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Mark Gatiss ( Sherlock, Doctor Who, Game of Thrones) reads chilling tales by the unsung master of the classic ghost story: E. F. Benson. There's nothing sinister about a London bus. Nothing supernatural could occur on a busy train platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden inexplicable chill.
Twisted 50 is a deliciously dark slice of contemporary horror literature. Reading it is like attending a late night secret banquet where you know each course will serve up something unexpected, forbidden, and unforgettably chilling. Take your private seat now for 50 luscious courses of terror, from 50 of the strongest voices in modern horror.
Gothic master Edgar Allan Poe's complete works are collected in this multivolume set by Blackstone Audio. Here are his short stories, detective fiction, and poems in all their mysterious and macabre glory. Also included are Poe's literary reviews and editorial musings, comprising an often caustic analysis of the poetry, drama, and fiction of the period.
Sixteen classic stories from masters of the genre: "The Judge's House", by Bram Stoker; "A Jug of Sirup", by Ambrose Bierce; "The Reconciliation", by Lafcadio Hearn; "The Woman With a Candle" by W. Bourne Cooke; "The Ebony Frame", by E. Nesbit; "On the Northern Ice", by Elia W. Peattie; "The Haunted Doll's House", by M. R. James; "The Old House in Vauxhall Walk", by Charlotte Riddell; "The Underground Ghost", by John Berwick Harwood; "Haunted", by Anon (from Tinsley's Annual); plus five more....
Whoever is born here is doomed to stay until death. Whoever comes to stay never leaves. Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a 17th-century woman whose eyes and mouth are sewn shut. Blind and silenced, she walks the streets and enters homes at will. She stands next to children's beds for nights on end. So accustomed to her have the townsfolk become that they often forget she's there. Or what a threat she poses.
Classic Tales Of Horror offers up fifteen slices of powerful story-telling from the world's great mystery & classic horror authors. From Henry James and Ambrose Bierce to Bram Stoker and Charles Dickens. Read by John Waite (BBC Radio 4), Sarah Douglas (Superman I & II), Michael Fenton-Stevens (Spitting Image, KYTV, Hitch-Hiker's Guide) and Ben Onwukwe (London's Burning, Othello).
Mark Gatiss ( Sherlock, Doctor Who, Game of Thrones) reads chilling tales by the unsung master of the classic ghost story: E. F. Benson. There's nothing sinister about a London bus. Nothing supernatural could occur on a busy train platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden inexplicable chill.
Twisted 50 is a deliciously dark slice of contemporary horror literature. Reading it is like attending a late night secret banquet where you know each course will serve up something unexpected, forbidden, and unforgettably chilling. Take your private seat now for 50 luscious courses of terror, from 50 of the strongest voices in modern horror.
Gothic master Edgar Allan Poe's complete works are collected in this multivolume set by Blackstone Audio. Here are his short stories, detective fiction, and poems in all their mysterious and macabre glory. Also included are Poe's literary reviews and editorial musings, comprising an often caustic analysis of the poetry, drama, and fiction of the period.
Sixteen classic stories from masters of the genre: "The Judge's House", by Bram Stoker; "A Jug of Sirup", by Ambrose Bierce; "The Reconciliation", by Lafcadio Hearn; "The Woman With a Candle" by W. Bourne Cooke; "The Ebony Frame", by E. Nesbit; "On the Northern Ice", by Elia W. Peattie; "The Haunted Doll's House", by M. R. James; "The Old House in Vauxhall Walk", by Charlotte Riddell; "The Underground Ghost", by John Berwick Harwood; "Haunted", by Anon (from Tinsley's Annual); plus five more....
Whoever is born here is doomed to stay until death. Whoever comes to stay never leaves. Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a 17th-century woman whose eyes and mouth are sewn shut. Blind and silenced, she walks the streets and enters homes at will. She stands next to children's beds for nights on end. So accustomed to her have the townsfolk become that they often forget she's there. Or what a threat she poses.
Classic Tales Of Horror offers up fifteen slices of powerful story-telling from the world's great mystery & classic horror authors. From Henry James and Ambrose Bierce to Bram Stoker and Charles Dickens. Read by John Waite (BBC Radio 4), Sarah Douglas (Superman I & II), Michael Fenton-Stevens (Spitting Image, KYTV, Hitch-Hiker's Guide) and Ben Onwukwe (London's Burning, Othello).
A big, brilliant, spooky collection of classic and contemporary ghost stories that will make you hesitate before turning off that light.
