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Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.
Swann’s Way is the first of seven volumes in Remembrance of Things Past. It sets the scene with the narrator’s memories being famously provoked by the taste of that little cake, the madeleine, accompanied by a cup of lime-flowered tea. It is an unmatched portrait of fin-de-siècle France.
A century after it first appeared, Crime and Punishment remains one of the most gripping psychological thrillers. A poverty-stricken young man, seeing his family making sacrifices for him, is faced with an opportunity to solve his financial problems with one simple but horrifying act: the murder of a pawnbroker. She is, he feels, just a parasite on society. But does the end justify the means? Rodion Romanovitch Raskolnikov makes his decision and then has to live with it.
The first authorized, unabridged release of this timeless classic and exclusively available from Recorded Books. Ulysses records the events of a single day, June 16, 1904, in Dublin, Ireland.
At the heart of Joseph Heller's best-selling novel, first published in 1961, is a satirical indictment of military madness and stupidity, and the desire of the ordinary man to survive it.
Leo Tolstoy's classic story of doomed love is one of the most admired novels in world literature. Generations of readers have been enthralled by his magnificent heroine, the unhappily married Anna Karenina, and her tragic affair with dashing Count Vronsky.
Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.
Swann’s Way is the first of seven volumes in Remembrance of Things Past. It sets the scene with the narrator’s memories being famously provoked by the taste of that little cake, the madeleine, accompanied by a cup of lime-flowered tea. It is an unmatched portrait of fin-de-siècle France.
A century after it first appeared, Crime and Punishment remains one of the most gripping psychological thrillers. A poverty-stricken young man, seeing his family making sacrifices for him, is faced with an opportunity to solve his financial problems with one simple but horrifying act: the murder of a pawnbroker. She is, he feels, just a parasite on society. But does the end justify the means? Rodion Romanovitch Raskolnikov makes his decision and then has to live with it.
The first authorized, unabridged release of this timeless classic and exclusively available from Recorded Books. Ulysses records the events of a single day, June 16, 1904, in Dublin, Ireland.
At the heart of Joseph Heller's best-selling novel, first published in 1961, is a satirical indictment of military madness and stupidity, and the desire of the ordinary man to survive it.
Leo Tolstoy's classic story of doomed love is one of the most admired novels in world literature. Generations of readers have been enthralled by his magnificent heroine, the unhappily married Anna Karenina, and her tragic affair with dashing Count Vronsky.
The Old Man and the Sea is one of Hemingway's most enduring works. Told in language of great simplicity and power, it is the story of an old Cuban fisherman, down on his luck, and his supreme ordeal, a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Here Hemingway recasts, in strikingly contemporary style, the classic theme of courage in the face of defeat, of personal triumph won from loss.
Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).
Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.
Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other, for no one but Saunders could conceive it. February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved 11-year-old son, Willie, dies and is laid to rest in a Georgetown cemetery.
The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known... of Tom, the mason who becomes his architect - a man divided in his soul... of the beautiful, elusive Lady Aliena, haunted by a secret shame... and of a struggle between good and evil that will turn church against state, and brother against brother.
English anthropologist Andrew Bankson has been alone in the field for several years, studying the Kiona river tribe in the territory of New Guinea. Haunted by the memory of his brothers' deaths and increasingly frustrated and isolated by his research, Bankson is on the verge of suicide when a chance encounter with colleagues, the controversial Nell Stone and her wry and mercurial Australian husband, Fen, pulls him back from the brink. Nell and Fen have just fled the bloodthirsty Mumbanyo and, in spite of Nell's poor health, are hungry for a new discovery.
On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, knowing that her life is about to change forever. Having struggled to find her place in the city since she arrived from Trinidad five years ago, she has been offered a job as a typist under the tutelage of the glamorous and enigmatic Marjorie Quick. Although Quick takes Odelle into her confidence and unlocks a potential she didn't know she had, she remains a mystery - no more so than when a lost masterpiece with a secret history is delivered to the gallery.
Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.
First published in 1929, Faulkner created his "heart's darling", the beautiful and tragic Caddy Compson, whose story Faulkner told through separate monologues by her three brothers: the idiot Benjy, the neurotic suicidal Quentin, and the monstrous Jason.
