Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour hit of Pop Art - via a bit of skullduggery - Autumn is a witty excavation of the present by the past. Autumn is a take on popular culture and a meditation in a world growing ever more bordered: what constitutes richness and worth?

Why are books so very powerful? The stories in this collection are about what we do with books and what they do with us: how they travel with us and shock us, change us and challenge us, banish time while making us older, wiser and ageless all at once and how they remind us to pay attention to the world that we make. With this brilliantly inventive collection, Ali Smith joins the campaign to save our public libraries and celebrate their true place in our culture and history.

Not far from London, there is a village. This village belongs to the people who live in it and to those who lived in it hundreds of years ago. It belongs to England's mysterious past and its confounding present. It belongs to Mad Pete, the grizzled artist. To ancient Peggy, gossiping at her gate. To families dead for generations, and to those who have only recently moved here. But it also belongs to Dead Papa Toothwort who has woken from his slumber in the woods. Dead Papa Toothwort, who is listening to them all. 

The crow crossed the sky, slow-beating her wings. Beat, beat, beat. It was night, not yet morning, and her feathers were so black that she coasted the air invisible above the city wall. Thus begins Ali Smith's retelling of Sophocles' tragedy, about a young Theban princess who decides to bury her dishonoured brother Polynices, against King Creon's express orders, with heart-breaking consequences.

How to Be Both is a novel all about art's versatility. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

Angela Carter's last book, Wise Children, was written and published whilst she was dying from cancer, in 1991. Transcending her physical deterioration in admirable fashion, Carter made this a most life-affirming novel, in support of the vitality of 'otherness.' This Audible exclusive production, expertly read by Tracey Ullman, stands in celebration of a legendary author known for the richness of her imagination, wit and feminist insight.

White supremacy is a violent system of oppression that harms Black, Indigenous and People of Colour, and if you are a person who holds white privilege, then you are complicit in upholding that harm, whether you realise it or not. And if you are person who holds white privilege, the question you should be asking isn't whether or not this is true, but rather, what are you going to do about it?

Things I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood. Taking George Orwell's famous essay 'Why I Write' as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. 

In this remarkable new collection of essays, writer and critic Olivia Laing brings together a career’s worth of writing about why art - paintings, books, music - really matters. From To the River to The Lonely City, all of Laing’s books have been about the role of art in real lives: how it can help make sense of difficult personal circumstance or show the truth about cruel or unjust political situations.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity. 

Picking up where Things I Don't Want to Know left off, this short, exhilarating memoir shows a writer in radical flux, facing separation and bereavement and emerging renewed from the ashes of a former life. Faced with the restrictions of conventional living, she dismantles her life, expands it and puts it back together in a new shape. Writing as brilliantly as ever about mothers and daughters, about social pressures and the female experience, Deborah Levy confronts a world not designed to accommodate difficult women and ultimately remakes herself in her own image.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing polemic on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

Flights, a novel about travel in the 21st century and human anatomy, is Olga Tokarczuk’s most ambitious to date. It interweaves travel narratives and reflections on travel with an in-depth exploration of the human body, broaching life, death, motion and migration. With her signature grace and insight, Olga Tokarczuk guides the reader beyond the surface layer of modernity and towards the core of the very nature of humankind.

Imagine you give a dinner party and a friend of a friend brings a stranger to your house as his guest. He seems pleasant enough. Imagine that this stranger goes upstairs halfway through the dinner party and locks himself in one of your bedrooms and won't come out. Imagine you can't move him for days, weeks, months. If ever. Ali Smith's dazzling new novel is a funny, moving book about time, memory, thought, presence, quietness in a noisy time, and the importance of hearing ourselves think.

Matsutake is the most valuable mushroom in the world - and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made?