Black Girl, Jump
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Seslendiren:
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Yazan:
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Charlene Thomas
Özet
“Spine-tingling and hallucinogenic, this social horror is feverish and compulsively readable.”—Jihyun Yun, USA Today bestselling author of And the River Drags Her Down
Oh please, join us, Sweetie. For a summer, perhaps?
A lovely Experience, we’ll promise you that.
With our river that sparkles and bites (not too bad!),
Where the trees sing along and your skin won’t be—Shhhh
Oh please, join us, Sweetie. For a summer, just one?
You’ll look so, so pretty in our white blinding sun—
—at our woodsy retreat where history rhymes
And the truth is quite truthful—well, most of the time…
Oh please, join us, Sweetie. Have we convinced you yet?
A summer with Sweeties is as sweet as it gets.
The girls will all love you. Oh, they’ll lick you right up!
We see you. Adore you. We need you.
Now JUMP.
“Black Girl, Jump is the book I needed as a young Black girl, and I am so grateful it exists now."—Ashley Blaine Featherson-Jenkins, star of Netflix's Dear White People
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Eleştirmen yorumları
“Spine-tingling and hallucinogenic, this social horror is feverish and compulsively readable.”—Jihyun Yun, USA Today-bestselling author of And The River Drags Her Down
"Black Girl, Jump is the book I needed as a young Black girl, and I am so grateful it exists now. Charlene Thomas writes with a vulnerability that never flinches, and that honesty becomes the book's greatest strength, the very thing that sets it apart. In a moment when our stories are still fighting to be centered, she places a Black girl's inner life at the heart of the page and dares us to truly see her. Timely and necessary, it does not simply reflect young Black women, it insists on their worth, and makes a promise to every young Black girl who reads it: your story belongs at the center."—Ashley Blaine Featherson-Jenkins, co-star of Netflix's Dear White People
“Black Girl, Jump is a beautifully disturbing and darkly twisted tale that has haunted me since I read Charlene Thomas’s final words. However, the most terrifying aspect of this work of artistic horror lies within its nuanced exploration of the exploitation of Black women and the heavy toll that it demands. Thomas’s craft as a horror novelist shines brighter than a Sweetie in an unforgettable story that is most definitely not to be missed by genre enthusiasts.”—Terry J. Benton-Walker, national bestselling and award-winning author of Blood Justice and The White Guy Dies First
Praise for Streetlight People
★"Ray Bradbury-esque."—Publishers Weekly, starred review
“Disorienting and delightful in equal measure, Streetlight People is a gorgeously told Lynchian tale of a claustrophobic small town full of insidious secrets.” —Joelle Wellington, author of Their Vicious Games
Praise for Seton Girls
★"Poignant conversations examining the lack of accountability for wealthy, well-protected men in power permeate this thought-provoking story." –Publishers Weekly, starred review
“Legitimately unputdownable. It’s a scathing critique of toxic masculinity wrapped up in a gorgeously written prep-school mystery.” —Becky Albertalli, NYT bestselling author of Simon Vs the Homo Sapiens Agenda
"Black Girl, Jump is the book I needed as a young Black girl, and I am so grateful it exists now. Charlene Thomas writes with a vulnerability that never flinches, and that honesty becomes the book's greatest strength, the very thing that sets it apart. In a moment when our stories are still fighting to be centered, she places a Black girl's inner life at the heart of the page and dares us to truly see her. Timely and necessary, it does not simply reflect young Black women, it insists on their worth, and makes a promise to every young Black girl who reads it: your story belongs at the center."—Ashley Blaine Featherson-Jenkins, co-star of Netflix's Dear White People
“Black Girl, Jump is a beautifully disturbing and darkly twisted tale that has haunted me since I read Charlene Thomas’s final words. However, the most terrifying aspect of this work of artistic horror lies within its nuanced exploration of the exploitation of Black women and the heavy toll that it demands. Thomas’s craft as a horror novelist shines brighter than a Sweetie in an unforgettable story that is most definitely not to be missed by genre enthusiasts.”—Terry J. Benton-Walker, national bestselling and award-winning author of Blood Justice and The White Guy Dies First
Praise for Streetlight People
★"Ray Bradbury-esque."—Publishers Weekly, starred review
“Disorienting and delightful in equal measure, Streetlight People is a gorgeously told Lynchian tale of a claustrophobic small town full of insidious secrets.” —Joelle Wellington, author of Their Vicious Games
Praise for Seton Girls
★"Poignant conversations examining the lack of accountability for wealthy, well-protected men in power permeate this thought-provoking story." –Publishers Weekly, starred review
“Legitimately unputdownable. It’s a scathing critique of toxic masculinity wrapped up in a gorgeously written prep-school mystery.” —Becky Albertalli, NYT bestselling author of Simon Vs the Homo Sapiens Agenda
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