A predecessor to such monumental works as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoevsky's writing towards the more political side. In this work we follow an unnamed narrator who is disillusioned by the oppression and corruption of the society in which he lives and withdraws into the underground. Notes from the Underground shows Dostoevsky at his best.
“A faithful translation is rare; a translation which preserves intact the original text is very rare; a perfect translation of Montaigne appears impossible. Yet Donald Frame has realized this feat. One does not seem to be reading a translation, so smooth and easy is the style; at each moment, one seems to be listening to Montaigne himself - the freshness of his ideas, the unexpected choice of words. Frame has kept everything.” (Andre Maurois, The New York Times Book Review)
Chichikov, a mysterious stranger, arrives in a provincial town and visits a succession of landowners to make each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying tax on them, and to use these "souls" as collateral to reinvent himself as a gentleman. In this ebullient masterpiece, Nikolai Gogol created a grotesque gallery of human types.
the characters develop slowly, keeping up with the names is a bit difficult, but the story is a masterpiece.
I'm new to this. Why the silly voices Mr narrator? most off-putting. I think I would have enjoyed the book more if I'd read it.
The idiot of the title is Prince Muishkin, a young man who has just returned to Russia after being treated in Switzerland for epilepsy. The other main characters are Rogojin-another nobleman he meets on the train, Nastasia Philipovna-a woman they both love and who has a questionable reputation and Aglaya Epanchin-a young woman who Muishkin also "loves" and at one point looks like marrying.
I struggled with this book. I found the characters hard to believe and very shallow-especially some of the supporting ones. I should say this was not helped by the fact I listened to this as an audio book, and the narrator made many of the characters sound like something out of a Monty python sketch. I also found the book incredibly long with many of the passages being an excuse for Dostoevsky to tell a yarn of some sort. Having said that I did enjoy General Ivolgin-retired and unfortunate- and his tall tales of his exploits in the army and his time as a child with Napoleon in Moscow.
I also thought the explanation at the start of part 4 as to why you cannot write a novel about ordinary people was fantastic. But as a novel I did not like it.
1 of 4 people found this review helpful
Abandoned about 70% through. It was a promising start - reminiscent of Tolstoy, but it just got deeper and deeper into an endless waffle about vague topics by transient characters, none of which were properly formed. The emotions are incomprehensible and the motives are peculiar. I just cannot recommend this.
0 of 2 people found this review helpful
I avoided this book for a long time: who wants to read a book about a person who's so good everyone around him thinks he's an idiot?
Boy, was I wrong. This is an intense and brooding novel, filled with Dostoevsky's usual array of deeply conflicted characters and blistering monologues. The idiot himself, Prince Myshkin, is no pushover: maybe he's a bit naive at times, but he insists on treating people as equals and assuming their good intentions until contrary evidence is overwhelming. He suffers from epilepsy, and in the course of the novel has a couple of seizures that dramatically alter the direction of the story.
Superficially, the novel is about Myshkin's conflicted relationships with two women: Aglaya, the youngest daughter of a distant relative, with whom he is in love; and Anastassya Filippovna, a "fallen woman" who's been fobbed off by her former lover and who seems to be drifting from one self-destructive relationship to another. Myshkin may have loved her once, but now he mainly pities her. Aglaya, who at one point seems willing to marry Myshkin, ultimately breaks off because of his obsession with Anastassya.
But that's only one small facet of this complex, teeming book. The characters are captivating, the scenes at times almost hypnotic in their intensity. I've only read a few of Dostoevsky's novels, but so far I'm inclined to say this is probably my favorite.
Robert Whitfield (=Simon Vance) gives a stellar reading. Of particular note is his ability to distinguish the voices of the many women in the book: sometimes the shading is subtle, but I always knew instantly who was talking. Well done, highly recommended.
73 of 74 people found this review helpful
Have you ever wondered what it would be like if a person as selfless and beautiful as the Jesus portrayed in the bible? Someone so in tune with humanity so aware of its horrors and imperfections, yet so wholly consumed by his love of humanity that he would destroy himself just for the chance of allowing you to save yourself?