A wonderful collection of 50 of the best classic ghost stories ever written. 'The Missing Model' by Lettice Galbraith, 'Pomegranate Seed' by Edith Wharton, 'The Screaming Skull' by F. Marion Crawford, 'The Ghost in the Cupboard Room' by Wilkie Collins, 'The Shadow on the Blind' by Louisa Baldwin, 'A Ghost's Revenge' by Lettice Galbraith, 'The Lost Ghost' by Mary Wilkins-Freeman, 'On the Northern Ice' by Elia W. Peattie, 'The Cold Embrace' by Mary E. Braddon, 'The Dust Cloud' by E. F. Benson, and many more.
An abandoned house whose horrific past is reenacted for those who dare visit; a terrifying trip down the Danube River; a malevolent half-beast creature who abducts a member of a hunting party; and a tale of paranoia, mental deterioration, and all-consuming feelings of doom: Here are four feverish, spine-tingling tales that will chill the blood and make the flesh creep. The collection includes "The Empty House," "The Willows," "The Listener", and "The Wendigo".
This is volume two of a two-volume omnibus set comprising the complete fictional works of Howard Phillips Lovcecraft. Every story written for publication under his own name is included in this set, from 1927 through 1935. (Poems, ghostwritten material, and stories written in collaboration with other writers are not included.)
A collection of tales to invade and paralyse the mind as the safe light of day is infiltrated by the shadows of the night. As you listen, the clutching fingers of terror brush lightly across the nape of the neck, reach round from behind to clutch and lock themselves, white-knuckled, around the throat.This is the horror of ordinary people and everyday objects that become strangely altered; a world where nothing is ever quite what it seems, where the familiar and the friendly lure and deceive.
Editors Randy Chandler and Cheryl Mullenax put the call out to horror writers and editors of extreme stories, the hardcore stuff that breaks boundaries and trashes taboos, the transgressive tales you can't "unread" (as Chuck Palahniuk says). Some of the stories you'll find here are loaded with very graphic descriptions of violence, sex, and depravities, while others may contain only one shocking moment of brutality. In others, the hardcore aspect may be less graphic and subtler than you might expect.
A spine-tingling collection of weird and wonderful horror stories, featuring ghosts, curses, strange phenomena, ghouls, black magic, and demonic apparitions. Do you dare to listen?
What could have made this a 4 or 5-star listening experience for you?
I don't mean to be unkind but the narrator was definitely not the right person for the job. Having someone else, anyone else, read it would have improved my rating.
Who was your favorite character and why?
My mind has blanked out all specific memory of the stories to protect me.
What didn’t you like about Cathy Dobson’s performance?
Her vocal rhythm is unendurable and monotonous. Every sentence sounds the same as the as the last and the next one; it starts off quietly and then reaches a crescendo and then quietens again. It's not her fault; she's obviously articulate. The fault lies with whoever gave her the job and whoever directed her. Her talents may be better deployed in the field of hypnosis?
2 of 3 people found this review helpful
If this book wasn’t for you, who do you think might enjoy it more?
The book WAS for me, the reader wasn't!
What will your next listen be?
Back to an old favourite until I can bear to try this again
Would you be willing to try another one of Cathy Dobson’s performances?
No
What character would you cut from Horror Stories?
I don't know I couldn't bear to get past the 3rd chapter
Any additional comments?
Such a shame - looks like a great collection
4 of 8 people found this review helpful
found it hard work . I was expecting a little more atmosphere in the reading . got bored after acouple of stories
0 of 1 people found this review helpful
What could have made this a 4 or 5-star listening experience for you?
A better narrator without the strange cadence and random inflections!
What other book might you compare Horror Stories to and why?
Other great classic material ruined by Dobson's weird narration.
What didn’t you like about Cathy Dobson’s performance?
Everything. She has a British accent, which would usually bode well for this type of material, but in her case it's just awful.
If you could play editor, what scene or scenes would you have cut from Horror Stories?
The scene where Cathy Dobson enters the narrators booth.
8 of 10 people found this review helpful
What disappointed you about Horror Stories?
Mostly the narration, but the stories are pretty unhorrific as well.
Has Horror Stories turned you off from other books in this genre?
Perhaps.
Would you be willing to try another one of Cathy Dobson’s performances?
Absolutely not. Her performance doesn't make these dated tales to life.
What character would you cut from Horror Stories?
The narrator.
8 of 10 people found this review helpful
What would have made Horror Stories better?
If the narrator had made an effort to engage the reader with her voice.
What could the authors have done to make this a more enjoyable book for you?
This collection seemed like the perfect choice. Many of my favorite authors are featured in this anthology. I could not get past the narrator's constant, unchanging way of reading.
6 of 8 people found this review helpful