"Abandon all hope you who enter here." ( "Lasciate ogne speranza voi ch’intrate.") Dante’s Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism. Passing under a lintel emblazoned with these frightening words, the poet is led down into the depths by Virgil and shown those doomed to suffer eternal torment for vices exhibited and sins committed on earth.

Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.

Charged with treason under Theodoric the Great in sixth-century Rome, Boethius served one year's imprisonment, awaiting trial and eventual execution. During this time, he wrote The Consolation of Philosophy, which would go on to be one of the most popular philosophical works of all time, contributing much to medieval thought and influencing the likes of Dante and Chaucer, as well as Renaissance writers, such as Milton and Shakespeare.  

Today Byron is regarded as the ultimate romantic - a rebel, a Casanova, and a man of intense, brooding passion. He was the most famous literary man of his time, and his poetry, endlessly witty and often insightful, was immensely popular and hugely influential. From the delicate romanticism of "She Walks in Beauty" to the evocative reflections of "So We’ll Go No More a Roving", Byron’s poems were unrivaled in their power and potency. 

The Metamorphoses by Publius Ovidius Naso (43 B.C. - A.D. 17) has, over the centuries, been the most popular and influential work from our classical tradition. This extraordinary collection of some 250 Greek and Roman myths and folk tales has always been a popular favorite, and has decisively shaped western art and literature from the moment it was completed in A.D. 8. The stories are particularly vivid when read by David Horovitch, in this new lively verse translation by Ian Johnston.