In Phineas Finn, the second of the Palliser series, Trollope balances the rival demands of public and private life. Phineas Finn, an irresistible but penniless young Irish barrister enters Parliament and comes to London leaving behind him an Irish sweetheart, Mary Flood-Jones. In London, Phineas wins friends on all sides and is admitted into high society. However, he also falls more-or-less in love, first with politically-minded Lady Laura Standish, then with Violet Effingham, and finally with wealthy widow Madame Max Goesler.

When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.

Originally published in 1878, Is He Popenjoy? is a delightful comic novel written late in the career of author Anthony Trollope. The plot revolves around the themes of property and inheritance, as the relatives of the Marquis of Brotherton question the legitimacy of a foreign-born heir to the family estate. Lord George Germain, as the younger brother of the marquis, can neither inherit the family title nor enjoy the income from the estate. He occupies the ancestral home, Manor Cross, only by grudging permission of his elder brother, who lives abroad. 

The spirited Lily Dale, who longs to be loved, is devastated when her fiancé, the self-interested Adolphus Crosbie, jilts her for the aristocratic Lady Alexandrina. Although heartbroken, Lily still loves Crosbie and believes she must remain single despite him being unworthy of her affections. Even when the more deserving John Eame, presents himself she is still unable to see past her feelings for Crosbie. Meanwhile, Lily's sister Bell is also under pressure to marry for money, not for love.

Lord Rufford has kissed Arabella twice but she realises that much more needs to be done to win him and his estate. It is now time to tell John Morton she no longer wants to marry him? Starring Robert Glenister, Anna Maxwell Martin, Barbara Flynn, Blake Ritson, Stuart Milligan, Joanna David, Daniel Rabin, Penelope Rawlins, Carl Prekopp, Henry Devas, Elaine Claxton, Joanathan Forbes, Jane Whittenshaw, and Sean Baker. Directed by Tracey Neal. Dramatised by Martyn Wade.

William Whittlestaff, an aging bachelor, becomes a guardian to the much younger Mary Lawrie. Having lost the woman he loved to a richer rival many years ago, he now finds himself falling in love with Mary despite knowing that her love belongs to another man, John Gordon. John left three years previously in search of his fortune in order to make himself worthy of Mary. Not knowing if she will ever see him again, Mary accepts Whittlestaff's proposal only for her true love to return.

This comprehensive novel consists of three subplots which interlink to form the whole and supply a trio of targets at which Trollope aims his proselytising pen. The first treats on the courtship of a woman by a man whom she does not love and with whom she is not compatible. Mary Lowther will not accept such a marriage of dishonesty. The second deals with the plight of a young woman who has fallen prey to the wiles of an evil seducer and subsequently adopts a life of prostitution.

On the death of his son, Sir Harry Hotspur had determined to give his property to his daughter Emily. She is beautiful and as strong-willed and high-principled as her father. Then she falls in love with the black-sheep of the family.

In this world of bribes, vendettas, and swindling, in which heiresses are gambled and won, Trollope's characters embody all the vices: Lady Carbury is 'false from head to foot'; her son Felix has 'the instincts of a horse, not approaching the higher sympathies of a dog'; and Melmotte - the colossal figure who dominates the book - is a 'horrid, big, rich scoundrel...a bloated swindler...a vile city ruffian'. But as vile as he is, he is considered one of Trollope's greatest creations.

Dr Wortle's School introduces the unassuming Mr. Peacocke and his polite, newly-wed bride, as they join the teaching staff of an elite and exclusive Christian boys' school. Dr. Wortle, a devoted English scholar and the headmaster of the seminary academy, welcomes his two new teachers, confident that they will uphold the high standards of education at the school.

Eve's Ransom, written in 1895, is the story of a bizarre triangle of love. An educated but unsuccessful man, Hilliard, is trapped in grimy Birmingham until he receives a totally unexpected windfall. He goes in search of a woman whose picture he had seen in his landlady's photo album. Typical of most of Gissings books the setting is autobiographically faithful and the theme is freedom. The writing is crisp, the narrative swift in this, as H. G. Wells said, "the best and least appreciated of his novels".

The welfare of children - a theme that ennobles many of the novels of Charles Dickens - captures the sympathy of our century as profoundly as it did that of the author's own contemporaries. Following the history of a fatherless young man, his mother, and his sister as they find themselves at the mercy of a greedy and unscrupulous uncle, Nicholas Nickleby is both a vivid indictment of the exploitive, brutal boarding schools of the late 19th century and a celebration of a little family's resilient generosity of spirit.

This is a diverting delight, a window on romance in literature. There are high lovers and low lovers, tragic lovers, comic lovers, and lovers who shouldn’t be doing what they are doing at all and certainly not then and there. There is even Fanny Hill trying not to discover what physical love is about when set upon by an old roué who has paid for the privilege. Though of special interest for lovers and their special lover’s day of St. Valentine, it is an amusing and sometimes surprising collection.

After being treated for epilepsy at a Swiss sanatorium, Prince Muishkin returns to St. Petersburg to reconnect with a wealthy distant relative and her family. Guileless and charming, Muishkin endears himself to everyone he meets, and they place him in the center of high society’s conflicts. Soon Muishkin becomes caught in a sphere of jealousy, betrayal, extortion, and murder. And he finds his loyalties divided between two women - one needing love, the other salvation.

Julius Caesar left his gardens to the citizens of Rome, a peaceful sanctuary across the Tiber. Now the gardens and their sacred grove are dangerous haunts, especially for women alone. 'Don't go to the Grove,' people mutter, but when her husband has to leave Rome, it falls to Albia to supervise his building project in an old grotto. Why has someone buried tattered scrolls by obscure philosophers - and does it involve a worse crime than terrible writing? Soon that puzzle is overtaken.