Nisha has crossed oceans to give her child a future. Now she spends her days caring for someone else's daughter while her own waits for her return, half a world away. For Petra, it is only natural to hire a domestic worker to keep her house clean and her family fed. Their lives have nothing in common, except the love they feel for their daughters. Then one day, Nisha vanishes. No one cares about the disappearance of a foreign domestic worker, except Petra and Nisha's secret lover, Yiannis, the only connection to her daughter back in Sri Lanka. 

Evelyn and Muriel Axon, mother and daughter, lead a haunted existence. Objects of horror to their neighbours, they evade or terrorise any social worker who crosses their path. Inside their house, they pursue a covert persecution of each other, shrinking from the unseen occupants of their spare room. But change is in the air… Every Day is Mother's Day is a merciless comedy of colliding lives: of sex, death, madness, adultery and the social services.

Max Wolff is a committed soldier of the Reich. So when he is sent home wounded, only to discover that his mother is sheltering two young Jewish women in their home, he is outraged. His mother’s act of mercy is a gross betrayal of everything Max stands for. He has dedicated his life to Nazism, fighting to atone for the shame of his anti-Hitler father’s imprisonment. It’s his duty to turn the sisters over to the Gestapo. But he hesitates, and the longer Max fails to do his duty, the harder it becomes. 

During a midnight journey snaking through the Carpathian Mountains, these are the words whispered to Cath Fenwick. It is the warning she will later wish she'd taken more seriously. When Cath receives her invitation to The Event - a monetised retreat for social media influencers - she can't believe her luck. Irene Jobert is the most famous influencer in the world and now Cath will be one of the five participants chosen to stay with Irene in a renovated Transylvanian monastery.

Acclaimed author Maxine Hong Kingston’s The Woman Warrior broke new ground when it was first published 35 years ago, weaving autobiography, history, folklore, and fantasy in to a candid and revelatory story about the daughter of Chinese immigrants in mid-20th century California.

Kate Madison's children are grown and ready to forge lives of their own. Her daughter Isabelle is a dedicated attorney until she falls for a client she represents in a criminal case.... And then there's Julie, who meets a man who seems too good to be true, for good reason. Justin is a struggling writer who pushes for children with his partner before they're ready. And Willie, the youngest child, makes a choice that shocks them all.... Kate can't keep her children from playing against the odds. The hardest lesson will be that she can't protect them from the choices they make.

Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige - he just doesn’t quite know what he’s signing up for. The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room.

What if they hadn't gone? That's the question Clementine can't stop asking herself. It was just a backyard barbeque. They didn't know their hosts that well. They were friends of friends. They could so easily have said no. But she and her husband, Sam, said yes, and now they can never change what they did and didn't do that beautiful winter's day. Six responsible adults. Three cute kids. One yapping dog. It's a normal weekend in the suburbs. What could possibly go wrong?

Violet Winters once had it all but lost it when her husband was murdered by a criminal madman. During a cold winter night Violet has to leave her warm bed to tell her neighbor to turn the music down. And that's when she meets sinister, scarred, scarily attractive security specialist, Joe Callahan. She wants to deny it, but Violet can't beat back the hunger she feels for Joe so she gives in again and again. Feeling it himself, Joe feeds Vi's hunger, breaking his own rules to keep her in his bed.

When Alice Love surfaces from a beautiful dream to find she's been injured in a gym, she knows that something is very wrong – she hates exercise. Alice's first concern is her baby – she's pregnant with her first child, and she's desperate to see her husband, Nick, who she knows will be worried about her.But Alice isn't pregnant. And Nick isn't worried.

Daughter of a cold, controlling mother and an anonymous donor, studious, obedient Elizabeth Fitch finally let loose one night, drinking too much at a nightclub and allowing a strange man’s seductive Russian accent to lure her to a house on Lake Shore Drive. Twelve years later, the woman now known as Abigail Lowery lives alone on the outskirts of a small town in the Ozarks.

We're all something else inside.... 1952. Standing in a cold Suffolk field with her family, six-year-old Mary Ward has a revelation: I am not Mary. That is a mistake. I am not a girl. I'm a boy. So begins Mary's heroic struggle to change gender. Moving from the claustrophobic rural community of the 1950s to London in the swinging '60s and beyond to the glitter of America in the '70s, Sacred Country is the story of a journey to find a place of safety and fulfilment in a savage and confusing world.

Unusual requests are commonplace at the No. 1 Ladies' Detective Agency, but so are very ordinary ones, such as a plea for money: when a distant cousin calls on Mma Ramotswe to ask for help with another relative's hip operation, tricky questions arise in regard to family responsibility. Mma Makutsi and Mr J. L. B Matekoni are far from convinced of the merits of the request, but it is hard for Mma Ramotswe, with a heart her size, to turn people away.

Frances Howard has beauty and a powerful family - and is the most unhappy creature in the world. Anne Turner has wit and talent - but no stage on which to display them. Little stands between her and the abyss of destitution. When these two very different women meet in the strangest of circumstances, a powerful friendship is sparked. 

Trying to navigate her Indian world at home and the British world outside her front door, Anita Rani was a girl who didn't ­fit in anywhere. She was always destined to stand out: from playing Mary in her otherwise all white nursery nativity to growing up in '80s Yorkshire with her Punjabi family, spending evenings in the factory her parents owned whilst trying to ­figure out how best to get rid of hair that seemed to be growing everywhere.