, Maisie. But now Shaun has moved in with Joanne, and suddenly Maisie has a brand-new family. And there’s something not quite right about it.... I know Joanne isn’t everything she says she is. Yet no-one will listen. I need to discover what she’s hiding. Because if I don’t, my daughter will be in terrible danger. 

Ingrid Coleman writes letters to her husband, Gil, about the truth of their marriage, but instead of giving them to him, she hides each in the thousands of books he has collected over the years. When Ingrid has written her final letter, she disappears from a Dorset beach, leaving behind her beautiful but dilapidated house by the sea, her husband, and her two daughters, Flora and Nan. Twelve years after her disappearance, Gil thinks he sees Ingrid from a bookshop window.

If Elizabeth Bennet had the washing of her own petticoats, Sarah thought, she would be more careful not to trudge through muddy fields. It is wash-day for the housemaids at Longbourn House, and Sarah's hands are chapped and bleeding. Domestic life below stairs, ruled tenderly and forcefully by Mrs Hill the housekeeper, is about to be disturbed by the arrival of a new footman smelling of the sea, and bearing secrets.

1995, London. When Sir James Harrison, one the greatest actors of his generation, passes away at the age of 95 he leaves behind not just a heartbroken family but also a secret so shocking, so devastating that it could rock the English establishment to its core. Joanna Haslam is an ambitious young journalist assigned to cover the legendary actor's funeral. The great and the good of the celebrity world are there. But Joanna stumbles on something dark beneath the glamour: the mention of a letter James Harrison has left behind, the contents of which others have been desperate to conceal for over 70 years. 

Six-year-old Helen and Ellie are identical twins, but Helen is smarter, more popular, and their mother's favorite. Ellie, on the other hand, requires special instruction at school, is friendless, and is punished at every turn. Until they decide to swap places - just for fun, and just for one day - and Ellie refuses to switch back. Everything of Helen's, from her toys to her friends to her identity, now belongs to her sister.

Rae-Valentine and Howard were childhood sweethearts. They’ve shared twenty-five peaceful years since they were brought together by Dolly, Howard’s larger-than-life sister. But now, on the night of their wedding anniversary, Howard reveals a shocking betrayal that leaves Rae reeling. Heartbroken, she takes Dolly on her would-be anniversary trip to Antigua and the two women drink and dance and talk like they haven’t in years. 

The Spanish House is a mixture of designs, Georgian, Gothic and Moorish, as if whoever started it had simply got bored. It has long been known as an architectural folly to locals, and is now nearly derelict to boot. When its reclusive owner dies intestate, the Spanish House is left to his city-dwelling niece. For Isabel, recently widowed, the house is a potential lifeline - the only hope she has of providing for her two children without having to sell her most treasured possession.

Emma has a job in television which is distinctly less glamourous and exciting than it sounds. She's managed to claw her way up the ranks from Tea Maker and Rubbish Collector to Second Assistant Director (heavy on the assistant. Even heavier on the second.). So when she finds she's accidentally very pregnant and at the same time accidentally very sacked (well, less accidentally: she did tell her boss to stick his job up his bum), she knows things are going to have to change.

In the autumn of 1975, after two decades of intimate friendships, Truman Capote detonated a literary grenade, forever rupturing the elite circle he’d worked so hard to infiltrate. Why did he do it, knowing what he stood to lose? Was it to punish them? To make them pay for their manners, money and celebrated names? Or did he simply refuse to believe that they could ever stop loving him? Whatever the motive, one thing remains indisputable: nine years after achieving wild success with In Cold Blood, Capote committed an act of professional and social suicide with his most lethal of weapons...words. 

It is a cold January morning and Shetland lies buried beneath a deep layer of snow. Trudging home, Fran Hunter's eye is drawn to a vivid splash of colour on the white ground, ravens circling above. It is the strangled body of her teenage neighbour Catherine Ross. The locals on the quiet island stubbornly focus their gaze on one man – loner and simpleton Magnus Tait. But when police insist on opening out the investigation a veil of suspicion and fear is thrown over the entire community. For the first time in years, Catherine's neighbours nervously lock their doors, whilst a killer lives on in their midst.