That was what Dostoevsky was attempting to do, and by the gods, he did it. The story may not be for everyone, but if you stick with it you will be amazed. This is far and away my favorite Dostoevsky novel, and I have read all of them.
Considering how difficult it is to find a decent reading of any of Dostoevsky's longer works Robert Whitfield is incredible. Every character has a voice that you can recollect instantly when it hits your ears. He engages the writing and manages to bring life to it even with this dated translation. You will find no better on Audible, and you would do you well to treat your soul to this difficult, but compelling novel.
The novel itself starts with figures of Christ, the Anti-Christ, and the False Prophet conversing together on a train, and from there things proceed until both Myshkin and Rogozhin stand at opposite ends as Nastassya Filippovna fights between salvation and damnation even as the sins of her humanity where down on her conscience and soul.
There are of course, more characters, more events. A Dostoevsky novel could never be otherwise, and by the end of the novel you will see yourself in one of the characters. You have to, the whole of humanity is on display here through the interactions his characters. They are all simultaneously real and unreal. Like Shakespeare, Dostoevsky creates characters that turn their humanity to 11 and engage your very soul with their complexity and utter irrationality.
Dostoevsky is attempting to show us the truth that Christ offered us: no one can save us, nor can He cannot save, He can only open the door. Only we ourselves can choose to enter that door through which salvation is attainable. It is hard, no, impossible, and Dostoevsky, like the his Christ knew this and the book conveys this understanding with an undeniable beauty. We are evil, we are kind, we are a paradox capable of the most horrendous acts of selfishness and kindness, often within quick succession. This is what it is to be human, and Dostoevsky relishes it and rejects any and all ideas that would take away our free will in deciding how to live our lives.
You will not feel clean after reading this novel, it will sting, it will pull and eat at you for days after the final words has crept through your headphones and left you in silence. But there is beauty in it. A poetic perfection that makes itself more and more manifest with every listen. Though written in the mid-19th century, we are no different than the world Dostoevsky knew and loved. Buy this or don't, it your choice. Just know that as of right now, you are 650 pages away from growing a soul.
25 of 25 people found this review helpful
While this has not been my favourite Dostoevsky, (brother's karamazov was better), it remains on my 'must-read' list for Russian authors. The characters were very vivid, and the good narration made it easy to distinguish characters. Did I say 'good' narration? Actually, it was marveleous. Some of the voices were quite comical when they suited the characters, and I have to credit this narrator (robert whitfield) with making this book truly enjoyable. I would recommend this book to any Russian literature fan. It's an integral part of the 'Russian Canon'.
34 of 35 people found this review helpful
An amazing conglameration of characters interact in wild, passionate and complex arragements and operatic-like scenes that display Dostoyevsky's depth and mad brilliance as psychology, religion, pre-revolutionary society, action and inaction!, suspense, amazing dialogue and the issues of love, death, chance and the meaning (or lack of meaning) of life swirl all around and eventually coalese, perhaps!.
The translation seems somewhat dated and stilted, and the voices, which really do help differentiate the characters (often an issue when 'listening' to classic Russian novels), sometimes seem inappropriately, annoyingly inflected. Also, drags on in parts. Abridgement tries to get around theses problems, but (this) unabridged rendition is 'the only way to go' to get the real experience.
Unexpectedly easy to follow, but I still would not recommend this to someone unfamiliar with Russian literature. Certainly, not for all tastes.
Overall, a great undertaking with fabulous highs and a blessing for non-Russian readers.
28 of 31 people found this review helpful
I avoided this book for a long time: who wants to read a book about a person who's so good everyone around him thinks he's an idiot?
Boy, was I wrong. This is an intense and brooding novel, filled with Dostoevsky's usual array of deeply conflicted characters and blistering monologues. The idiot himself, Prince Myshkin, is no pushover: maybe he's a bit naive at times, but he insists on treating people as equals and assuming their good intentions until contrary evidence is overwhelming. He suffers from epilepsy, and in the course of the novel has a couple of seizures that dramatically alter the direction of the story.
