1942
Crux of War
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Seslendiren:
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Lee Goettl
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Yazan:
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Jonathan Parshall
The year opened with the Axis powers inflicting a series of disasters on the newly formed Allies: Pearl Harbor, followed by Japan's conquest of the Philippines and Southeast Asia; Rommel running unchecked in North Africa; devastating defeats of the Red Army at Kharkov, Crimea, and southern Russia. By the summer of 1942, many of these theatres offered a grim global calculus. Any notion of decisive victory seemed far-fetched.
Yet by the end of 1942 there had been a sea-change. Within just one forty-day timespan, the British had triumphed over Rommel at Alamein; British and American forces landed in North Africa to confront the Axis position there; the Americans won two naval battles at Guadalcanal, sealing the fate of that campaign and with it Japanese expansionism; the Red Army launched a massive counter-offensive at Stalingrad that would condemn six Axis armies to eventual destruction. The Allies had somehow gained the upper hand, forcing the Axis powers into a defensive crouch from which they would not rebound.
Jonathan Parshall's epic 1942: Crux of War offers a sweeping new narrative. It looks at the year from all sides and from every front, revealing how military reform, economic mobilization, inspired improvisation, and growing professionalism coalesced quickly and decisively, paving the way toward final Allied victory.
Jon Parshil at his conversational best!
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Epic academic achievement
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Overall the book deals with the main issues month by month, and is good at this, but the bias is what spoils what should be a fantastic opportunity to write a treatise on a massive subject.
1942 from a self-centred viewpoint
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The performance however is atrocious. It's baffling that a performer was engaged and seemingly given no direction on how to pronounce any of the places or names anywhere in the text. There are numerous times when it seemed they were purposfully trying to pronounce things wrong. Naming the German General Georg Kuchler as "George" is particularly egregious. If you can ignore this it is fine, but considering the purpose of the book is to inform and teach it seems odd that no effort was apparantly made to correct the many pronounciation errors.
A fantastic book marred by terrible narration
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Could not stop listening
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