Superficially, the novel is about Myshkin's conflicted relationships with two women: Aglaya, the youngest daughter of a distant relative, with whom he is in love; and Anastassya Filippovna, a "fallen woman" who's been fobbed off by her former lover and who seems to be drifting from one self-destructive relationship to another. Myshkin may have loved her once, but now he mainly pities her. Aglaya, who at one point seems willing to marry Myshkin, ultimately breaks off because of his obsession with Anastassya.
But that's only one small facet of this complex, teeming book. The characters are captivating, the scenes at times almost hypnotic in their intensity. I've only read a few of Dostoevsky's novels, but so far I'm inclined to say this is probably my favorite.
Robert Whitfield (=Simon Vance) gives a stellar reading. Of particular note is his ability to distinguish the voices of the many women in the book: sometimes the shading is subtle, but I always knew instantly who was talking. Well done, highly recommended.
21 of 25 people found this review helpful
The reading of this book made the whole thing easier.
6 of 7 people found this review helpful
To me, The Idiot stands out in Russian literature. I can appreciate other great Russian novels like Anna Karenina for their structure, their symbolism, their genius, but this book has all that and something more, which I would call _life_. I loved everything about the story and the characters, and would highly recommend it to anyone.
It is almost needless to say that Robert Whitfield delivers yet another impeccable performance in this audiobook.
8 of 11 people found this review helpful
Where does The Idiot [Blackstone] rank among all the audiobooks you’ve listened to so far?
I likes this book so much, that I even prefer it to The Brothers Karamazov. In The Idiot, the "angelic" character Myshkin is even more annoying than Alyosha Karamazov, but the other characters are much more likeable in this book. There is a great deal of humor, and it is less tempered here than in the Karamazov drama.
Who was your favorite character and why?
Lizabetha Prokofievna's character is surrounded by humor and she was the most sympathetic character; hers made the book very enjoyable.
Which scene was your favorite?
"Be quiet, Aglaya! Be quiet, Alexandra! It is none of your business! Don't fuss round me like that, Evgenie Pavlovitch; you exasperate me! So, my dear," she cried, addressing the prince, "you go so far as to beg their pardon! He says, 'Forgive me for offering you a fortune.' And you, you mountebank, what are you laughing at?" she cried, turning suddenly on Lebedeff's nephew. "'We refuse ten thousand roubles; we do not beseech, we demand!' As if he did not know that this idiot will call on them tomorrow to renew his offers of money and friendship. You will, won't you? You will? Come, will you, or won't you?"
Did you have an extreme reaction to this book? Did it make you laugh or cry?
Both The Idiot and The Brothers Karamazov have the "angelic" character; presumably, the one who is too good to survive in our world of men and women. These are similar to Lars Von Trier's "Dancer in the Dark" or "Breaking the Waves". However, whereas the film characters are very likeable, Myshkin and Alyosha are annoying or downright infuriating. However, Dostoyevki knits such an entertaining story with other, flawed characters who are very likeable, so the overall experience is absorbing.
1 of 1 people found this review helpful
On a quick research, I couldn't find the origin of the idiom, "Prince among men." Prince Myshkin in Dostoevsky's "The Idiot" is who immediately came to mind when I recently heard that phrase, well after having read and listened to this book several months ago.
What happens when you drop into higher society a man with a title but an illness that took him away to Switzerland for all his youth? Dostoevsky wanted to write a novel that answered the question of how society of the day would treat a true innocent, an unmarried man in his mid-20s who does not sin and only has love to give (in Christianity, only One fits that description). To me, this was Dostoevsky's sad, but hopeful parabolic answer. While published in 1869, "The Idiot" is essentially timeless and one of the best 100 novels of all time.
The narration was perfect.
I highly recommend this audiobook.
3 of 4 people found this review helpful
This novel is always interesting, but often difficult to follow and I think many people will be tempted to give up in a few spots. I would concur with the other reviewers that the narrator did a good job with a challenging cast of characters to distinguish. I would also suggest that this is not the easiest introduction to Dostoyevsky -- Crime and Punishment or even Notes from the Underground would be better.
1 of 1 people found this review helpful